LITR 4370 Tragedy

official date: Thursday, 16 June 2016 
email submission window: 15 June-17 June midnight


Model
Assignments

(This webpage is the assignment for our course's midterm, to be reviewed and updated till 14 June.)

Three parts to Midterm: (All 3 essays will be revised and extended for your final exam.)

Essay 1.  Define "genre" and analyze your choice of examples: Using the Introduction to Genres page, develop a "working definition" of genre in three categories (Subject / Audience, Formal, Narrative) and use them to analyze a genre  of your choice. Cite, explain, and analyze two or more text-examples of your genre from your reading, viewing, or listening experience and 2 research sources (probably term-pages) from the course website or beyond. (total length: 4-7 substantial paragraphs, 2-3 double-spaced page equivalent)

Essay 2. Learning about Tragedy: Describe your learning experience with tragedy, referring to the Tragedy term-site, Aristotle's Poetics, & Nietzsche's Birth of Tragedy, and using examples from Aeschylus's Oresteia trilogy, O'Neill's Mourning Becomes Electra: The Homecoming, and possibly Sophocles's Oedipus the King & Euripides's The Bacchae to illustrate the characteristics and appeals of the tragedy genre, especially the tragic narrative. (5-8 substantial paragraphs, 2-3 double-spaced page equivalent)

Essay 3. Special Topics on Tragedy: Identify a special topic relating to Tragedy and write the first half of an essay exploring and developing your topic relative to two or more texts we've read so far. Refer to at least two research sources from our course website or beyond. You may also briefly refer to literary works beyond our course. (4-5 substantial paragraphs, 2+ double-spaced page equivalent)

For more on Essays 1-3, scroll down to "Details on Midterm Content."

Format: email. No regular class meeting on Thursday 16 June. Classroom available. Instructor keeps office hours 9-12.

Email exams due to whitec@uhcl.edu by midnight Friday, 17 June. "Submission window" is 15 June-17 June midnight. Write in Word or Rich Text Format file; attach to email message to whitec@uhcl.edu. If you write on a Mac, paste contents into an email to whitec@uhcl.edu and I'll save to my files.

Unusual feature of midterm and final exam: All 3 parts are session-long writing projects. In response to feedback from instructor, additional course readings, and your continued learning, your midterm essay drafts will be revised, updated, and extended in the Final Exam. The three essays you wrote for the Midterm become three longer, complete essays for the Final Exam.

Instructor reads each midterm essay as a more-or-less complete essay-in-progress. On the final exam you are expected to make improvements in response to feedback.

Rationale: Writing is Literature's most important skill, developing creative and critical thinking. The best-proven way to improve writing is through guided rewriting.

Special requirements: All three essays must have titles.

Somewhere in your midterm refer directly to something you learned from another student's midterm or final exam on Model Assignments. (Only one reference required in entire midterm, but more can be impressive.)

Concession: Contents of your three midterm essays may overlap with or repeat each other somewhat—no automatic discredit. Use common sense, be efficient, cross-reference.

Details on Midterm Content

Essay 1.  Define "genre" and analyze your choice of examples: Using the Introduction to Genres page, develop a "working definition" of genre in three categories (Subject / Audience, Formal, Narrative) and use them to analyze a genre  of your choice. Cite, explain, and analyze two or more text-examples of your genre from your reading, viewing, or listening experience and 2 research sources (probably term-pages) from the course website or beyond.

Length of Essay 1 on midterm: 4-7 paragraphs total (2-3 double-spaced page equivalent) (For final exam, you will revise your essay so far and add a few more paragraphs.)

Content organization: Use classic "Definition-Example-Analysis" pattern.

General advice based on previous student submissions: Introduce your chosen genre and its text-example(s) as early as possible, and describe to explain the three genre categories. For instance, if your genre is "horror" and your main example is The Walking Dead, introduce The Walking Dead in your opening paragraph and use it to illustrate all three categories of genre: subject/audience, formal, narrative.

"Working Definition": use the Introduction to Genres to define the meaning, importance, and limits of "genre." Specifically define and distinguish Subject / Audience genre, Formal genre, and Narrative genre with brief, general examples based on your chosen genre and its text-examples or other examples raised in class. This "working definition" can be revised, questioned, or extended as you work with examples of your chosen genre.

Choose and analyze a genre + examples: Your choice of genre and examples of it will be your primary text to analyze in at least two ways:

Your genre may be any item (except tragedy) from the list of genres or elsewhere on webpage or in your experience. (You may compare-contrast or otherwise relate to tragedy, but not required.)

Your genre may be literary or extra-literary, for instance a category or genre of film, music, theater, dance, visual art (genre paintings), reality TV, sitcoms, stand-up comic monologues, etc.

Examples of your genre may be from your reading or viewing in or beyond school, e.g. Young Adult Dystopias: The Hunger Games, The Giver, The Uglies

Fantasy: Harry Potter series, The Lord of the Rings trilogy, Anne McCaffrey's The Dragonriders of Pern

Musicals: Hamilton, Beauty and the Beast, The Little Mermaid

Police Drama: CSI: Miami, Castle, Criminal Minds.

Requirement for analyzing your choice of genre + text examples: You must describe or analyze your chosen genre through all three categories from Introduction to Genres:

Subject / Audience genre: What is the subject or content basis of your chosen genre? Does your genre or the way it appears (esp. characters) correspond to its audience?

Formal genre (narrator-individual speaker; dialogue b/w characters; narrator + dialogue): Of these 3 voices or sets of voices, which characterizes your text-examples? (e.g., if it's a movie, it's usually dialogue, but variations are always possible) How does this formal genre appear in your text-example? (Provide examples & analyze.)

Narrative genre: Tragedy, Comedy, Romance, Satire or combination(s): Which of the four major story patterns plays out in your genre or text-example? Variations and combinations always possible.

Since there are no pure genres, don't panic if these various categories overlap or become blurred, or if your genre or examples turn into or mix with other genres. Describe and evaluate.

Recall course attitude: genres aren't rules but conventions or family traits; not boxes but yardsticks. If genres morph, evolve, or connect with others, that's normal.

Beyond analyzing your genre in terms of Subject, Formal, and Narrative, consider describing your genre's appeals, interests, and benefits to its audience, society, etc. Consider analyzing in terms of entertainment / education balance.

If you can't finish describing everything in the time or space allowed, summarize how far you've gotten and indicate what remains. There's still the final exam!

General advice based on previous courses' midterms: Introduce your chosen genre and text-example(s) as early as possible, and use them to help explain or illustrate the three genre categories.

Midterm models: 2015, 2014, 2012

Final exam models: 2015

Warning: the biggest danger for students is neglecting instructional materials available on website.

Essay 2. Learning about Tragedy: Describe your learning experience with tragedy, referring to the Tragedy term-site, Aristotle's Poetics, & Nietzsche's Birth of Tragedy, and using examples from Aeschylus's Oresteia trilogy, O'Neill's Mourning Becomes Electra: The Homecoming, and possibly Sophocles's Oedipus the King & Euripides's The Bacchae to illustrate the characteristics and appeals of the tragedy genre, especially the tragic narrative.

Length of Essay 2 on midterm: 5-8 paragraphs, 2-3 double-spaced page equivalent. (For final exam, you will revise your essay so far and add 5-8 more paragraphs.)

Required references to texts: As examples and illustrations for your learning experience in Tragedy, you must refer to passages in The Oresteia and Mourning Becomes Electra. You may also refer briefly to other tragedies you know from beyond this course.

Advice on assignment: You can't cover everything about tragedy, but you want to try.

Use Tragedy term-page and instructional pages from coursesite.

Start with what's most interesting or promising or puzzling to you about tragedy, and illustrate with examples from course texts or beyond.

Connect your opening angle or insight to other qualities you're picking up about tragedy and what you've learned so far about these characteristics, with examples from course texts or beyond.

Consistent themes throughout course:

Tragedy as the greatest genre?

Tragedy modernizes.

The tragic flaw. Spectacle
Tragedy compared / contrasted to comedy and romance. Tragedy as learning and progress ("Suffering leads to wisdom"); entertainment & education.
Families as love and hate; co-dependent fates. Aristotle's Poetics 13c, 14c; Oedipal Conflict; Electra Complex. As in Essay 1, analyze tragedy as subject / audience; formal genre; & narrative genre. See Tragedy term-page..

Depending on your emphases, you probably cannot refer to all these possibilities, and your essay is judged as much on unified organization as on coverage of content, but the best essays unify as much material as possible.)

Midterm models: 2015, 2014, 2012

Final exam models: 2015, 2014, 2012

Essay 3. Special Topics on Tragedy: Identify a special topic relating to Tragedy and write the first half of an essay exploring and developing your topic relative to two or more texts we've read so far. Refer to at least two research sources from our course website or beyond (term-pages, Aristotle, Nietzsche, Model Assignments, class discussion or lecture). You may also briefly refer to literary works beyond our course, and what you've learned about Tragedy elsewhere.

Length of Essay 3 on midterm: 4-5 paragraphs, 2+ double-spaced page equivalent. (For final exam, you will revise your essay so far and add 4-5 more paragraphs.)

Required text-examples: Find examples of your topic in Aeschylus's Oresteia trilogy, O'Neill's Mourning Becomes Electra: The Homecoming, Sophocles's Oedipus the King, Euripides's The Bacchae, or other relevant texts in or beyond the course.

Required research sources: You must use at least two research sources, usually from the course website. These sources may include term-pages, Model Assignments  on your topic, and / or critical sources like Aristotle's Poetics and Nietzsche's Birth of Tragedy.

Process: Start by going to the course exams' special topics page to choose your topic.

Read research sources and / or model assignments recommended on special topics page.

Review tragedies read so far for examples of your topic's appearance.

Default essay organization: The path of least resistance is to describe and unify your report as a "quest" or "journey of learning."

What did you want to learn? Why did you choose this topic?

Where and how does your topic appear in our course texts? (examples + analysis)

What did you find out or learn from your research sources? How does your topic appear in our course texts?

Where has this knowledge taken you? How has your view of your topic changed or developed?

What would you like to learn next? (following from what you learned so far)

How does this knowledge apply to our course or your understanding of tragedy or genre?

Midterm models: 2015, 2014, 2012

Final exam models: 2015, 2014, 2012

Remember that these model assignments on topics related to yours may be used as research sources.

Evaluation standards: Readability, competence levels, and interest.

Readability & surface competence: Your reader must be able to process what you're reporting. Given the pressures of a timed writing exercise, some rough edges are acceptable, but chronic errors or elementary style can hurt.

Content quality: Comprehension of subject, demonstration of learning, use of course resources including instructional webpages, + interest & significance: Make your reader *want* to process your report. Make the information meaningful; make it matter to our study of literature and culture. Reproduce course materials accurately but also refresh with your own insights and experiences.

Thematic Unity and Organization: Unify materials along a line of thought that a reader can follow from start to finish. (Consider "path of learning": what you started with, what you encountered, where you arrived.) Consult instruction sites on Unity / Continuity / Transition & Transitions.

Grade and feedback: You will receive an overall midterm grade and notes for improving each part for the final exam.