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LITR 4370 Tragedy


Phaedra (1880) by Alexandre Cabanel

Final Exam &
Research Report 2015

LITR 4370 Tragedy
Model Assignments

LITR 4533 summer 2014 final exam samples

(This webpage is the assignment for our course's final exam, updated until last class meeting, 29 April.)

Wednesday, 6 May 2015: final exam. (Students may take exam in-class 4-6:50pm on 6 May, or by email 30 April-8 May. During exam period instructor holds office hours.)

Email submission window: 30 April-8 May (midnight); attach Word or RTF file and / or paste into email message to whitec@uhcl.edu. Deadline: Friday midnight, 8 May.

Value: app. 40-50% of final grade; Format: open-book and open-notebook; in-class or email.

No attendance required 6 May; instructor holds office hours 4-8pm. 5-10 days after submission, students receive individual emails with final grade report incl. notes and grades for final exam and course.

Three parts to Final Exam:

Part 1. Finish genre definition and example(s) from Midterms 1 & 2: Using Introduction to Genres page, redevelop, revise, and improve your "working definition" of your chosen genre in all three categories (Subject / Audience, Formal, Narrative) and use them to describe and analyze the genre  you began in Midterm1. Cite, explain, and analyze two or more examples of your genre from your reading, viewing, or listening experience and  and 2 research sources from course website or beyond. (total length: 6-8 paragraphs, 3+ double-spaced page equivalent)

Part 2. Complete "Learning about Tragedy" Essay: Revise, improve, & extend essay begun in Midterms 1 & 2 on learning experience with tragedy, extending to include Hippolytos, Phaedra, and Desire Under the Elms. (Revise / improve midterm2 draft & add at least 5 paragraphs for 12+ paragraph total.) 

Part 3. Complete Research Report: Write at least 8-10 substantial paragraphs with four sources to complete your Research Report on selected special topic.

All three parts must include revisions & updates of earlier parts from Midterm1 & Midterm 2, connected and unified with extensions for final exam. Each essay will be read and graded as a complete comprehensive essay.

Special requirements:

Audience: a future member of our class (who may read your exam on Model Assignments). Help that student learn his way through our course materials as you have. Make them care! Answer their questions as you would have liked your own questions to be answered.

Ultimate audience = ancient instructor, who responds to how well you can explain what you're learning in our course's terms and your own, and make everything matter in terms of our course and your life or career.

Most unusual feature of this course's midterms and final exam: All three parts are semester-long writing projects. In response to feedback from instructor and your own learning, you revise, update, and extend earlier parts of these projects into comparatively polished final essays. Several of my courses, including Tragedy, feature writing assignments that continue from midterms to finals, but this is the first time I've tried having students revise and unify the parts.

Rationale: Writing is the most important skill Literature teaches, and the best-proven way to improve writing is through guided rewriting.

The most likely complication is that your research report topic will change somewhat as you continue your research. You may change your topic, but review your earlier research and connect to new topic by explaining the change and any possible continuity.

Preparation: Review instructor's feedback for Midterm1 & Midterm2. Preview questions and assignments before starting. Make notes, sketch outlines, draft and revise.

Part 1. Finish genre definition and example(s) from Midterms 1 & 2: Using the Introduction to Genres page, redevelop, revise, and improve your "working definition" of your chosen genre in all three categories (Subject / Audience, Formal, Narrative) and use them to describe and analyze the genre you began in Midterm1. Cite, explain, and analyze two or more examples of your genre from your reading, viewing, or listening experience and  and 2 research sources from course website or beyond. (total length: 6-8 paragraphs, 3+ double-spaced page equivalent)

Length: 6-8 paragraphs total ( 3+ double-spaced page equivalent)

Contents (mostly repeats or redevelopments from Midterm1 rewrite, with notes on rewriting and extending):

"Working Definition" = use the Introduction to Genres to define the meaning, importance, and limits of "genre." Specifically define and distinguish Subject / Audience genre, Formal genre, and Narrative genre with brief, general examples. This "working definition" can be revised, questioned, or extended as you work with examples of your chosen genre.

Continue illustrating and analyzing the genre you chose in Midterm1: If you have a main example—e.g., When Harry Met Sally for "Romantic Comedy"—introduce it early in your essay and use it to illustrate and explain the three categories of genre. Revise, extend, and unify your definitions, example-descriptions, and analyses started in Midterm1 and Midterm2. Explain so that someone who doesn't know what you're talking about can understand what you're talking about, both in definitions and examples. 

Use critical-thinking pattern of definition-example-analysis, in which a working definition is tested against examples, then revised or extended based on how the example proves, disproves, or varies the definition. Result: refreshed and continuing learning about genre and of text-examples.

If you introduced enough examples on the midterm drafts, you may simply improve your explanations of those examples. If you didn't introduce enough examples or have thought of some new ones that help, add 1 or 2 more.

General revision advice based on Midterm1 & Midterm2 submissions:

Introduce your main example(s) as early as possible, and use it or them to help explain the three genre categories. For instance, if your genre is "horror" and your main example is It Follows, introduce It Follows in your opening paragraph and use it to illustrate all three categories of genre: subject/audience, formal, narrative.

Part 2. Complete "Learning about Tragedy" Essay: Revise, improve, & extend essay begun in Midterms 1 & 2 on learning experience with tragedy, extending to include Hippolytos, Phaedra, and Desire Under the Elms. (Revise / improve midterm2 draft & add at least 5 paragraphs for 12+ paragraph total.)

Assignment Correct, improve, and extend your Learning Essay 1 from Midterm1. Review instructor's feedback. Rethink ideas and extend examples with more analysis and citations of texts and course website resources.

Required references to texts: As examples and illustrations for your learning experince in Tragedy since Midterm2, you must refer to passages in Euripides's Hippolytos, Racine's Phaedra, and O'Neill's Desire Under the Elms.

If my response-notes to your midterms say you did not adequately refer to our course readings in your Learning Essay's earlier drafts, incorporate references to examples from Oresteia trilogy (Agamemnon + selections from Libation Bearers & Euminides); Mourning Becomes Electra / Homecoming, and Lysistrata; plus or minus other plays (or films) you know or class has presented, like The Bacchae. Your essay is also expected to refer to all three of the Family of Oedipus cycle (Oedipus the King, Antigone, & Oedipus at Colonus) as well as to the selected scenes from Hamlet.

After improving or redeveloping your Midterm2 draft, transition to or unify those paragraphs with more paragraphs describing your learning experience since Midterm2. In these new paragraphs, focus particularly on Hippolytos, Phaedra, and Desire Under the Elms.  What have you learned that is worth learning (or teaching) about tragedy, genre, psychology, families, fate and free will, the individual and the community (or authority), Western Civilization, or other themes relevant to these plays?

Purpose of text references: Students who don't read assignments for Literature classes usually can't keep up with discussions, terms, objectives, and examples, or at best they minimally repeat references to examples described in class. If you want to be taken seriously as a good student, you need to demonstrate you can apply the course's lessons to your assigned readings. (If teachers-in-training don't read your assignments, they can't complain when their students don't read theirs.) 

Consistent themes throughout course:

Tragedy as the greatest genre?

Tragedy modernizes and expands appeal by incorporating other narrative genres (comedy and romance) and by managing spectacle.

(Especially later in semester + modernization of tragedy, romance appeared more often—with what effect? Consider Antigone, Hamlet, Oedipus at Colonus, Phaedra, and Desire Under the Elms.)

The tragic flaw.

Catharsis

Mimesis & Literature as entertainment / instruction

Oedipal Conflict, Electra Complex. Aristotle's Poetics 13c, 14cTragedy involves families who simultaneously love and hate each other as their fates are bound together.

Periods of Tragedy

Depending on your emphases, you need not refer to every theme, but the best essays unify as many ideas and texts as possible.

 

Part 3. Complete Research Report: Write at least 8-10 substantial paragraphs with four sources completing your Research Report on selected special topic.

Summarize your research and learning on your special topic and describe how what you've learned relates to our course on Tragedy (or to your teaching of tragedy or genres).

Research requirements: For the final exam, four research sources providing information on your topic are required. These sources may be from our course website or from beyond. You should try to feature at least one or more source from beyond our website.

Especially consider using "essential instructional page(s)" provided for each special topic.

Also some of your research sources may be from Model Assignments provided with your special topic.

The best responses to this assignment typically find more advanced sources beyond our course website. Other recommended research sources include reference books (encyclopedias, handbooks), MLA searches, and interviews with former teachers or professors.

You don't have to agree with your research sources; you can treat them as material to differ with or to provide contrary information; but you have to refer to them. Avoid writing what you could have written without taking our course--writing off the top of your head and repeating familiar cliches makes for bad writing and reading. 

Choice of Special Topic: You are expected to continue the topic you proposed in Midterm1. However, you may change topics as long as you explain why you originally chose your first topic and why you are switching to the new topic. (This explanation may be brief, but make it meaningful in terms of your learning.)

Assignment description: Write a complete report describing your research and learning concerning your Special Topic.

Default organization: The path of least resistance is to describe and unify your report as a "quest" or "journey of learning."

  • What did you want to learn? Why?

  • What did you find out or learn? How?

  • Where has this knowledge taken you? How has your view of your topic changed or developed?

  • What would you like to learn next? (that follows from what you have learned so far)

  • How does this knowledge apply to our course or your possible development of its topics?

Audience: Future students may use your research reports as sources for theirs. Appeal to their interests and explain why they should care about what you learned.

Works Cited / Bibliography: Include a list of your major research sources (at least four total for Final Exam).

Possible sources for research:

  • interview with an expert, including former teachers (phone interviews are fine) or faculty here at UHCL

  • reference works in library or on webthe more specialized the better (e. g., use "handbooks to literature" for definitions rather than "Webster's dictionary") 

  • no need for primary research or reading. For instance, if you wanted to do your report on Eugene O'Neill or another author of tragedy, you don't need to read more of their plays. You only need to read about the author.

  • welcome to use submissions on our webpage--research projects or reports by past students on similar topics

Evaluation standards: Readability, competence levels, and interest.

Readability & surface competence: Your reader must be able to process what you're reporting. Given the pressures of a timed writing exercise, some rough edges are acceptable, but chronic errors or elementary style can hurt.

Content quality: use of course resources (lecture, discussion, instructional links), comprehension of subject, demonstration of learning, + interest & significance: Make your reader *want* to process your report. Make the information meaningful; make it matter to our study of literature and culture.

Thematic Organization: Unify materials along a line of thought that a reader can follow from start to finish. (Consider "path of learning": what you started with, what you encountered, where you arrived.)