| |
LITR 4232 American
Renaissance
Walt Whitman, introduction +
“There Was a Child Went Forth” + selections from Song
of Myself : sections 1-5, 19, 21, 24, 32-34, 46-52.
Introducing Whitman
presentation: Alicia Atwood--"Child Went Forth,"
Song of Myself
[break]
schedule to Thanksgiving
Whitman style sheet--"Crossing Brooklyn Ferry"
midterm & final
|
Whitman's picture from original 1855 Leaves of Grass
|
Tuesday,
11 November: Walt Whitman
first meeting: introduction 2190-95 +
“There Was a Child Went Forth” + selections from Song
of Myself : sections 1-5 (pp. 2210-13), 19 (p. 2223), 21 (pp. 2224-5), 24 (pp. 2227-9), 32-34 (pp. 2232-9), 46-52
(pp. 2249-54).
Whitman Style Sheet
Whitman Influence
Text-Objective Discussion:
Alicia D. Atwood
Thursday, 13
November:
Whitman continued: “Crossing Brooklyn Ferry”
2263-7
Whitman Style Sheet
Whitman Influence
midterm &
final
midterms returned Friday
grades
email for grade distribution
midterm samples
remaining schedule
Tuesday, 18
November:
Abraham Lincoln 1627-37: "House Divided speech," “Gettysburg Address,” + “Second Inaugural Address.” Research
Project due.
Text-Objective Discussion:
Cathrine Marie Nunn
Thursday, 20
November:
conclude
Whitman: “When Lilacs Last in the Dooryard Bloom’d” 2282-8
Whitman Style Sheet
Whitman Influence
Text-Objective Discussion:
Lisa
Wilson
Tuesday,
25 November: Emily Dickinson first meeting
Emily Dickinson style sheet
Introduction
2554-58; Poems: "I
like a look of Agony" (2558); "Wild
Nights" (2565); "There's a certain slant of light" (2567); "I
felt a Funeral, in my Brain" (2568)
Text-Objective Discussion:
Bethany Roachell
Tuesday 18 November--3 classes in one: Lincoln, Whitman,
Dickinson
presentations:
Cathrine (Lincoln)
Lisa (Whitman)
Bethany (Dickinson)
Overall point of study of Whitman:
Readers today find his style of poetry familiar--wide-open
in terms of style and subject matter
But in the mid-1800s Whitman was a revolutionary--no one
had written poetry like his before
"free verse" instead of structured, rhymed,
parsed lines
poetry not just about pretty, heroic, or uplifting
subjects, but poetry about intimacies and complexities of personal and cultural
life
introduce
Whitman
Images
of Whitman from the Walt Whitman Hypertext Archive
"Identification"
3. To use literature as a basis
for discussing representative problems and subjects of American culture (New
Historicism), such as equality; race, gender, class; modernization and
tradition; the family; the individual and the community; nature; the writer's
conflicted presence in an anti-intellectual society.
Whitman resolves poetically a problem in American society
that can't be resolved otherwise.
All Americans are equal.
Each American is special, unique, an individual.
Inherent contradiction between equality and individuality?
works at inclusiveness, both good and
bad are parts of world
identification
identification: absorption, expression
of other; other's absorption, identification of self
(correspondence?)
what I assume you shall assume
opposite equals advance
union (sexual, mystical, or both)
union as sex and mysticism
Question: is Whitman talking about sex or God or both?
Metaphor: talking about one thing in terms of another.
"My love is like a red, red rose."
I believe in you my soul, the other I am must not abase
itself to you,
And you must not be abased to the other.
Loaf with me on the grass, loose the stop from your
throat,
Not words, not music or rhyme I want, not custom or lecture, not even the best,
Only the lull I like, the hum of your valved voice.
I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn'd over upon me,
And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript
heart,
And reach'd till you felt my beard, and reach'd till you held my feet.
Swiftly arose and spread around me the peace and knowledge
that pass all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women my sisters
and lovers,
And that a kelson of the creation is love
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.
Is this about sex or about a mystical union with God?
The
Varieties of Religious Experience
(1902)
by William James
Lecture
XVI and XVII: MYSTICISM
|
|
.
. . First of all, then, I ask, What does the expression 'mystical states of
consciousness' mean? How do we part off mystical states from other states?
The words 'mysticism' and 'mystical' are often used as terms of mere reproach,
to throw at any opinion which we regard as vague and vast and sentimental, and
without a base in either facts or logic. For some writers a 'mystic' is any
person who believes in thought-transference, or spirit-return. Employed in this
way the word has little value: there are too many less ambiguous synonyms. So,
to keep it useful by restricting it, I will do what I did in the case of the
word 'religion,' and simply propose to you four marks which, when an experience
has them, may justify us in calling it mystical for the purpose of the present
lectures. In this way we shall save verbal disputation, and the recriminations
that generally go therewith.
- 1. Ineffability.- The handiest of the
marks by which I classify a state of mind as mystical is negative. The
subject of it immediately says that it defies expression, that no adequate
report of its contents can be given in words. It follows from this that its
quality must be directly experienced; it cannot be imparted or transferred
to others. In this peculiarity mystical states are more like states of
feeling than like states of intellect. No one can make clear to another who
has never had a certain feeling, in what the quality or worth of it
consists. One must have musical ears to know the value of a symphony; one
must have been in love one's self to understand a lover's state of mind.
Lacking the heart or ear, we cannot interpret the musician or the lover
justly, and are even likely to consider him weak-minded or absurd. The
mystic finds that most of us accord to his experiences an equally
incompetent treatment.
- Noetic quality.-
Although so similar to states of feeling, mystical states seem to those who
experience them to be also states of knowledge. They are states of insight
into depths of truth unplumbed by the discursive intellect. They are
illuminations, revelations, full of significance and importance, all
inarticulate though they remain; and as a rule they carry with them a
curious sense of authority for after-time.
These two characters will entitle any state to be called mystical, in the
sense in which I use the word. Two other qualities are less sharply marked,
but are usually found. These are:
- Transiency.-
Mystical states cannot be sustained for long. Except in rare instances, half
an hour, or at most an hour or two, seems to be the limit beyond which they
fade into the light of common day. Often, when faded, their quality can but
imperfectly be reproduced in memory; but when they recur it is recognized;
and from one recurrence to another it is susceptible of continuous
development in what is felt as inner richness and importance.
- Passivity.-
Although the oncoming of mystical states may be facilitated by preliminary
voluntary operations, as by fixing the attention, or going through certain
bodily performances, or in other ways which manuals of mysticism prescribe;
yet when the characteristic sort of consciousness once has set in, the
mystic feels as if his own will were in abeyance, and indeed sometimes as if
he were grasped and held by a superior power. This latter peculiarity
connects mystical states with certain definite phenomena of secondary or
alternative personality, such as prophetic speech, automatic writing, or the
mediumistic trance. When these latter conditions are well pronounced,
however, there may be no recollection whatever of the phenomenon and it may
have no significance for the subject's usual inner life, to which, as it
were, it makes a mere interruption. Mystical states, strictly so called, are
never merely interruptive. Some memory of their content always remains, and
a profound sense of their importance. They modify the inner life of the
subject between the times of their recurrence. Sharp divisions in this
region are, however, difficult to make, and we find all sorts of gradations
and mixtures.
The
well-known passage from Walt Whitman is a classical expression of this sporadic
type of mystical experience.
"I believe in you, my Soul...
Loaf with me on the grass, loose the stop from your throat;...
Only the lull I like, the hum of your valved voice.
I mind how once we lay, such a transparent summer morning.
Swiftly arose and spread around me the peace and knowledge that pass all the
argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers and the women my sisters and
lovers,
And that a kelson of the creation is love."
"The test of a first-rate intelligence is the ability
to hold two opposed ideas in the mind at the same time, and still retain the
ability to function."
(F. Scott Fitzgerald, from The Crack-Up)
Bernini, St. Teresa in Ecstasy, the Vatican, Rome
from
the Works of St. Teresa, quoted in Marcelle Auclair, Teresa of Avila,
trans. Kathleen Pond (Image, 1959), p. 105.
I saw an angel close to me, on my left, in bodily shape a thing granted
to me but rarely. He was not large,
but small, very beautiful, his face radiant. . . .
He held a long golden lance in his hand and I thought its tip was all
flames. He seemed to plunge it
several times into my heart, right to the very depths of me.
When he drew it out, he seemed to pluck my heart out with it, leaving me
all on fire with an immense love of God. The
pain was so sharp that I moaned but the delight of this tremendous pain is so
overwhelming that one cannot wish it to leave one, nor is the soul any longer
satisfied with anything less than God. It is a spiritual, not a bodily pain, although the body has
some part, even a considerable part, in it.
It is an exchange of courtesies between the soul and God . . . so sweet
that I beg God to let whoever thinks I'm not telling the truth taste it. . . .
|