Literary & Historical Utopias: Homepage & Syllabus
URL: http://coursesite.uhcl.edu/HSH/Whitec/LITR/5439utopia Instructor: Craig White Office:
Bayou 2529-8 Phone: 281 283
3380. Email:
whitec@uhcl.edu Course texts Thomas More, Utopia (1516) Edward Bellamy, Looking Backward (1888) Charlotte Perkins Gilman, Herland (1915) Ayn Rand, Anthem (1938) Genesis, Revelation, & Book of Acts (BCE > 1st century AD/CE) Plato's Republic & Golden Age myths selections from other classical, multicultural, & postmodern texts Ernest Callenbach, Ecotopia (1975) Student Assignments Midterm 25 June (in-class or email) (app. 30-40%) Research Postings (2 installments + review in final exam) (20-30%) Final exam 9 July (30-40%) Transmitting your passages electronically: Seminar leadership, participation, attendance, etc. Informal presentations:
Terms & Objectives Terms “Utopia” has either historical or literary significance, or both: Utopia = an experimental community
intended to reform or escape from normal human society, often by substituting
planning, cooperation, or collective values and practices in place of
laissez-faire, competition, and individualism. Utopia = a novel describing life in such a community or world. The word “utopia” comes from the title of Sir Thomas More’s utopian novel / tract of 1516, Utopia. The word is made up of Greek parts, formed either from ou (no) + topos (place, as in “topography”) to mean “no place,” or eu (good, as in “euphoria”) + topos (place) to mean “good place.” The term “utopia” has been varied, especially in two ways: Dystopia = a society that is opposite from a utopia, or a utopia that’s gone dysfunctional. “Any utopia is someone else's dystopia.” Ecotopia = Ecological Utopia, a community whose collective health is based on a close imitation of nature’s interconnectivity. Term comes from our final text, Ecotopia, a utopian novel from 1975 by Ernest Callenbach. Millennium is usually a synonym or euphemism for apocalypse, but often with a softer or more metaphorical tone. List of Utopian Communities and Texts Standard features of utopian / dystopian literature
Objectives Objective 1. the Utopian Genre 1a. How to define the literary genre of “utopias?” What are the genre's standard conventions or features? What attractions and repulsions? What audiences are involved or excluded? 1b. What different genres join with or branch from utopia? Examples: dystopia, ecotopia, Socratic dialogue, journalism / tract / propaganda, satire, science fiction, fantasy, novel / romance, adventure / travel narrative. Others? 1c. Can utopias join science fiction, speculative fiction, and allied genres in a “literature of ideas?” 1d. To identify the utopian author both within and beyond traditional literary categories--e.g., as activist, agitator, reformer, prophet / visionary? 1e. Utopian Rhetoric: Utopia as persuasive literature--If literature should entertain and educate, what about fiction written to change the world? Objective 2. Utopian Narratives 2a. What kinds of stories rise from or fit the description of an ideal or dystopian community?--e. g., journey, learning, conversion, liberation? 2b. What problems rise from a utopian story that minimizes conflict and maximizes equality and harmony? What genre variations derive from these problems with plot? 2c. What tensions between the author’s description of a social theory and the reader’s demand for a story? 2d. How essential is “millennialism” (apocalyptic or end-time event) to the utopian narrative? Objective 3. Historical / Cultural Objectives Obj. 3 Not to regard utopias as “never happened” or “castles in the sky” but as literary and historical experiments essential to Western Civilization. Utopian forms may mirror or oppose social norms. 3a.To investigate historical, nonfiction attempts by “communes,” “intentional communities,” nations or cults to institutionalize or practice utopian ideals. 3b.Are utopian impulses limited to socialism and communism, or may freemarket capitalism also express itself in utopian terms and visions? Is utopia “progressive / liberal” or “reactionary / conservative?” What relations between “self and other” are modeled? 3c. In postmodern history, is the utopian impulse extinct? Can utopian ideals survive the postmodern universal of irony? 3d. What relations are there between fictional and actual utopian communities? What has been the historical impact of utopian fictions?
3e. How seriously to evaluate gender roles and standards of sexual and love relationships in utopian communities? How do these differ from or resemble traditional norms? How essential are such changes to their intended transformation of society?
3f. What social structures, units, or identities does utopia expose or frustrate?
3g. What is utopia’s relation to time and history?
3h. Since our major texts are all set in North America, how do Americans regard utopias? What problems does the USA’s culture present for discussing utopian issues? Contexts:
3i. How may utopias exemplify multiculturalism or monoculturalism?
Objective 4. Interdisciplinary Objectives 4a. What academic subjects or disciplines are involved with utopian studies? Examples: literature, history, sociology, economics, architecture, urban planning? 4b. How may utopian or millennial studies serve as an interdisciplinary subject of study? What strengths and weaknesses result from this status? (Comparable interdisciplinary subjects include women’s studies, gender studies, ethnic studies [e. g., African American studies, whiteness studies], future studies, millennialism.) 4c. Do some interdisciplinary subjects underprivilege multiculturalism? Do utopian studies privilege western civilization? 4c. Is “utopia” too simple and singular a word or concept for the variety of phenomena it describes? Conversely, what does utopia reveal about an author’s or culture’s cosmology or worldview, as well as cosmogonies or origin / creation stories? 4d. How do literature and literacy appear in utopian or dystopian cultures? Include computer literacy: What is a “virtual utopia” in science fiction and technology? How has utopian speculation, communication, and organization adapted to the Web? How does the Web itself assume utopian or millennial attributes? Objective 5. Instructional Objectives 5a. How may a seminar classroom serve as a microcosm, model, or alternative for American culture? How does use of web instruction alter social dynamics? 5b. What does utopian / dystopian literature instruct us about education? 5c. What difficulties does utopian instruction typically present?
5d. To evaluate teaching and learning methods for special course content
Reading, meeting, and presentation schedule Monday, 8 June: introduction: preview objectives, assignments, & presentations Readings: Genesis & Revelation; The Golden Age; Plato's Republic Tuesday, 9 June: continue course introduction; begin Utopia Readings: Thomas More, Utopia (1516)--read through book 1 & start book 2 Discussion starter for Book 1: Felicia Byrd Web review: Thomas More sites on course webpage: Katie Breaux Thursday, 11 June: conclude Utopia; begin Looking Backward Readings: complete Thomas More, Utopia (1516); Walter Bellamy, Looking Backward through chapter 6 Discussion starter for Book Two of Utopia: Cana Hauerland Web review: Edward Bellamy sites on course webpage: instructor Roundtable: Students ask questions, propose possible topics for Historical Presentations Monday, 15 June: complete Looking Backward Readings: Looking Backward (complete) Discussion-starter: Mary K. Boudreaux Web review: 19th-Century American Utopias: Julie Bollich Tuesday, 16 June: begin Herland (through chapter 6) Readings: Herland Discussion-starter: Bridget Yvette Brantley Web review: Charlotte Perkins Gilman sites: Amy Sidle Web review: Ayn Rand biography, institutes, ideology: Kathryn Vitek Thursday, 18 June: conclude Herland Readings: Herland Discussion-starter: Courtney Heintzelman Web review: Celebration USA: Felicia Byrd Instructor's review: Marge Piercy, Woman on the Edge of Time First research posting due weekend of 19-21 June Monday, 22 June: begin Anthem Readings: Anthem, through chapter VII Discussion-starter: Amy Sidle Web review: Twin Oaks & Los Horcones: Mallory Rogers Instructor reviews behaviorist utopias: B.F. Skinner, Walden Two (1948) + Thaler & Sunstein, Nudge: Improving Decisions About Health, Wealth, and Happiness (2008) Tuesday, 23 June: conclude Anthem Readings: Anthem (complete) Discussion-starter: Mary Boudreaux: Do American curricula emphasize dystopias? + other topics Web review: Suburbs as Utopia: LaKisha Jones Instructor reviews Francis Bacon, The New Atlantis (1623, 1627) Thursday, 25 June: midterm Monday, 29 June: Founding Utopias Readings: selections from Genesis, the Book of Acts, and Revelation Plato’s Republic & USA founding documents Adam Smith's The Wealth of Nations Discussion-starter: Kathryn Vitek (2-3 texts?) Web review: Jehovah’s Witnesses, Seventh-Day Adventists: Bridget Yvette Brantley Tuesday, 30 June: Multicultural utopias & millennia? Readings: selections from selections from African American slave narratives Dr. King’s Dream Speech: Discussion-starter: Katie Breaux Speech by Chief Seattle Discussion-starter: Mallory Rogers "Messiah Letter" of Wovoka / Jack Wilson Web review: Kibbutzim of Israel: Joshua Schuetz Thursday, 2 July: begin Ecotopia Readings: Ernest Callenbach, Ecotopia (1976), at least through p. 66 (up to "Decline without Fall? The Ecotopian Population Challenge") Discussion-starter: LaKisha Jones Web review: Ernest Callenbach sites on course webpage Second research posting due by Friday, 3 July, 9pm Monday, 6 July: alternative utopias Readings: handout pages from Toni Morrison’s Paradise (1999); Neal Stephenson's Snow Crash (1992); Dennis Danvers's Circuit of Heaven (1998) Discussion-starter: Joshua Schuetz (Paradise) Web review: Jonestown: Mary Boudreaux Tuesday, 7 July: conclude Ecotopia Readings: Ernest Callenbach, Ecotopia (1976), complete Discussion-starter: Julie Bollich Web review: Auroville: Cana Hauerland Thursday, 9 July: final exam due by Friday, 10 July syllabus from LITR 5733 Seminar in American Culture: Utopias (1995)
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