scenario: utopia / dystopia / ecotopia: K. S. Robinson, “Introduction” to Future Primitive. "Chocco," (FP 189-214); "House of Bones," (FP 85-110)
utopia page instruct / entertain Robinson article / Chocco / House of Bones review Utopian features of Chocco: Utopian conventions (socratic dialogue; characters as functions)
review Revelation: millennium > heaven
First Peoples Neanderthals 1-3% of genes in Euros and Asians; 0% in Africans
Laura Miller on YA Dystopian fiction
Edward O. Wilson, evolutionary psychology 20-1, 82-3
Today's question 3. . . . What metaphors or symbols enable us to imagine a sustainable future?
Objective 3a. Metaphor and analogy—expressing the unknown in terms of the known—as a creative and learning figure of speech in all literature, but especially science fiction and speculative fiction. 3b. Literature of the Future is somewhat unique in that the "reality" to which it refers does not yet exist, exposing how much all literature is an act of creative expression and interpretation.
Onion 9 downloaded graphics for rings + kiss
Drapes 139 I pulsed inside her, warm as blood
Onion 10 "Superhighway" analogy
Onion 15 "Peel a cyberonion"
no inside, all layers
Onion 21 programmed by nothing more than earth itself
metaphor not just ornamental but constitutive of human mentality
literature "entertains and educates"
10 biosphere our extended body x-old paradigm of world as machine Ø world as vast organism
11 reject inevitability of machine future
9 cf. Play, like wrestling of tiger cubs
192 topic: the Machine
People
Discussion Questions: 1. What are your experiences reading, studying, or teaching utopian or dystopian fiction in American middle schools and high schools? E.g., Brave New World, Anthem, Nineteen Eighty-Four, Fahrenheit 451, Lord of the Flies, The Giver, The Hunger Games and other Young Adult Dystopias. What are the attractions of these genres or sub-genres? Why does American reading go more toward dystopias than utopias?
190 irrigation ditch,
solar collectors
Jeet Heer, "The New Utopians" para. 9
1a.What is utopian or potentially dystopian about the "ecotopias" in today's texts or in popular culture? (e.g., "small is beautiful," "voluntary simplicity")
Chocco 191 As is the custom of most peoples who have managed to
survive on this continent, these women choose our leaders and determine our
destiny
Chocco 192 procedures proven through many generations
Chocco 195 sense of
place
vastly different
Chocco 207 Nowadays we
live “in place,”
as we say.
Chocco 208 decision-making primitive: majority voting x consensus
Bones 95 a way of life that has worked for thousands of years, that will go on working for thousands more [sustainable, but no beer]
Bones 96 sounds of laughter and shouting and song as work gets going on the new home [communal work, mix of work and pleasure]
Bones 101 didn’t know a single useful thing, but took me to their village, fed me, clothed me, taught me their language [adoption instead of procreation]
Bones 107 learning secret language.
The one that only the members of the tribe may know.
[intimate communities] If "Chocco" is more didactic or instructional, what fictional features make it somewhat more entertaining, or relieve the educational edge? What kinds of literary pleasures does "Chocco" offer? (Consider characterization.) How and why is "House of Bones" more entertaining as fiction than "Chocco?" In what ways may it still succeed as "instructive" or "educational?" Any questions or comments generally about today's readings?
Bones internality [characterization]
Bones individual decision, Chocco group decision (also question 4)
Bones 103 offers it to me x can’t take his lunch
Bones 104 if he smiles and shares his food then he’s human by me [less preachy]
Heer 10 “a study group more than a school.”
Heer 14 bureaucrats / scientists as heroes
Heer 20 easier to terraform Venus than to reach an international climate accord. Even the most splendid utopian imagination has its limits.
Heer 23 first, imagine it
Chocco 190 irrigation ditch,
solar collectors 207 solar refrigerators, water pumps
Chocco 196 burning of fuels, Hot Rods
Chocco 197 Great Warming
Chocco 197 commandments for
survival:
restrain our numbers,
limit our consumption,
spiritual is measure and meaning of all things
Chocco 199 Die-Off [apocalypse]Chocco 199 Pre-collapse world allowed its numbers to grow to almost
ten billion people—probably at least a thousand times more than Earth has now
Chocco 200 carrying capacity
Chocco 200-01 new tribal groupings, on a
manageable
human scale, that could inhabit the bioregions
of the planet in ways adapted for longterm survival
Chocco 204 coastal areas—terrible storms and flooding
Chocco 206 limits were imposed; no weapons
Bones 96 tribe grows too big for existing four houses
Bones 99 life expectancy here about 45; robust people, tough life, souls are buoyant
4. Why is it difficult to write stories that make people care for the environment? What inherent challenges are there to ecological literature or to making people think and care collectively on a grand scale? Ecology requires collective responsibility for a shared world with no escape. Apocalypse may not save anyone or anything, but it makes for good story-telling. Most stories require individual heroes, family or tribal dynamics, and simple solutions or escapes in short time-frames; apocalypse or end-times are no problem as long as someone else takes the heat! Human sustainability requires longer time-frames; evolution takes generations.
evolution is complex; no fact or entity stands alone ecology as web of relationships (world as organism) therefore, explanations, qualifications rather than clear, decisive, final actions
How is "Chocco" an anti-apocalypse? That is, how do its narrative, time-frame, and values differ from that of Revelation or other apocalyptic texts?
Chocco 203 did not understand that Gaia manifests herself through
species, and so they regarded individuals as of primary importance . . . sad and
lonely people
Chocco 212 No one can escape history
Urgencies, difficulties of discussing population, climate > sf, lit-future as way to talk?
"entertains and educates" spectrum or continuum Where do these two stories fall on this spectrum? What are the upsides, downsides of didactic literature vs. a good story?
machine as model > organism model
10 megacities, x-models for development, > demonstrations of a dysfunctional social order
10 biosphere our extended body x-old paradigm of world as machine Ø world as vast organism
10 already overshot carrying capacity, yet population will double before it stabilizes
Chocco 203 superstitious beliefs in constant growth even though this is unknown in nature
10 we are in a race to invent and practice a sustainable mode of life before catastrophes strike us [or get away]
[pleasure] 9 cf. Play, like wrestling of tiger cubs [study of literature allows margin of error]
Urgencies, difficulties of discussing population, climate > sf, lit-future as way to talk?
How is "Chocco" an anti-apocalypse? That is, how do its narrative, time-frame, and values differ from that of Revelation or other apocalyptic texts?
K. S. Robinson, “Introduction” to
Future Primitive 9 sf, thought experiments, scenarios of the future 9 utopian in operating principle—what we do now matters 9 cf. Play, like wrestling of tiger cubs 9 hopes and fears of writers and readers < urban industrial
nations countless images of urban industrial futures 9 Poets are the unacknowledged legislators of the world—who? 9 people as last organic units 10 megacities, x-models for development, > demonstrations of a
dysfunctional social order
10 biosphere our extended
body
x-old paradigm of world as
machine
Ø
world as vast organism
10 already overshot
carrying capacity,
yet population will double before it stabilizes
10 we are in a race to invent and
practice a
sustainable mode of life before catastrophes
strike us [or get away] 11 steady-state economics 11 beginning to look different, less “hi tech,” more various 11 futures that from the viewpoint of the industrial model
look “primitive.” 11 sophisticated new technologies combined with habits saved or reinvented from our deep past 11 reject inevitability of machine future
Ø
healthiest way to live?
Most beautiful? 11 wild possibilities
Ernst Callenbach, "Chocco" in
Future Primitive
189-214.
189 989th
year 190 season-changing ceremonies
190 irrigation ditch,
solar collectors 190 Sun People [cf. Mayans, Egyptians] 190 apprenticeship, knowledge and legends 191 men and women 191 without reliable memories a people cannot find its way
into the future 191 As is the custom of most peoples who have managed to
survive on this continent, these women choose our leaders and determine our
destiny 191 all sat quietly 192 procedures proven through many generations
192 topic: the Machine
People 192 training 192 they worked in my family’s gardens or I worked in theirs 192 ruins [under] heavy soil and vegetation 193 probability games 193 no less intelligent than we are
193 cultural disorders and misadaptations that brought
their world to its end
[apocalypse + evolution] 194 Gaia, the living earth-world 194 clutter 194 [store] 194 no evidence of poetry, perishable materials 195 graves reveal no jewelry
195 sense of
place
vastly different 195 suspicious or hostile toward one another
195
moved
around incessantly; spiritual aim or mere restlessness 196 burning of fuels, Hot Rods
197
[apocalypse]
fighting one another over the remaining scraps of food
197 our real ancestors, those who left
the ways of the Machine People and prepared this place for us, were protected by
the holiness of Chocc 197 drawings the First People had incised on canyon walls 197 Great Warming
197 commandments for
survival:
restrain our numbers,
limit our consumption,
spiritual is measure and meaning of all things 197-8 thirty generations since the Die-Off; Machine People 10
generations 198 First People lived happy lives without writing, without
priests, indeed without agriculture 198 knowledge = power; therefore shared 198 [personalizes Mikal] 199 Die-Off [apocalypse]199 Pre-collapse world allowed its numbers to grow to almost
ten billion people—probably at least a thousand times more than Earth has now 199 [techno-fix] imagined that their machines could save them from anything
199 [apocalypse]
The collapse must have happened rapidly, in a generation or even less. . . .
diseases . . . . panics 200 hectic mass migrations and flights
200
[post-apocalypse]
survivors live on what find in wreckage 200 machines with memories
200 [cf.
Todd on loss of knowledge] groups that made such
machines lost the people who knew how to make and run them 200 could not go back but must learn to live in new ways 200 carrying capacity
200-01 new tribal groupings, on a
manageable
human scale, that could inhabit the bioregions
of the planet in ways adapted for longterm survival 201 wheeled transportation system x trained human messenger
100 miles a day
201 Die-Off was a terrible test
provided by Gaia for the human species, to determine its
fitness for
survival [evolution] 201 Mennosino somewhere along the Western Ocean 201 rebels against the Machine People, recognized Gaia 202 marijuana as ceremonial drug, vision-producing mushrooms
202 Machine People
patriarchal,
owned land, buildings, hired without sharing surpluses 202 children very numerous, little importance 202 work-roles in family groups 202 rich no shame 202 social groupings generated no loyalty 203 did not understand that Gaia manifests herself through
species, and so they regarded individuals as of primary importance . . . sad and
lonely people 203 solar energy not “profitable” in their scheme of things
203 superstitious beliefs in constant
growth
even though this is unknown in nature
203 [compare
evolution] lack of detailed understanding of
transition stages 204 climate change? 204 coastal areas—terrible storms and flooding 204 a little cooler here now 204 [ozone] something the Machine People did to the air
205 they followed what they saw as the
imperatives of proper human life: to
reproduce
copiously, to consume as much as possible, to
hoard goods and money, to seek ever new comforts and entertainments to distract
themselves from thinking about what lies under the surfaces of life 206 barely human 206 Further changes will come 206 lesson: sometimes human beings would rather die out than
change their cultural ways 206 in their last days they began working on devices that would be durable in difficult circumstances 206 All technologies carry hidden messages about social
relationships 206 What proved to be useful and socially safe in the long run
were much older technologies
206 shaped metal objects,
frees labor and energies for contemplation and enjoyment 206 limits were imposed; no weapons
207 Nowadays we
live “in place,”
as we say. 207 Machine People not locally rooted 207 a few hidden First People 207 communication among small groups of survivors 207 which modes of social grouping promoted mutual support and
survival 207 solar refrigerators, water pumps 208 ruled by rich people living at a great distance, in
special government cities 208 decision-making primitive: majority voting x consensus 208 huge previously unknown garbage dump, a few written
materials 209 not part of our knowledge! Comes from persons unknown. No
place in this hearing! 209 contradicted the Memory Keeper code
209 found my anger
fading.
In fact eager to hear [humanizes speaker] 209 their lives were filled with violence; weapons that shot
small pointed metal cylinders
210 mostly either very dark or very
pale, instead of the golden
browns of the peoples we
know on this continent today 210 trivial sexual contacts, lacked stable family structures,
random mating system 210 healthiest children < clan rules 210 intermarriage between neighboring peoples 210 We modern people know that all cultures need enemies to
define themselves 211 periodic ritual struggles 211 war: Probably this senseless violence expressed the
frustrations of living as the machine People lived, alienated from Gaia and
without respite from competitive strife 211 believed the natural world was there only to be exploited,
and men also enslaved and sexually exploited the women of other cultures 211 We who live in equality find it hard to believe that male
violence was not kept in regular and creative channels 211 hierarchy instead of community 211 if we had been unlucky enough to have been born among them, surely their ways would have seemed sensible to us 212 No one can escape history
Robert Silverberg, "House of Bones," in
Future Primitive
85-110. Bones 85 tribal epic [oral lit; communal] Bones 85 religious language (for insiders only) x everyday language Bones 86 muscles; pump iron Bones 86-87 see ghosts everywhere . . . pressing in [animistic world; nature alive, filled with spirits] Bones 87 another geological epoch Bones 88 Cro-Magnon men, highly skilled individuals Bones 88 test, some right of passage maybe, an initiation Bones 88 how alien they really are. Not savages, far from it. But they aren’t even remotely like modern people. Bones 89 Scavenger Folk x paint or sculpt [co-existence of different species of humanoids] Bones 89 [cf. Neanderthals & Morlocks] Bones 89 migration wars long ago Bones 89 my skills are in electronics, computers, time-shift physics [time-travel support] Bones 89 Neanderthals . . . left behind in evolutionary sweepstakes Bones 90 civilized; hunt mammoths Bones 90 Paleolithic world is divided into a thousand little nations Bones 90 If they had better teeth they’d be gorgeous Bones 91 no privacy Bones 91 the long house that is the
residence of Zeus and his family and also serves as the temple and house of
parliament
[religion, politics, daily life not separated] Bones 92 want to teach . . . Bones 93 everyone gives everyone else his own private set of names Bones 93 world full of angry ghosts, resentful of living Bones 93 western Russia, maybe Poland—Eastern Europe Bones 93 immensity of prehistoric age, all of it is alive Bones 93 30 times as long [cf. Chocco; sustainability] Bones 95 rainbow [cf. Time Machine, Mozart] Bones 95 [present becomes future] Bones 95 a way of life that has worked for thousands of years, that will go on working for thousands more Bones 95 inject my own futuristic genes into the Ice Age gene pool [change future?] Bones 96 tribe grows too big for existing four houses Bones 96 sounds of laughter and shouting and song as work gets going on the new home Bones 97 real ingenuity of design and construction, weird kind of beauty to it Bones 97 seminomadic, hunting and gathering Bones 97 orderly, rhythmic; real community Bones 98 epic: cf Iliad, Odyssey, Encyclopedia Britannica Bones 98 actual history of a forgotten world Bones 99 invent wine, beer, writing Bones 99 dust 30 feet over village [cf. Chocco] Bones 99 life expectancy here about 45; robust people, tough life, souls are buoyant grandmother in IL Bones 100 abandoned by my own time: 2013 Bones 100 time-trip more traumatic than experiments Bones 100 rainbow glow of Zeller ring [cf. Time machine, portal] Bones 100 tribe found me; absolute fluke [cf. Luck, 101] Bones 101 didn’t know a single useful thing, but took me to their village, fed me, clothed me, taught me their language [adoption instead of procreation] Bones 101 uptime end Bones 101 pure dumb luck [cf. Fluke 100] Bones 102 primordial enemies, smell of fear > laugh at myself Bones 103 offers it to me x can’t take his lunch Bones 104 if he smiles and shares his food then he’s human by me Bones 105 Marty jumps about three feet in the air Bones 105 has to be a song by tonight Bones 106 wanted to see if I was really human? Bones 106 All the time that I was congratulating them for not being the savages I had expected them to be, they were wondering how much of a savage I was. Bones 106 tested depth of my humanity Bones 107 bring good luck if treated well Bones 107 learning secret language. The one that only the members of the tribe may know.
1-2 dystopia / utopia interact, one leads to or becomes the other 2 cf. Heaven and Hell 3 satirical responses [4] In contemporary culture, utopia has all but disappeared from our imaginative map while dystopias proliferate. 6 K S Robinson, "humanist" 7 "Imagine what it might be like if we did things well enough to say to our kids, we did our best, this is about as good as it was when it was handed to us, take care of it and do better.” 8 Mars trilogy 9 Europe has a rich legacy of socialist science fiction 9 the United States has been more comfortable with libertarian science fiction that imagines space colonization as the next frontier for the free market. 10 U.K Le Guin 13 right wing doesn't believe in science > left wing stops believing in capitalism 14 unexpected hero: the bureaucrats of the National Science Foundation. 17 Three Californias trilogy, where every member of the community participates in lengthy political meetings (which, to be sure, is not everyone’s cup of tea, let alone ideal of a perfect society). 18 something for the few, not the many. 19 whether disasters have quite the politically benign effect that Robinson foresees. 20 easier to terraform Venus than to reach an international climate accord 21 suddenly, in the last few years, a new literary genre has emerged that hopes to revive ecological utopianism. Rallying under the banner “solarpunk,” 21 imagine positive futures where plausible technologies give us practical green solutions. (steampunk) retro-futurism 22 “We’re solarpunks because the only other options are denial or despair.”
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