The primary intention of didactic art is not to
entertain, but to teach the audience a moral or a theme.
Examples:
much children's literature; religious literature;
parables, fables.
anecdotes to sermons, pep talks, lectures.
Thirty Days hath September poem
Thirty days hath September,
April, June and November;
February has twenty-eight alone
All the rest have thirty-one
Except in Leap Year, that's the time
When February's Days are twenty-nine.
There Were Twelve Disciples
(Sunday School song)
There were twelve disciples Jesus called to help
him:
Simon Peter, Andrew,
James, his brother John,
Philip, Thomas, Matthew, James the son of Alphaeus,
Thaddeus, Simon, Judas, and Bartholomew.
He has called us, too. He has called us, too.
We are His disciples, I am one and you!
He has called us, too. He has called us, too.
We are His disciples, I am one and you!
The A-B-C melody
(Use of rhymes in these examples = mnemonic rhymes
mnemonic = for memory resulting from
mimesis and reinforcement
since didactic literature often involves learning
something from memory, like the ABC's)
In Literary Criticism
The term "didactic" may negatively criticize work
that appears overly burdened with instructive, factual, or otherwise
educational information, to the detriment of the work's artistic integrity
or appeal to a sophisticated reader.
Students in English or Literature classes sometimes
interpret the "theme"
of a text as "the moral of the story" (e.g., "be honest," "treat
everyone equally"), only to find their teachers are not
impressed!
Scholars of literature usually regard overly or directly moralistic literature
as simplistic and overdetermined, for children rather than adults. The
author's intention limits the meaning of literature to the moral or lesson. The reader can only accept or
reject.
Serious, non-didactic literature treats serious themes or
issues
from real human life. The difference is that serious literature explores
problems without pretending to simple solutions, so that an accurate
representation or mimesis of human life in all its complexity is achieved.
Some great literature is didactic, but the other
qualities of the text such as characterization,
plot, or
spectacle make the didactic element less overwhelming.
Examples:
Fyodor Dostoyevsky,
Crime and Punishment (1866)
Victor Hugo,
Les Miserables (1862)
Charles Dickens,
A Christmas Carol (1843)
Harriet Beecher Stowe,
Uncle Tom's Cabin
(1851-2)
Rudyard Kipling,
If (1910)
If the purpose of literature is to
entertain and instruct,
how then do we learn from literature that is not directly didactic?
modeling: audience sees what works or doesn't, what
actions are determined social or anti-social
exercises sympathy, compassion
depth of characterization or incident indicates
complexity of human life and morality > "judge not, lest ye be judged"
tragedy: catharsis