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Craig White's Literature Courses
Historical Backgrounds
Hudson River School of American Romantic Painters
(mid to late 1800s) |
Hudson River, New York State
Both our earliest American Romantic
writers --Washington Irving & James Fenimore Cooper-- were natives
of New York State |
Instructor's note:
Romanticism was an international
movement in the 1700s-1800s, and Romantic literature co-evolved with
Romantic
musical and visual art. In North America and the United States, the primary
expression of Romantic Painting was by the Hudson River School, primarily
associated with the painter Thomas Cole (1801-48), who was born
in England but immigrated to the USA in 1818. This school he founded
and its followers developed their style in both North and South America
throughout the 1800s.
Purpose of survey: Distinguish
Enlightenment or Neo-Classical
styles of the 1700s with Romantic styles of the 1800s.
(Style may include subject matter as well as
forms or techniques)
Relevance to upcoming readings in American Renaissance or American Romantic
Literature: The popularity of Cole's work and style emerged in
the same time-period as the writings of Washington Irving
(Rip Van Winkle, Legend of Sleepy Hollow) and James Fenimore
Cooper (The Last of the Mohicans), also of New York State, whose fiction depicted the same grand
natural landscapes in writing as Cole did in visual art.
Discussion questions: Identify the differences between
Enlightenment and Romantic painting in . . .
Subject (types or scales of human figures
and settings)
Form (color, line, shadow, depth)
(The styles and subjects of the two periods may overlap. As usual with
the study of periods
or styles, the point is not to put the work in a box but to identify
"family traits" or resemblances that typify a moment in time but may
also cross generations.)
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Thomas Cole (1801-48) |
Discussion questions:
1. How do the
Enlightenment & Romantic
works differ in style or form? (e.g., color, texture, line, scale)
2. How do the
Enlightenment & Romantic
works differ in content or subject matter? (human society, nature)
3. Where do you see both
Enlightenment & Romantic
styles or subjects in the same work?
Examples of
Enlightenment / Neo-Classical / Age of
Reason painting
(late 1600s-1700s)
Poussin (1594-1665), Et in Arcadia Ego
(1630s) |
John Singleton Copley (1728-1815), Paul
Revere (1770)
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John Singleton Copley (1728-1815),
Death of Major Pierson (1781)
(Battle of Jersey) |
John James Audubon, White Gyrfalcons
(1830s?) |
Examples of Hudson River School paintings in Romantic style
(1800s)
Thomas Cole,
The Garden of Eden (1828)
Thomas Cole,
Romantic Landscape with Ruined Tower (1830s)
Thomas Cole,
scene from The Last of the Mohicans
Cole, The
Hunter's Return (1845)
Cole, from
The Course of Empire (series of five
paintings, 1833-36)
Cole,
Distant View of
Niagara Falls (1830)
Paintings by other artists associated with the Hudson River School
Asher Durand
(1796-1886),
Kindred Spirits (1849)
(depicting
Thomas Cole and poet William Cullen Bryant)
Martin Johnson Heade
(1819-1904),The Marshes at Rhode Island (1866)
Martin Johnson Heade (1819-1904),
Orchids and Hummingbirds
(late 1800s)
George Inness (1825-94),
The Lackawanna Valley
(1855)
Frederick
Edwin Church (1826-1900), The Icebergs
(1861)
Frederick
Edwin Church (1826-1900), Twilight in the Wilderness (1860)
Frederick
Edwin Church, Aurora Borealis (1865)
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