Chapter 1 p. 14, para. 1 art derives its continuous development from the duality of the Apolline and Dionysiac; just as the reproduction of species depends on the duality of the sexes . . . . [sexual metaphor] constant conflicts and only periodically recurring reconciliations [dialectic of ideas, trends, symbols] Greeks . . . revealed the profound mysteries of their artistic doctrines to the discerning mind, not in concepts but in the vividly clear forms of their deities. the Apolline art of the sculptor [i.e. visual forms, as in dreams or drama] and the non-visual Dionysiac art of music [no separation b/w viewer and form; listener to music becomes the music] . . . violent opposition . . . inciting one another to ever more powerful births [sexual metaphor] . . . finally, by a metaphysical miracle of the Hellenic will," the two seem to be coupled [sexual metaphor], and in this coupling they seem at last to beget [sexual metaphor] the work of art that is as Dionysiac as it is Apolline—Attic tragedy.
14, para. 2 separate art worlds of dream [Apolline] and intoxication [Dionysiac] [physiological metaphor] in dreams . . . wondrous forms of the deities first appeared before the souls of men . . . the great sculptor saw [Apolline as individualized forms of things, especially human figures] mysteries of poetic creation [begin in dreams]
light x dark good x evil reality x ideal (notice how the line-up breaks down) Euminides 886: avoid both anarchy and tyranny >
15 dream worlds: every man a consummate artist precondition of all visual art . . . poetry an illusion [cf. mimesis] Schopenhauer artist reacts to reality of dreams as philosopher (scientist) to reality > interprets life, trains himself for life [art as instructive modeling] life as shadow-play + fleeting sense of illusion [cf. mimesis] dream on! > same dream for successive nights 16 our innermost being, our common foundation, experiences dreams with profound pleasure and joyful necessity [i.e., dreams give form to life, and in a pleasant way; instruction and entertainment] 16 Apollo deity of plastic forces (sculpture) + soothsaying (prophecy) (both akin to dreaming) Apollo over beautiful illusion of inner fantasy world the higher truth, the perfection of these states in contrast to imperfectly comprehensible daily reality [narrative] nature healing and helping in sleep and dreams = symbolic analogue of soothsaying powers and of art in general, through which life is made both possible and worth living [Libation Bearers 669] pathological: illusion deceive as solid reality freedom from wilder impulses [Dionysus] principium: illusory realm of Maya* or surface appearances, all objects appear to have an individual status or separate existence (a vision that conforms to the Apolline dream-illusion of art), while in reality no one thing is differentiated from another (conforming to the Dionysiac experience of ecstatic union with nature) [*Maya as concept from Schopenhauer and Hinduism, meaning illusory surface of reality behind which truth of will persists] Apollo as the glorious divine image of the principium individuationis sublime, dread
17 ecstasy 17 glimpse into the nature of the Dionysiac 17 Dionysiac: analogy of intoxication [Apollo = dreams] Dionysiac urges are awakened forgetting of self (contrast Apolline form of individual self) 17 dancers of St John and St. Vitus (Burning Man) (dance) (dance like no one's watching) Bacchic choruses (cf. Bacchae) prehistory in Asia Minor (cf. Bacchae) glowing life of Dionysiac revellersthunders past them Dionysian magic: bond b/w man and man . . . nature too all the rigid and hostile boundaries . . . erected b/w man and man break down mysterious primal oneness singing and dancing
forgetting of self bond b/w man and man, man and nature Beethoven's Ode to Joy (music): Performance of Beethoven's Ode to Joy on YouTube Dandy Warhols, "It's a 16-Minute Drive"
18 fly dancing into the heavens walks about enraptured and elated man no longer artist > work of art supreme gratification of primal oneness Eleusinian mysteries [rituals]
Apolline art as visual, sculptural, individualized
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