Liz Davis 
Three Tales of Fear 
People always wonder why science fiction is so popular. The nerds love to read 
it, the general population loves to watch it and scientists love to imitate it. 
It has a strong influence on society but why? It is because as a race we are 
scared of the future and the things it can hold. Aliens, robots and cyborgs, oh 
my! In Christi Wood’s 2009 essay, she writes that, “Fear and survival are 
symbols or themes that we see,” in narratives of the future. I agree with 
Christi; fear and survival are instinctive traits that humans possess. We as a 
race are scared of the unknown. That is why we cling to what we know: Books. In 
literature of the future, the three most common types of narratives are 
creation/apocalypse, evolution and alternate futures. People are scared of the 
future so they embrace the familiarity of stories and books. As a race, we look 
up to the heroes of the stories we are told as children and re-tell these 
stories to our children and so on. It is as if humans are mentally preparing 
themselves for the future and maybe even learning some survival tactics during 
the process. These are the most common narratives of futuristic literature and 
maybe it is because they are the most plausible or maybe it is because they are 
the most frightening.  
The 
creation/apocalypse narrative is one of the most recognized forms of science 
fiction stories because it is possible. Everyone is terrified of the world 
ending. Maybe not in this lifetime, but in the near future it could happen. The 
sun can die out or an asteroid could hit the earth. The idea is linear, there is 
a set beginning and ending for this lifetime. In
Revelations, the prophet John 
predicts that those who do not read the Bible will have to suffer the holy 
judgement and endure the plagues. God says that he is the “alpha and omega,” the 
beginning and end. Pastors today still preach fire and brimstone to instill fear 
into people. Fire, it always seems like the world will go up in flames or catch 
on fire. 
In 
the post-apocalyptic novel, Parable, 
the world had an environmental apocalypse, but they were stable and content in 
their walled community.  The main 
character, Lauren, could be seen as somewhat of a prophet. She knew that they 
had to be ready for the town’s apocalypse and be prepared for a life outside of 
the walls. The painted devils from outside the wall would eventually break 
through their walls and one day they did. Their gated community literally went 
up in flames. While at target practice one day, Lauren noticed a wild dog nearby 
and pointed it out to her friend, Joanne, who began to shake with fear. Lauren 
says “I’m sorry. I didn’t know you were afraid of them.” Joanne responds with “I 
didn’t know I was either.” The idea that these people are so out of touch with 
modern society that they don’t recognize a dog is unfathomable. These people 
were afraid of what was outside these walls; they feared the unknown. In 
apocalyptic narratives, there is also a creation aspect; rebirth, the New 
Jerusalem, the phoenix. And out of the flames of the town came a rebirth of a 
new religion, Earthseed, and a new community, Acorn. People enjoy reading the 
apocalyptic novel because it is almost like it is an instruction manual on what 
do and what not to do when the apocalypse actually comes. This is a comforting 
way for people to deal with the impending fear of the apocalypse.  
Evolution is a scary thing. People are scared of what the futures holds for the 
human race. In H.G. Wells’ The Time 
Machine, the Time Traveller goes to the year 802,701 A.D. and finds that the 
environment has changed and humans have adapted into two distinctly different 
species. This Social Darwinism is a statement on the social classes of 
Communism, the laborers and the privileged, which was greatly feared at the time 
that the novel was written. The privileged Eloi are terrified of the Morlocks. 
They fear the darkness of the night because they do not know what might be 
waiting for them there. The cycle of evolution has taken place and the human 
race has adapted to its new environment of the future world. The Time Traveller 
states that “the whole earth had become a garden.” Selective breeding had taken 
place to keep only favored plants and animals. Evolution is a cycle, like the 
moon or the seasons and in the end it is survival of the fittest. Much like in
Parable, there is the symbol of fire. 
The Time Traveller possess the power of fire and once he releases the fire at 
full capacity, he instills fear in both futuristic races. Society is scared of 
what the future has in store for them so they cling to the novels that tell them 
what the author thinks the future will be like.  
Continuing with the idea of time travel, the third type of narrative is 
alternate futures. If someone was to travel back in time and step on one 
butterfly, the entire timeline for the future could be messed up…or would it? 
The idea of alternate futures, parallel worlds and quantum physics means that 
there could be multiple strands of time where the same people exist but are 
completely different. Quantum physics, now that’s a scary thought. In
Mozart in Mirrorshades, the whole 
premise is that the government is going back in time to get gasoline from the 
past. As people are doing this, they are taking modern technology back with them 
and it alters the past. Marie Antoinette is reading Vogue and Mozart is a punk 
kid that rides a moped and carries a boom box. The crazy part is, that what is 
changed in this timeline doesn’t affect the future. The main character, Rice, 
tells President Thomas Jefferson, “when you go back and mess with the past, 
another branch of history splits off from the main [tree] trunk. Well, this 
world is just one of those branches.” How many timelines have been altered? The 
number could be infinite. People fear they don’t make the right choices but how 
do they know they made the right choices? No matter which path you decide to 
take, there will always be a multitude of other paths that you could have taken 
instead, but maybe you did in a parallel world. It could be as simple as 
flipping a coin or being dealt a different hand of cards in a poker game. 
Often 
there are times when two or more of these narrative forms mesh together.
In Half Past Eight, the idea of 
evolution and alternate futures are both present. The main character, Byron, 
begins to think of all of his alternate futures when his best friend decides to 
have a sex change. Byron thinks to himself, “Well, it’s not my life. Nothing has 
changed for me,” when in actuality it has. When his friend has the sex change, 
his future changes from the future he expected to happen. He has to get up to 
speed with the times and realize that people are beginning to change their body 
through cosmetic surgeries and evolve into a different gender. Byron then begins 
to attempt to see through his friends eyes and realize that if he were to become 
a woman, he would be treated differently his whole life. What if he were to have 
a sex change? What if his mother was still alive? What if his son decides to be 
homosexual? There are so many alternate futures that Byron is scared of the 
unknown future. Nothing is certain and change is a scary thing. 
In 
literature of the future, creation/apocalypse, evolution and alternate futures 
are the three most commonly read narratives because they all deal with the fear 
of the unknown; the future. Stories are a comforting thing and have been around 
for generations. Since people are comfortable reading stories, this is how they 
learn to deal with real-life situations. Stories have always told us how to act 
and how not to act. People can relate to these types texts because even though 
some of them are far-fetched, they help them to deal with how to approach change 
and the future. Fear is innate, we just have to overcome it and embrace change.  
 
 
 
 
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