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 Breanna Runnels High/Low Tech as a Single Genre 
         
Throughout the course of this class, 
our discussions have been guided by subgenres within the single genre of 
futuristic literature or science fiction. The two subgenres that were mentioned 
most often were high-tech and low-tech. Often, these two subgenres would overlap 
within stories or at least show a bit of presence in each. Many of the high-tech 
stories were trying to gain back low-tech conventions. Many low-tech stories 
were trying to advance further into technology. Each of these is special in its 
own way, but my favorite stories are the ones that use these two subgenres in 
the same story. 
         
Some readers prefer more of a high-tech 
science fiction novel. In the essay “High- and Low-Tech Realities: A Comparison” 
by Katie Morin, she states that “works of high-tech science fiction are rife 
with technology and scientific elements, either real or imagined. An example of 
this is William Gibson’s, “Johnny Mnemonic,” where readers are introduced to a 
‘virtual reality.’” In Gibson’s story we are introduced to a story of “a world 
where technology and humanity have become so far intertwined with one another 
that the two become nearly indistinguishable.” Some of the reason why many 
people prefer high-tech is due to the augmentations or body modifications that 
are present in Johnny Mnemonic. These things redefine what it means to be human, 
to a point that humanity is hanging on by a thread and they are often trying to 
revert back to their previous low-tech society. 
         
A low-tech society is one that has not 
yet made the technological advancements to improve the society. Many readers 
prefer this type of science fiction, as it is more realistic and relatable to 
the current times. Many of these are post-apocalyptic pieces that are trying to 
rebuild society. They have lost the necessity for many things and seem to 
survive on the bare minimum. In Timothy Morrow’s “Whether High or Low: Humans 
will Adapt”, he talks a bit about these lost traits when he says, “ In “Speech 
Sounds”, the protagonist Rye lives in a world which, because of a terrible 
illness, most people have lost the ability to talk. Although Rye can still 
speak, she keeps that ability secret in order to not stand out in this 
post-apocalyptic world. Rye had to learn and adapt to her environment, and learn 
the gesture language which evolved from the chaos of society not being able to 
communicate.” People are always adapting and changing to meet the needs of their 
environment or to do their best with what their environment gives them. Many 
also find dissatisfaction with the high tech society they’re thrown into, like 
the father figure in “The Onion and I”.  
         
Commonly, stories are a combination of 
high and low tech elements, that create the perfectly evolving society. These 
elements work well together to create a contrast that seems relevant to our 
technologically evolving world of today. For stories like these to work, the 
technology elements must be beneficia but not helpful enough to bring the 
characters away from low-tech. Anari Oliver describes this perfectly in her 
essay “Dissatisfaction in High-Tech 
Futures: Low-Tech equals comfort”. She states that “Drapes and Folds delivers a 
blend of both high and low tech. Both Diana and Pearl live in a high-tech world, 
but throughout the story; we see them doing everything possible to salvage bits 
and pieces of the past.” Though they want to advance, they still seek the 
comfort of the things from their past, like fabric. They can also long for 
non-material things like speech, as we see in “Speech Sounds” by Octavia Butler. 
Oliver also states that “Throughout the narrative, we see Rye struggle with the 
death of her children and her inability to effectively communicate with others… 
We learn that she could talk all along, but she acted as if she couldn’t in 
order to blend in. It is also evident that Rye gains a new sense of hope and 
sees some purpose in this chaotic world.” There is usually hope at the end of 
all of these narratives, but often a hope for becoming new again is found in 
low-tech pieces.  
         
High 
and low-tech are the most common subgenres found throughout science fiction and 
can be found throughout other genres of literature as well. Longing for the past 
is not foreign, but neither is hoping for the advancement of the future. These 
two work on opposing sides just as well as they work together, and that is not 
often found. My favorite part of deciphering and analyzing the works this 
semester and in these essays was deciding which kind of future it was and how 
that effected the rest of the story. 
 
      
 
 
 
 
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