Tim Doherty Cyberpunk Through Someone Else’s Eyes
William Gibson’s cyberpunk adventures were some of my
favorite readings this semester. To me, his stories were fun and accessible
while showing the gritty reality of the human condition. Other students saw
Gibson’s high-tech stories, like “Johnny Mnemonic” differently. For some,
Gibson’s high-tech scenario was too far outside their comfort zone to be
enjoyable. For others, Gibson showed technology as a symptom or cause of moral
decay. Still others, saw the adaptability of the human in a changing world. All
these viewpoints are valid. The beauty of speculative fiction, in my opinion, is
the incredible range of reactions students can have to the same story. Cynthia Cleveland discusses feeling left behind by the
high-tech elements of “Johnny Mnemonic.” To her, Gibson’s story “seemed to be so
focused on giving the narrative a futuristic feel, that it left the reader—at
least, this one—behind in a state of confusion.” I can see how a reader can
initially have a hard time reconciling Gibson’s future with their reality,
whereas someone with more experience reading futuristic fiction has had time to
develop their ability to accept a certain amount of confusion that may or may
not be clarified by the end of the story. Reading Dr. White’s annotated version
of the story helps the reader with some the confusing parts, but taking the time
to learn interferes with the reader’s enjoyment of the flow of the prose, which
further contributes to turning reading into a chore. Some genres of literature
have a learning curve that must be overcome. Another opinion of “Johnny Mnemonic” and high-tech
narratives examines the story from a moralistic perspective. Laura Wilson’s
“Diametrically in Sync: Sliding Morals in High Tech and Low Tech” claims that
Gibson’s story “fits the scale of high tech and low humanity.” She cites
weaponized augmentations used by Molly and the assassin as evidence of a “very
violent society with a ‘kill or be killed’ attitude.” I agree with Wilson
that—at least in the texts of this course—technology seems to have a
dehumanizing effect, but in Gibson’s case I would argue that he has simply put a
cyberpunk skin over a fairly conventional organized crime narrative and the
aspects of violence and criminality are inherited from the underlying genre and
not directly related to the technology of the story. Then again, maybe Gibson
chose the crime genre because it highlights the human potential for violence. A more hopeful interpretation of “Johnny Mnemonic” is
that Johnny represents the human ability to adapt and overcome adversity. In
“Whether High or Low: Humans will Adapt” Timothy Morrow explores the idea that
“in a Dystopian world with little job security or opportunities,” Johnny uses
technology to become competitive in a challenging economy. People enjoy stories
about relatable criminals who triumph over much worse criminals. It is an
appealing plot and Gibson seems to make his living putting his cyberpunk spin on
popular scenarios. This tendency makes Gibson’s stories more accessible than
more ambitiously abstract authors, but it also keeps his stories from being
considered literary science fiction. It has been extremely enjoyable to read what other
students think of Gibson’s stories. The variety of reactions in student essays
provides a valuable lesson in the subjective nature of reading and writing. Some
of the stories I find easiest to read are difficult for others. Plots that blow
my mind, bore somebody else. Knowing that makes a second and third reading more
interesting as I try to see the story from a new perspective.
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