Christopher Carlson May 9, 2019 Out with the Old and in with the 
New: A Comparison between High-Tech and Low-Tech Societies 
         
The future is often an ambiguous idea 
for we as a species to define. Many feel that our technology will continue 
advancing throughout time, while another branch feels that this advancement will 
eventually lead to our downfall and the rebirth of a more primitive lifestyle. 
In this work, I will elaborate on the differences between the high-tech and 
low-tech future scenarios as well as utilizing some of the texts we have read to 
back up my explanations and explain the appeals to both of these genres as I go 
along.  
         
High-tech futures imagine a society 
where technology continues to advance, but this often occurs alongside the decay 
of certain morals and values. The term page describes it as “slick, cool, and 
cyberpunk-like in nature.” This can especially be seen within Gibson’s
Johnny Mnemonic. One such instance is 
when the narrator says, “And then the 
joke-shop thumbtip, heavy as lead, arcs out in a lightning, yo-yo trick, and the 
invisible thread connecting it to the killer’s hand passes laterally through 
Ralfi’s skull.” (2.7). Here we see a human cybernetic interface being utilized 
as a means of killing one’s fellow man. Not only that, it is utilized by a 
member of the Yakuza who have a prevalent role within the story as the villains. 
While technology is also shown to be helpful, such as the recorders used to 
expose the Yakuza secrets (6.7), many aspects of the world have fallen into 
disrepair, such as a high number of gang violence and more individuals, and 
dolphins, utilizing narcotics. This idea of corrupted technologically advanced 
society is further depicted in Gibson’s 
The Gernsback Continuum. 
         
The society presented within this story is one that is reminiscent of a fascist 
futuristic city. This can especially be seen when the narrator states, “Behind 
me, the illuminated city: Searchlights swept the sky for the sheer joy of it. I 
imagined them thronging the plazas of 
white marble, orderly and alert, their bright eyes shining with 
enthusiasm for their floodlit avenues and silver cars. It had all the sinister 
fruitiness of Hitler Youth propaganda.” (51). Since this story is more of 
an alternative future, we see a society that has embraced technology but lost 
the care and feelings towards differences that exist in mankind contrasted next 
to our society that has less developed machines but a better moral compass. The 
technology, however, is what draws the attention of the reader. The narrator 
states, “Roads of crystal soared 
between the spires, crossed and recrossed 
by smooth silver shapes like beads of running mercury…mile-long blimps, 
hovering dragonfly things that were gyrocopters . . .” (45). When we think of 
such a society, we imagine all this technology and wish we could inhabit such a 
world. This is one of the primary appeals of this genre. 
         
While the glossy 
exterior of the high-tech world is glorious, since we have flying cities, 
cybernetic humans, and futuristic flying machines, we as a species typically 
lose a piece of our humanity along the way and form a darker more sinister 
interior. Many gravitate towards this genre because we want these machines in 
our current time, while others shirk from it because of these depraved morals 
that often goes with the genre like peanut butter with jelly. The course page 
further mentions how this genre is appealing because of the “human machine 
interface as well as well as it revolving more around the hard sciences,” which 
many people find enjoyable.  Machines are 
not intrinsically good or bad, but they are often depicted as items that act as 
catalysts at removing people’s feelings of morality.
The Onion and I does an excellent job 
of showing why we have to hold on to our humanity if we wish to continue to 
progress with our technology.
 
         
This story is 
exceedingly unique, because it examines aspects of a high-tech future in 
addition to ideas where the human condition takes a forefront. This high-tech 
society can be seen when the narrator states, “They moved into the Virtual town 
of Bidwell, and embarked on the business of helping the government perfect a 
cyberworld so seamless-or should I say so seemful? -that nobody would feel 
dissatisfied with living there.” (12). The goal of the corporation is to 
integrate the human experience into the digital world, so that resources are not 
depleted and there can be less waste, but they also want to make the world of 
the digital as real as the natural world. However, a complication with this new 
system arises. This is shown when the father says, “‘You see,’ said my father. 
‘If they cannot make a decent Cyberonion, and now you know they cannot, then 
they cannot make a decent Cyberboy who could taste a real onion and know the 
difference.’” (20). Here, the author is showing that even with the best advances 
in technology, it cannot replace the natural and human world entirely and that 
to enter the high-tech world exclusively is to lose one’s humanity entirely. 
Therefore, one must either live between both of these worlds, like the family in 
the book does (21), or sacrifice the world of technology for one of simplified 
living with human decency. Enter the low-tech future.  
         
Low-tech societies 
are described in the course page as “worlds in which technology and corrupt 
cyberpunk society has been abandoned or destroyed, and a return to a more 
primitive lifestyle has occurred.” One text that does an apt job of illustrating 
this genre’s trait is Chocco. The 
idea of the primitive world emerging from the remains of a previous society is 
shown when the narrator states, “Our memories of the Machine People are a key to 
our culture. If these are not kept straight and true, we could become fearfully 
lost, as the Machine People had.” (192). Not only do we see the advanced society 
of the past being rejected, memory is shown to be a trait of much value within 
the community. People from this kind of society are also shown to be a great 
deal more humanistic than a high-tech future. This can be seen when Jon says, 
“Even now, when we think about them, we sense the anger and the despair that 
must have been the everyday lot of the Machine People.” (212). This ability to 
empathize with the plight of the Machine People illustrates this societies 
values on emotion and the human condition. Such an idea would be an exceedingly 
alien one within the confines of a high-tech work.
House of Bones also does an 
exceedingly good job of illustrating the traits of a low-tech 
society. 
         
While this work 
does not take place in the past, the means the protagonist gets to this society 
are futuristic, since he time travels. The main character returns to a time 
where more humanistic qualities are valued, and technology has not been 
developed enough to impact their lives very seriously. One intriguing idea in 
this work is the main character comparing this world with the world he traveled 
from. He comments on his future that, “there are times when I think the people 
up there in 2013 simply shrugged and forgot about me when things went wrong.” 
(100). Here, the main character is describing his advanced future as one that 
seems to be rather ambivalent to the lives that exist within this world. While 
we have not seen his world, this quote implies a lack of emotion from this 
futuristic world. Conversely, the primitive humans are described as, “But 
instead of spearing me on the spot they took me to their village, fed me, 
clothed me, taught me their language…They made me one of them.” (101). Here, the 
author is showing a world of compassion in the past where they are exceedingly 
primitive with their tools, having to make their homes out of bone, but they 
place more value on the lives of those in the community. There is quite a bit to 
love about this genre. 
         
This genre, 
contrary to high-tech, advocates for a world that is primitive in machinery, but 
more connected as a human race. The course site describes how the appeals of 
this genre are “human over machine, relationships with others as only truths, 
and a return to values.” While there are some flaws, such as the instance in
House of Bones where they pretend to 
rape one of the women (89), the society that is portrayed here shows a world 
where values are placed over machinery and the common good is shown over 
individual gain. Both high and low-tech societies illustrate mankind’s struggle 
to persevere in the world they are a part. In the high-tech, you have to stay 
alive amidst the higher concentration of gangs and drugs and the loss of 
decency. Lower-tech societies try mankind’s survival instincts, so if they 
cannot find the means to stay alive, they perish. In other words, both genres 
require mankind to adapt to the world they have helped shape.  
         
Dr. White’s class 
has enlightened me to the wide variety of paths are future can take. While each 
of them is intriguing in their own way, I feel the level of tech duality best 
defines where are future will go. Will we embrace technology, or will technology 
be what thrust us back into a more primitive age? Both of these futures possess 
strengths and weaknesses and I feel that we will have to learn the means to 
survive in both these realities to be truly prepared for what is to come.  
      
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