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Complete African American literature; midterm preview; assign American Indian literature
Tuesday, 30 September: Complete African American, assign American Indian literature; midterm prep Poetry presentation: Albert Gazeley, "The Cry of the Native American" Reader: LeChelle Walker Poetry presentation: Langston Hughes, "Harlem" & "Dream Variations" (use with obj. 5a) Reader: instructor Tuesday, 7 October: midterm exam (in-class or email) Tuesday, 14 October: begin American Indian literature Reading assignments:
Poetry presentation: Linda Hogan, "November" Reader: Kirsten Massey
African American language and literacy Premise: If you're studying "American Minority Literature," it's a given that African American literature will feature prominently. Question: Why have African Americans been the earliest, most productive, most important minority group in American literature? Examples: Interesting Narrative of Olaudah Equiano, first published 1789, same year as U. S. Constitution.
+ Phyllis Wheatley (1753-1784), whose Poems was published in 1773.
+ a surprisingly large number of other writers of slave narratives, black ministers publishing sermons, and black poets Continuing tradition within and outside of "mainstream" American or Anglo-American literature. African American Writers: A Celebration African American Literature Book Club (very contemporary) Web Resources on African American Literature (excellent compilation from Bluefield State College)
(Why have African Americans been the earliest, most productive, most important minority group in American literature?)
Purposes of literary studies--recent emphasis on "texts" and how they have meaning But earlier studies of English or Literature emphasized language, how it works language as basis of culture literacy as basis of western civilization and democracy
(Why have African Americans been the earliest, most productive, most important minority group in American literature?)
First answer--linguistic & social reasons Compared to other ethnic groups, Africans had to give up their native languages almost immediately and adopt English (or other new languages in the New World--e. g., Spanish, Portuguese, Creole)
forced adaptation of English &
proximity to mainstream culture that is,
when taken from Africa, taken out of settings in which their language was used
and tossed onto a ship with other Africans who spoke different African
languages; Nigeria: Hausa & Ibo; at that point, forced to pick up
English 37 Africans of all languages 38 x-converse with countrymen 39 not one soul who could talk to me 40 smattering of English 51 speak English tolerably well, understand everything 65 talked too much English 118 talked too good English
contrast language opportunities for Indians and Mexican Americans both Indians and Mexican Americans may maintain alternative language groups and therefore have another language to practice--English will be practiced less intensively any individual may have had to learn some English for trade purposes, "kitchen English," no long or involved conversations but can get by and get job done; "broken language" but a working relationship but the next night or week that individual might be able to return to a community where others spoke Spanish or the Indian language
However, African American English or Black English is as different from mainstream American English as, say, mainstream American English is different from Australian or British English. often recognizable or "marked" as variant of English extreme variants: hip-hop, street talk, authentic black, Ebonics but . . . Also many mild variants--compare "family language," class language, church language, elders' language--all with their own special vocabulary and rhythms Many black speakers are "bi-lingual"; don't speak to everyone the same way; multi-layered; but all people do it as they change speech-communities Hip-hop artists can shift from performance to white-interview-style, classroom voice compare Equiano's, Douglass's, and Jacobs's style--"unmarked" because writing mostly for a white audience book talk vs. street talk; emotion vs. reason Again, like the Dream rooted in the American Dream, African America is a part of America and a distinct part of America
literacy and liberation / democracy Many of us training to teach English, or going to work in
areas requiring strong language skills, so we don’t need convincing But constantly have to remind ourselves, our schools, and
larger public why this study of literature, reading matters obj. 5c. To regard
literacy as the primary code of modern existence and a key or path to
empowerment. Equiano 70 a great curiosity to talk to the books (43) Douglass 364 unlawful as well as unsafe 274 . . . I now understood
path from slavery to freedom 275 functional: 371 write my own pass 280 functional literacy: cans, signs, forms but larger civil function or purpose for literacy literacy essential to democracy slavery or totalitarianism: someone else makes decisions,
you don’t need to know much But if people to govern themselves, need information, make
judgments, need not only access to information but ability to process, think
critically, share with others and learn from others Douglass 401 . . . we were trying to learn how to read the
will of God; for they [slave-owners] had much rather see us engaged in those
degrading sports, than to see us behaving like intellectual, moral, and accountable beings 304
progress (or not) in American society bound up with exchange of ideas through speech and writing D 369 Columbian Orator, dialogue > voluntary
emancipation 278 D 369-70 reading gives form to thoughts; curse and blessing Not war, cf. Civil War, South cut off discussion D 355 no answering back 267 dialogue: ability to speak and listen--humans as social creatures, society shaped and determined by speech, writing, and exchange of views speech defines and guarantees humanity enables progress (danger: "all talk, no action," but usually talk
is preferable to war, and as long as you're talking, you're usually not
fighting. Recent historical thesis: in history of world, no democratic nation
has ever fought a war with another democratic nation) Question for discussion: What kinds of ironies from reading the slave narratives in
terms of literacy?--That is, What's the status of literacy and literacy training? What kinds of motivations can you offer students? Compare computer literacy, cultural literacy. Instructor: Why make it illegal to read? > independent thought, interpretation (When you're reading, no one can see what you're thinking)
American Indian assignments Monday, 24 October: read handouts for American Indian literature on "Origin Stories," etc. Poetry presentation(s): Simon J. Ortiz, “Travels in the South,” UA 278-281. Reader: Joel Carter Respondent: Linda Castro Victora Lena Manyarrows, “Lakota Sister / Cherokee Mother,” UA 286-287. Reader: Starr Haun Respondent: Mary Kay Clements Mary TallMountain, “The Last Wolf,” UA 33-34. Reader: Rachel Villareal Respondent: Liavette Peralta Web highlight (research proposals): Irving Peralta Monday, 31 October: Zitkala-Sa, American Indian Stories (Foreword by Fisher, v-xx; pp. 7-126, 155-182); RESEARCH PROPOSAL DUE Poetry presentation(s): Chrystos, “I Have Not Signed a Treaty with the United States Government,” UA 304 Reader: Theresa Mullins Respondent: Jennifer Nall Web highlight (research projects): Linda Sulpacio Web highlight (final exams regarding American Indian literature): Adrian Holden Monday, 7 November: selections from
The Lone Ranger and Tonto Fistfight in
Heaven Read the following selections: "Every Little Hurricane," "The Only Traffic Signal . . . ," "This is . . . Phoenix, AZ," "Trial of Thomas Builds-the-Fire," " Train . . . to Some Result," "Somebody Kept Saying Powwow," "Witnesses, Secret and Not." Also consider seeing the movie Smoke Signals, based on this book. Poetry presentation(s): Peter Blue Cloud, “Crazy Horse Monument” UA 179-180. Reader: Jennifer Humphrey Respondent: Linda Sulpacio Louise Erdrich, “Indian Boarding School: The Runaways” UA 26-27 Reader: Demra Trube Respondent: Rachel Villareal Web highlight (research projects): Mark Chapa Web highlight (final exams regarding American Indian literature): Mary Bel Garza Easy reading assignment for class after midterm: Handout on American Indian Creation or Origin Stories. "origin stories" or "creation stories" as keystones or foundations of a culture's values, structures, narratives, goals. stories = narratives (obj. 3) Compare in dominant culture the battle between Biblical Creationism and Biological Evolution as the "creation story" or "origin story" for human life. Why would people keep fighting so long over which of these stories should be taught if they didn't feel some investment of identity and values? Therefore, creation or origin stories amount to declarations of values, principles, relationships, identities, story patterns. Stories imply "social contracts" Definition of Social Contract Theory > American Indian creation stories: what kinds of values, experiences, narratives? Biblical creation story of Genesis is included. Compare and contrast. Also one of the stories features Columbus, who's an essential figure in the dominant culture's "creation of America" story. stories = narratives Objective 3 To compare and contrast the dominant “American Dream” narrative—which involves voluntary participation, forgetting the past, and individuals or nuclear families—with alternative narratives of American minorities, which involve involuntary participation, connecting to the past, and traditional, extended, or alternative families. 3a. African American alternative narrative: “The Dream” ("The Dream"
resembles but is not identical to "The American Dream." Whereas the
American Dream emphasizes immediate individual success, "the Dream"
factors in setbacks, the need to rise again, and a quest for group dignity.) 3b. Native American Indian alternative narrative: "Loss and
Survival" (Whereas immigrants define themselves by leaving the past behind in order to become American, the Indians were once “the Americans” but lost most of their land along with many of their people. Yet Native Americans defy the myth of "the vanishing Indian," choosing to "survive," sometimes in faith that the dominant culture will eventually destroy itself, and the forests and buffalo will return.) + special consideration of American Indian culture: How does one define "literature" for a culture that was defined less by writing than by the spoken word? > high number of poetry presentations on American Indian literature. Not to deny any group's ability to write good poetry or prose, but American Indian literature seems to have an unusually high quality of poetry. Could this be owing to the strong tradition in "oral literature," especially songs, chants, oratory, etc.?
midterm
Advice
for all parts · Keep an eye on the clock. · Relate objectives to texts, but don’t simply repeat objectives and don’t simply quote texts; interpret, explain, explore, connect. · Avoid copying out long quotations from either the texts or the syllabus. · Don’t be afraid of complications or confusions. Literature represents human realities, and they're a part of reality, so explore and develop them. Beware of simple answers, as simple answers are usually reductive rather than critical and creative. Look at both sides; second-guess your conclusions; summarize what is understood and what remains to be understood. Midterms read & returned · If you take the exam by email, your exam will be emailed back to you with a grade and comment, maybe before class on 24 Oct. (Email midterms and finals are not marked internally unless otherwise noted in comment.) · If you take the exam in-class, I will bring your graded midterm to class on either 24 Oct. or 31 Oct. Midterm
attitudes Problem of
critical thinking for students who’ve taken a lot of Education courses Education classes: “This is all you need to know,” “Memorize this list.”
Critical / creative thinking vs. reductive, bottom-line thinking
show and exercise pleasure in thinking / learning / opening to fresh knowledge vs. fear of getting
it wrong > "brainlock"
Link to sample midterms on webpage How to use these samples? 1. You have to make at least one reference to the webpage beyond the poetry presentation selection. 2. Regard the samples as another source of instruction. If you can refer to ideas or expressions there, I'm impressed. Don't think it will seem like cheating. Your development of the material you learned there will be judged by the same standards as your development of material from class instruction. 3. Probably the only way you could go wrong is to lift chunks of someone else's writings from the midterm, with or without attribution. I'll probably recognize shifts to someone else's writing, esp. if I've seen it before. 4. Remember and imitate some of the best qualities shown by the samples, esp.
ethnic and gender minority objective 2a. Is the status of women, lesbians, and homosexuals analogous to that of ethnic minorities in terms of voice and choice? Do "women of color" become "double minorities?" last week: closed on idea that most Americans are okay with analogy between women and ethnic minorities ( > "double minority") but more Americans will hesitate regarding analogies between ethnic minorities and gays & lesbians. "Open and affirming churches" plead that quest for equal rights and status for homosexuals in recent decades is comparable to Civil Rights Movement of 1960s. But the analogy is often resisted or rejected by black churches who are liberal on ethnic issues but conservative on sexual or gender issues. "We didn't choose to be black, so you can't compare that situation to someone choosing to be gay." Critical thinking exercise in examining analogy between ethnicity and gender Reasons: Literary people and literature teachers are full of opinions, but ultimately our job isn't just to tell people what to think as much as it is to find ways to help people think as thoroughly, fairly, and effectively as possible. + sympathy for previous generations who underwent similar struggles in different areas Democratic society as one in which no one's right all the time, and your worst enemy may be right some of the time. Democratic society, based on talent and intelligence of its people, works best when as many voices as possible contribute, share, and either agree or agree to disagree.
Objective 1 To define the “minority concept" as a power relationship modeled primarily by some ethnic groups’ historical relation to the dominant American culture. 1a. Involuntary
participation—the American Nightmare Unlike the dominant immigrant culture, ethnic minorities did not choose to come to America or join its dominant culture. Thus the original "social contract" of Native Americans and African Americans contrasts with that of European Americans, Asian Americans, and most Latin Americans, with the consequences of "choice" or "no choice" echoing down the generations, particularly in terms of assimilation or separation. 1b. “Voiceless
and choiceless”; “Voice = Choice” Contrast the dominant culture’s self-determination or choice through self-expression or voice, as in "The Declaration of Independence." 1c. To observe alternative
identities and literary strategies developed by minority cultures and
writers to gain voice and choice: · “double language” (same words, different meanings to different audiences) · using the dominant culture’s words against them · conscience to dominant culture (which otherwise forgets the past). 1d. “The Color Code” Literature represents the extremely sensitive subject of skin color infrequently or indirectly. Generally western civilization transfers the values it associates with “light and dark”—e. g., good & evil, rational / irrational—to people of light or dark complexions, with enormous implications for power, validity, sexuality, etc. (But see objective 4 regarding “the New American” & racial ideology and practice.) Review "voice and choice" in African American literature: choice: African Americans didn't come to USA voluntarily (Equiano vs. Bread Givers) slavery and segregation denied choices in "liberty and the pursuit of happiness"; limited choices in terms of vocations (see Angelou's graduation); denial of choices in terms of partners (Jacobs's girlhood dream of marrying free carpenter) Equiano's choice of names denied--basic ingredient of identity denied. (Also Marguerite is called Mary in Caged Bird) Other issues, texts? voice: On passage from Africa to America, African Americans split up from others speaking native language--curbing of native voice (inverse effect: African Americans learn English quickly) "Muzzle" on African American woman in Equiano In Douglass, slaves punished for telling the truth, or not allowed to answer slavemaster's accusations; slaves' testimony not admitted in court of law Literacy withheld from Douglass and other slaves (Jacobs an exception) Jacobs and Dr. Flint: "No" doesn't mean "no"--"You are my property!" Marguerite in Caged Bird loses voice after rape. (These last two examples cross from ethnic into gender territory.)
Discussion Question: How do "voice and choice" apply to gender minorities?
Heterosexual women?
Gays and lesbians? women not allowed to be teachers if lesbian limitations on jobs available--military, priesthood
Is gay identity a choice, or is it something inborn?
table on ethnic > gender relations + handout
Answers to question 5 on last class's quiz on Caged Bird 5. What is the relationship between Marguerite getting pregnant and her concerns about lesbianism? She is conflicted with herself. She thinks her development is a product of lesbianism. When that idea is thwarted, her concerns do not end. She determines she needs a man to figure herself out. That doesn't help either. She becomes pregnant. Marguerite thought she was a lesbian because she liked her
friends' breasts & did not stare out of jealousy, but out of admiration. She
was not too attracted to men; so she went out and had sex, proving she was not a
lesbian and getting pregnant. She felt justified she was not. She figure if she got pregnant, then surely she couldn't be a lesbian. She decided that she needed a "boyfriend" because she figured that would keep her from becoming a lesbian. So she found a boy that she knew and more or less traded sex for a feeling of "true" womanhood. She was not getting good information about what makes a girl a lesbian, so she decided to investigate her sexuality by inviting a neighbor boy to have sex with her. . . . Her body was changing, as normal teenagers do, and she was uninformed about these changes. She had also been reading a book about lesbians. I think her having sex (and becoming pregnant) was more about relief in discovering her body was just doing its job. . . . In the end, she did not completely resolve this issue with herself, even after she became pregnant. She thought that if she had sex with a man then she was not a lesbian. . . . Lesbians can't have children or so she thought . . . . . . . she lived her life as a dominant black woman, as many black women raise their children without a male . . . . . . . She believed that since she was pregnant she could not possibly be a lesbian.
ch. 35 232 lesbianism 232 confused (comedy) 237 man upstairs x-mistakes 238 needed a boyfriend 239 take matters into my own hands 240 take something from him (cf. Jacobs) Recall from
Jacobs, Incidents in the Life of a Slave Girl Jacobs has an affair with the white unmarried lawyer and bears two children. She asks for special consideration for the 500 happy women, whose purity has been
sheltered from childhood . . free
to choose the objects of your affection, whose homes are protected by law, do
not judge the poor desolate slave girl too severely! 384 501 I knew the impassable gulf between
us; but to be an object of interest to a man who is not married, and who is not
her master, is agreeable to the pride and feelings of a slave . . . It seems
less degrading to give one’s self, than to submit to compulsion. There is
something akin to freedom 385 501 condition of a slave confuses all
principles of morality . . . . 385 502 slave woman ought not to be judged by the same standard as others. 386
ch. 35 241 x-lesbian (comedy) 244 marry? > that’s that 244-5 Daddy Clidell: pregnant < Eve ate apple 245 totally mine
Conclusions: Notice how quickly the issues of homosexual identity turned into issues of heterosexual identity! Regarding homosexual identity: code of silence, ignorance--"If you don't know about it or can't say it, it doesn't exist." But what if you do talk about it? Upside: issue becomes related to other issues, capable of being discussed and controlled. Speakers, audience gain power insofar as respectful freedom is upheld. Downside: "related" becomes "relative." That is, "absolute" values become "relative" values. Instead of "absolute values" such as, "It's evil," "It's simply wrong," or "It's against nature," One may say
Critical thinking outcome: What are "absolute values" of civilization? Free discussion? Self-determination? or Heterosexuality? Annoyance of critical thinking: Rarely get a final answer. Deliverance of critical thinking: Get to keep talking instead of fighting.
tentative conclusions regarding homosexuality in literature and culture attitudes may relax as people pass the gender-identity-formation stages (or as their children do) Is gay identity a lifestyle choice or a heredity issue?
Politically, gays and lesbians are often associated with the left or liberalism, but gays and lesbians may be just as active in right-wing politics.
Lesbians tend to be less alarming or threatening than gay men. Why?
If history is any guide, in a generation or so society at large will have adjusted to these changes. We've already made enormous adjustments in the past generation, from a nearly totally repressed consciousness of homosexuality to what can increasingly be described as a working relationship. But this idea of progress assumes the *analogy* between other minority situations (like the Civil Rights Movement) and this one. Such analogies are sometimes resented by other minorities. Perhaps the differences will be greater than the likenesses and the analogy won't hold.
Web highlight/ Midterms: Linda Castro LITR 4332, October 10, 2005 The Dream/ The American Dream Moving through time, I Know Why the Caged Bird Sings,
by Maya Angelou, continues to echo these themes of “The Dream.”
One example is shown in the passages surrounding Maya’s graduation.
She writes, “it was a dream of a day.”
Maya is filled with the excitement of graduating as well as receiving
special honors for academic achievement. Yet
she is also filled with a sense of foreboding.
She writes, “something unrehearsed, unplanned, was going to happen, and
we were going to be made to look bad.” It
is as if she knows that her dream cannot be fully realized, at least not today.
She also makes special note of the pronoun “we.”
This reflects the group identity related to “The Dream.”
If anyone is made to look bad, they will all look bad as a group.
This is a direct contradiction to the notion of individuality inherent in
the “American Dream.” Sure
enough, the white speaker manages to discredit most of the graduation
celebration, but not quite. Near
the end of the passage, Angelou writes, “we were on top again.
As always, again. We
survived.” The dream is a
process, always a series of successes followed by failures.
Yet, the failures tend to be followed by other successes, other dreams,
realized in increments as the result of resilience and faith. (TNK) The Dream and The American dream are inseparable in that
they intertwine with one another in sharing the same values. The women are not
therefore choosing one or the other. All three, Linda, Maya, and Sandra are
faced with setbacks, including the color of their skin. In the 2002 class, V. B.
explains how the American Dream is characterized by the belief that hard work
and following the rules guarantees success. V. B. states, “this belief,
however, does not ring true to the ears of the African-American. Time after
time, they, too, work diligently and follow all the rules, yet success
invariably eludes them.” The Dream thus comes into play as a result of the
American Dream being unattainable. Minorities such as Linda, Maya, and Sandra
are characteristically faced with many setbacks, yet feel the need to rise again
despite them. All three characters are forces into social contracts by the
dominant race and culture. Linda and Maya both strive for group dignity and the
idea of The Dream encompassing equality for all minorities. All three characters
also look towards The Dream as something that will happen someday, although it
may seem like a long ways off at the time. In trying to purse the American
Dream, these characters develop the idea of the African-American Dream in
Literature. [NC] Double Minority Along with this, Jacobs had to endure the fears that come
along with being a slave mother. After becoming pregnant, by a free African-American man,
Jacobs was disappointed and fearful to discover that she had a girl.
As she states, “When they told me my new-born babe was a girl, my heart
was heavier than it had ever been before. Slavery is terrible for men; but it is
far more terrible for women. Superadded to the burden common to all, they
have wrongs and sufferings, and mortifications peculiarly their own”.
Granted, many men would feel the same way about their daughters and
slavery, but there is something different, when a mother has endured these
atrocities that many fathers cannot comprehend.
Along with these worries, Jacobs seems to feel guilty about giving birth
to a girl. A mother’s guilt is
something that many men don’t seem to fully understand. [PN]
In looking closely at Angelou’s and Jacobs’s stories,
I found that both women had a strong African American mother figure to model
themselves after. Both women were
able to draw upon that strength in later life and overcome many of the
adversities. Maya’s grandmother
instilled in her the idea that although she was African American and a woman,
that she could still carry herself with dignity and pride.
This is evident in the scene when Maya’s grandmother stands up and
endures ridicule from one of the young white trash girls.
It is interesting to note that this young girl felt able to ridicule and
elder African American woman. Not
only was she a woman, but she was African-American so that made her just a
little bit lower on the totem pole. Jacob’s
grandmother, in her own right was just as strong to endure slavery and then the
risks that came along with hiding her granddaughter.
She urged Jacobs not to loose sight of the idea of freedom and the hope
that she would be reunited again with her children. [PN] The characters Maya and Linda were discriminated against,
dehumanized and abused both physically and emotionally. Examples of this include
Maya raped by her mother’s boyfriend in St. Louis,
her graduation ceremony, when she goes to the Stamps dentist, and when she
applies for the streetcar job. Linda was sexually harassed and confined in a
small attic, just to escape Dr. Flints and his horrendous behavior. [LC] Linda
writes, "Slavery is terrible for men, but it was far more terrible for
women" because women also had to fear and experience sexual abuse from
their masters. Web highlights Krystal Gladden I chose the topic of “double minority”, being black
and a woman, because it relates to several compositions we have been discussing,
Incidents
in the Life of a Slave Girl, I Know why the Caged Bird Sings
and Black Girl Lost, which I read before we knew we didn’t have to.
In coming up
with an idea for this essay I found that the topic of the “double minority”
that faces African-American women an interesting one.
Many would believe that being a minority has no stipulations or
“add-ons” but after reading stories such as Maya Angelou’s I Know Why
the Caged Bird Sings, Harriet Jacobs’ “Incidents in the Live of a Slave
Girl”, and Donald Goines’ Black Girl Lost, the realization occurred
to me that African American women are and have always experienced the status of
a “double minority”. Not only
do they have to overcome the racial barriers and stigmas that come along with
being African-American, but they also have to deal with the suppressors and
demeaning ideas brought on by being women.
With these factors bearing down,
African-American women have had to face more ridicule, physical abuse, and
emotional distress at the hands of white and black men alike.
Beginning with Harriet Jacobs, we see the atrocities endured by this
young slave girl. .. After becoming pregnant, by a free African-American man,
Jacobs was disappointed and fearful to discover that she had a girl.
As she states, “When they told me my new-born babe was a girl, my heart
was heavier than it had ever been before. Slavery is terrible for men; but it is
far more terrible for women. Superadded to the burden common to all, they have
wrongs and sufferings, and mortifications peculiarly their own”… [PN]
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