Introduction
literary devices
Annie Murphy Paul,
“Reading Literature Makes Us Smarter and Nicer.”
response to midterms most midterms are in > Model Assignments research proposals email with grade report by sometime this weekend . . . welcome to reply, discuss Two Mondays, review midterms and rationale for this type of exam esp. Essay preview: "literary devices" historical backgrounds built back into Midterm1 Essay draft, extend into Midterm2 Essay draft
test-taking use resources (including assignment), organize materials coordination of exam with objectives
Mexican Americans as unique immigrants b/c of proximity to homeland, shifting border, cultural contact
language as political correctness > learning terms > standard assumptions, working definitions that can be varied learn rules in order to learn how to bend and break them; can' break rules if you don't know what they are terms enter dialogue with each other minority + immigrant > New World Immigrants
“The Virgin of Guadalupe” Symbols 7 a temple
10 Indian peon meets newly arrived Spanish bishop
What about "ambivalence" in Virgin of Guadalupe story? Did the story really happen? Is it spoken or written literature? (FYI, the version we're reading is one of several. The Spanish versions don't mention the Indian elements to the Virgin's appearance.) Regardless of whether it really happened, it has survived. Therefore it meets needs of people and has a truth of its own.
Diego's hesitation at dealing with Our Lady--can this be compared to the immigrant entering a new world? Diego's ambivalence between serving Our Lady and taking care of sick uncle
Is Mexico a European or an Indian nation? Who is the true Mexican? The Bishop from Spain or Juan Diego, the Indian?
syncretism American Indian creation story, "How America was Discovered" mixes "Great Spirit" with "Son" and Columbus
Creation / Origin stories stories = narratives Humans as storytelling creatures, power of storytelling as ways of organizing meaning, making things matter, making people care Narrative / storytelling as problem-solving device, a way to live through the contradictions of life and give them meaning, productivity, change or not.
creation stories, origin stories--both terms in use, much overlap but some minor differences "creation stories" tend to be creations of the whole world, as in Genesis "origin stories" may be about how a single being or phenomenon came into being, e. g. "the rainbow" I use the terms more or less interchangeably at this level, and you can too
Every culture has at least one, and most have more than one USA: Genesis, evolution as major creation stories but also "creation of America" stories: the Pilgrims, Jamestown, the Founding Fathers (esp. Declaration and 4th of July) One curious phenomenon of creation stories: they tend to be re-enacted as a way of re-centering culture, establishing traditions
In minority literature . . . African American creation story: the slave narrative (not only slavery, but rising from it) . . . + comparable later stories, e. g., current Jackie Robinson memorials Native American creation stories--multiple creation stories--every story brings a new world into being--in contrast to Genesis, creation is unfinished, always ongoing Mexican American creation story: Virgin of Guadalupe
student comments 2004 painting on cloth that is combination of Indian and Spanish materials historically, Virgin of Guadalupe may be connected to previous Indian fertility goddess appearance of the Virgin combines European and Indian qualities legend incorporates scriptural references
Identify elements of syncretism in Juan Diego canonization report:
Can these elements of syncretism be aligned with Mexicans or Mexican American as an ambivalent identity?
mestizo identity not identical with Indians; mestizo = mixed blood
metaphors: borders (crossing and re-crossing) bridge
How does the Virgin of Guadalupe fit the definition of a symbol? images: sensory, usually visual image + meaning concrete, physical + abstract, emotional, intellectual / spiritual symbol tends to send out different meanings to different audiences
What about "ambivalence" in Virgin of Guadalupe story? Did the story really happen? Is it spoken or written literature? (FYI, the version we're reading is one of several. The Spanish versions don't mention the Indian elements to the Virgin's appearance.) Regardless of whether it really happened, it has survived. Therefore it meets needs of people and has a truth of its own.
Diego's hesitation at dealing with Our Lady--can this be compared to the immigrant entering a new world? Diego's ambivalence between serving Our Lady and taking care of sick uncle Project to Mexican American ambivalence:
Is Mexico a European or an Indian nation? Is the Bishop from Spain the true Mexican? Or Juan Diego, the Indian?
"ambivalence" or syncretism in Juan Diego story?
Seguin Classic, popular, and representative literature open floor
1 esteem v. jealousy military companies, adventurers caught in middle, dark intrigues, jealousy [mestizo, Hispanic / Latino]
3 Texan war for independence, many noble hearts also many bad men [frontier as stateless society, no protections, only strong and week, with hopes that strong are good] 4 first city of Texas . . . also the receptacle of the scum of society my countrymen ran to me for protection against the assaults or exactions [demands for payment] of those adventurers Were not the victims my own countrymen, friends and associates? foreigners x countrymen 5 smuggling 6 elected mayor 6 Republic re-allocates city property 13 Seguin is with us. [cf. Seguin] 16 reports about my pretended treason 16 some Americans were murdering Curbier 17 hiding from rancho to rancho 20 before leaving my country, perhaps forever, family council 21 ungrateful Americans 22 my services paid by persecutions
In Bless Me, Ultima 7 town of Guadalupe (probably not the same town--New Mexico, not old Mexico) 43 My mother had a beautiful statue of la Virgen de Guadalupe.
Preview other examples of syncretism in Ultima?
Syncretism, symbols, metaphors can all be means of bridging or healing difference, ambivalence.
What appearances of Guadalupe in Bless Me, Ultima? 7 town of Guadalupe 13 La Virgen de Guadalupe was the patron saint of our town 23 Virgin’s horned moon, the moon of my mother’s people, the moon of the Lunas. 43 My mother had a beautiful statue of la Virgen de Guadalupe. 43 We all knew the story of how the Virgin had presented herself to the little Indian boy in Mexico and about the miracles she had wrought. My mother said the Virgin was the saint of our land . . . .
*Bless Me, Ultima ambivalent minority
Mexican identity as descended from mobile European culture (i. e., immigrants): 2 father a vaquero, even after big rancheros and tejanos came and fenced in the beautiful llano 3 effects of war, move to California [culture on move; cf. Dominant culture] 6 He is a Marez, the vaqueros shouted. His forefathers were conquistadores 14 father’s dream: move westward + sons
Mexican
as Indian identity (shows up more in subsequent readings) 41 “the blood of the Lunas to be quiet, for only a quiet man can learn the secrets of the earth that are necessary for planting—They are quiet like the moon—And it is the blood of the Marez to be wild, like the ocean from which they take their name, and the spaces of the llano that have become their home.” 41 She understood that as I grew up I would have to choose to be my mother’s priest or my father’s son. 43 My mother had a beautiful statue of la Virgen de Guadalupe.
Web highlight (final exams regarding American Indian literature): Starr Haun
"The origin stories, American Indian Stories and Lone Ranger all show how the Native Americans are a minority culture. They did not participate in the American Dream to become successful and prosper. In fact, many of the things that have been developed by the dominant culture have destroyed their natural way of life. The Native Americans were forced from their land onto reservations. In order to rise out of poverty they had to participate in the ways of the dominant culture. They had to start going to their schools, learning their customs, learning their creation stories, and learning how to be "civilized" peoples." [AS] "There was no written language, which required knowledge to be passed through an oral tradition. While there are common stories, this allowed for adaptation from tribe to tribe. More importantly, said oral tradition increased bonds within the community. The elder members of the tribe were not as fast, nor as adept at gathering food, but they continued to contribute to the community through the sharing of stories. This strength of community is apparent in the stories themselves. For example, the legend of the Earth-Diver, a popular Iroquois tale of creation, involves several animals or monsters (depending on view) to help prevent the woman who will birth mankind from sinking into the underworld. These "monsters" are familiar animals, and it is finally the turtle that is successful. By using animals familiar to the environment, the story creates bonds with the land." [RL] "The Native American narratives also share a common theme running through them. Most often, it is the theme of loss and survival, easily recognizable in the two texts studied in this course, John Neihardt's Black Elk Speaks and Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven. Although these books are from very different time periods in the history of the Native American culture, that fact only re-enforces the deep wounds that still haunt them. I believe it's important and useful for both of these books to be used [...] because they lend themselves so well to comparison/contrast of the Native experience over time. It is bitter irony that the dominant group simultaneously admires and destroys the Native American culture. In Black Elk, there is romanticizing of the Indians in some ways, but at the same time, the harsh realities of their experiences are discovered and understood. The idea of visions and Black Elk being given certain powers by the grandfathers is something that most people in the dominant group will not be able to grasp in any other way other than by romanticizing of the sacred. But the images of women and children lying butchered, "heaped and scattered along the crooked gulch" as snow fell over their bodies, creating a long white grave (270), is something that will inevitably affect every reader." [JM] "Another example of "loss and survival" of the Native American people can be seen in Zitkala-Sa's American Indian Stories. Although her experience begins as an American Dream and her quest for an education, she soon realizes that the personal cost for her education was more than what she was willing to pay. She left her home and family to gain an education, but instead, she got humiliation and degradation. She was ridiculed by white travelers who treated her as a toy; she was disgraced when the women cut her hair. Zitkala-Sa speaks of losing her spirit during her sufferings, however, that was not completely true. Because she still had the spark of her spirit, she was able to complete her education and spent the rest of her life fighting for the rights of the Native American people." [KM] |