from Wikipedia,
"Literary Fiction": Literary
fiction, also known as
serious fiction, is a term principally used for fictional works
that hold literary merit, that is to say, they . . . offer
deliberate
social commentary or political criticism, or focus on the individual to explore
some part of the human condition. Literary fiction is deliberately written in
dialogue with existing works . . . . Literary
fiction is focused more on themes than on plot, and it is common for literary
fiction to be taught and discussed in schools and universities.
Literary fiction is usually
contrasted with paraliterary fiction (e.g., popular,
commercial, genre fiction or escapist fiction).
Some describe
the difference between them in terms of analyzing reality (literary) rather than
escaping reality (paraliterary).
The contrasts between these two subsets of
fiction is highly controversial among critics and
scholars who study literature.
Dr. White's notes: The Wikipedia definition is adequate and
representative except
for these additional considerations:
Literary fiction
pays careful attention to and develops language
and style in
contrast to popular literature, where language speaks familiarly but without
conscious development of literary antecedents or
influence. (See above: "Literary
fiction is deliberately written in
dialogue with existing works . . . .")
Literary
fiction develops mixed, complex, deep, or rounded
characters in contrast to formula fiction's
familiar cast of honorable heroes, sneering villains, faithful servants, and
hunks or babes as love interests who resemble recent movie stars rather than
people we might really know or be.
Popular and genre fiction provides familiar formulas tweaked
or updated to
conform to new cultural symbols (like new cars or
weapons) and reward popular expectations.
Popular fiction meets you where you
are and rarely takes you further.
In
contrast, literary fiction consciously forces language and style to evolve to
capture what has not yet been entirely absorbed or comprehended by popular consciousness, so
that readers learn while they read or experience new ways of perceiving
a perpetually-changing reality (whose stages of development can be learned by
studying classic literature).
Comparisons
/ contrasts of popular and literary elements
|
pop or genre fiction |
literary fiction |
characterization |
virtuous hero (though perhaps with mildly haunted past); sexually
attractive-elusive love-interest; villain as unfeeling patriarch,
institution, or dishonorable rival; "faithful servant" helpers to hero; bad-guy minions
repressed and scorned by villain |
struggling hero attempting not to duplicate past but to
capture elusive possibilities; villain as comparatively
conflicted figure whose failures threaten to infect others; love
interests as vulnerable companions. |
plot / narrative / action |
|
|
audience |
|
|
audience appeal |
escapism, fantasy, problem- or puzzle-solving |
|
|
pop or genre fiction |
literary fiction |
Additional sources:
Novel Writing
Help: What is Literary Fiction (and What sets it Apart)?
April Line, "Why
isn't Literary Fiction getting more Attention?"
Moira Allen, "What
is Literary Fiction? Writing Editors share their Views" Writing-World.Com
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thanks to
http://www.tomgauld.com/