LITR 5731 Seminar in Multicultural Literature:

American Immigrant: model assignments

2010  sample final exam answer

final exam assignment

2c. Dominant culture: What glimpses did you gain? Why won’t students recognize or discuss? What are the costs and benefits of identifying the USA’s dominant culture as another ethnic group rather than a norm?

Katie Vitek

The Ambiguity of Blame: Defining the Dominant Culture

          In my mind, the phrase “dominant culture” evokes images of white upper class Americans in suits, often with mean or sneering expressions on their faces. This image is the result of stories that cast them as antagonists, whether those stories come from multicultural literature or from history. Even as a child, I cast them as the villains when studying subjects such as the Trail of Tears and the Civil Rights Movement, despite the fact that by my own definition I am a member of that culture (though hopefully minus the mean expression). I continue to see them this way while reading multicultural literature. Categorizing characters in this genre for the sake of discussion can lead to stereotyping the dominant culture just as much as stereotyping immigrant and minority groups. Despite a cultural distaste for stereotyping, it continues to happen. What makes stereotyping unique when applied to the dominant culture is a feeling that it may be more warranted. But then, that could just be a literary knee-jerk reaction born of a desire to label the characters in our lives as either “protagonist” or “antagonist.” Regardless of the faults of any ethnic group, it is unfair to project the sins of a few (or even many) onto the whole. I think most people realize that. The problem is that people don’t like to suffer in silence. Living in a culture where freedom of speech is a core value can make a person feel like he has a right to blame others for his problems. In multicultural literature, that blame falls on the dominant culture which refuses to bend its own identity in order to accommodate newcomers. The paradox is that we define the dominant culture by their unmarkedness or their lack of presence, and then, by casting such enormous blame on them, identify them as occupying the largest presence in the country. How is it that a group can occupy two such contrasting roles in society?

          As I mentioned in my first essay, a large part of the beauty of A Long Day’s Journey into Night is that drama is created by a lack of dramatic actions. Despite the fact that the family is Irish and classified as an immigrant family, their skin color and Tyrone’s success help them to blend in with the dominant culture. The story’s drama revolves around the family’s conflicts with one another, not with outsiders or other groups who might discriminate against them. Though they are marked by their ethnicity, they do not seem to suffer because of it, like other ethnic groups. But does that mean that the experiences of the Irish are less valid as an immigrant narrative? If, over time, an immigrant group succeeds in society, does that mean that they are absorbed into the dominant culture? And, if so, do they share the blame? It can sometimes feel that way because the most successful Americans can often be the most resented, however unfair that may be.

          In “American Horse”, readers empathize with Buddy and his mother because they don’t want to be separated. When Miss Vicky Koob comes along to take Buddy away, she occupies the role of antagonist simply because of the narrator’s point of view. But if the story were to be told with Miss Koob as the narrator, could the reader just as easily see her as a protagonist who is saving a young boy from a hazardous lifestyle? I think so. The blame can shift depending on who tells the story. That statement is true in life just as it is in literature. Now I’m not saying that the dominant culture is innocent and deserves no blame. Clearly, the group that is in power must take responsibility for the outcomes of its actions, and dominant Americans haven’t made the best decisions. But recognizing the ambiguity of blame in America is helpful in understanding why identifying and discussing the dominant culture can be so difficult.

          There are pros and cons to being a member of any ethnic group. For the dominant culture, pros would be power, privilege, and for the most part not having to worry about racial discrimination. The big con is that that definition paints a picture of a carefree life, which is certainly not true. Life is hard. No matter what. Do some people have it harder than others? Absolutely. But does that mean that those who are more privileged have no reason to complain? I don’t think so. Just as humans seem to instinctively cast blame on other people or other outside forces, they also have an instinctive need to be recognized for their struggles. The label “dominant culture,” takes away that recognition, and for that reason it evokes defensiveness. It seems like the minute someone is classified as being a member of the dominant culture, he or she feels the need to point out the hardships he or she has experienced. Similarly, when discussing struggles that are portrayed in immigrant and minority literature, readers identify with characters outside of their own ethnic group. We don’t identify with people because of skin color; we identify with shared experiences. Unfortunately, that defensive factor can sometimes cause discussion to stall out with an argument over who has suffered the most.

          The debate over “Who has it worst” is seen in many cultures. Again, it is driven by a human need for recognition. In “To Da-Duh, In Memoriam,” the narrator feels rejected when she first meets her grandmother. She is different from her other family members, so she thinks her grandmother will not believe that she belongs. When the two stare each other down, Da-Duh looks away first and laughs. That’s all it takes for the narrator to feel accepted, as she says, “Da-Duh had recognized my small strength – and this was all I ever asked of the adults in my life then.” From then on the two get along, but they continually compete to try and prove that each one’s world is better, New York versus Barbados. Notice that these characters are related – they are members of the same ethnic group. That fact lends credence to the idea that this is a human instinct, not necessarily motivated by ethnicity or culture. Paul Marshall’s story reflects a competition among cultures to identify their relations to one another and to find their place in some sort of order. That struggle for belonging parallels the struggles of assimilation. Immigrants want to belong to a new world, but that doesn’t mean they want to forget their old world. Just because they’ve chosen to leave doesn’t mean they’ve chosen to let go.

          Whether we are talking about European Immigrants (Long Day’s Journey), Minorities (“American Horse”), or New World Immigrants (“To Da-Dah”), the presence of the dominant culture is felt, even in its absence. In the midst of this competition, the dominant culture finds itself in a vulnerable position because it cannot really claim that it has lost anything. It occupies the role of privilege because it is made up of a group of people who have not made a cultural sacrifice. But maybe that is the very reason it can be such a sensitive subject. No one wants to be told that he hasn’t earned what he’s got. Perhaps members of the dominant culture feel that they are discriminated against for a social situation that they did not personally create and cannot control, just like everyone else. Perhaps defensiveness itself is to blame. Maybe if we weren’t all so busy blaming one another, it would be easier to listen to one another and try to transcend the very situation we are all complaining about. In the mean time, maybe we could work with this definition of the dominant culture: a group of people whose history and values have so affected a society that their presence is felt even in their absence. My hope for that definition would be that it would help people to think about this group in terms of their long-term effects instead of in terms of guilt. I think the less blame is cast around among all cultural groups, the less defensive people will feel, and the more we can achieve through open-minded discussion.