Oyinna Ogbonna November 24, 2013 Exploring the Relationships between Contemporary
Transnational Migration from Nigeria to the West and Capitalism through Colonial
and Postcolonial Novels and Literary Theory “To be unhomed is not to
be homeless, nor can the 'unhomely' be easily accommodated in that familiar
division of social life into private and public spheres. The unhomely moment
creeps up on you stealthily as your own shadow and suddenly you find
yourself…taking the measure of your dwelling in a state of 'incredulous terror.'
And it is at this point that the world first shrinks…and then expands
enormously… The recesses of the domestic space become sites for the most
intricate invasions. In that displacement, the borders between home and the
world become confused: and uncannily, the private and the public become part of
each other, forcing upon us a vision that is as divided as it is disorienting." –
Homi Bhabha (1994). This essay will
use the postcolonial novel, postcolonial and post-1975 migration theories to
illustrate the links between capitalism and post-independence transnational
movements between Africa and the West using Nigeria as a case study. Chinua
Achebe’s novel,
Things Fall Apart,
presents an account of Igbo society in pre-colonial and early colonial times,
after which he chronicles their subsequent displacement and gradual migration
away from their ancestral homes in
No Longer At Ease,
There Was A Country, and
The Education of a British-Protected Child.
Buchi Emecheta’s novels,
The Slave Girl
and The Joys
of Motherhood, describe the anxieties and
challenges of living in an Igbo society newly introduced to capitalism, and how
these resulted in movements from the villages to the cities, and from the cities
to the West. In their books, contemporary Nigerian authors such as Chimamanda
Ngozi Adichie, Chris Abani, and Chika Unigwe, draw attention to not only gender
constructs and gender relations, but also the social problems following the
series of military coups, leading up to contemporary emigration from Nigeria,
during the 1990s to the present.[1] In contemporary times, Nigeria has
the highest emigration rate from West Africa to North America.[2]
Current estimates state that 165,481[3]
and 266,000 of United States residents claim Nigerian ancestry.[4]
Nigerians rank high among the African groups in the United States with the
largest presence, as of 2010 census records, with a population of 219,309,
followed by Ethiopia with a population of 173,592, Egypt with a population of
137,799, Ghana with a population of 124,696, and Kenya with a population of
88,519.[5]
Additionally, former imperial countries, such as Britain, France and Spain
receive their large share of immigrants. In other words, migration from non-Western countries to the
West is at its highest, especially in the United States where immigration
debates between human right activists, liberal and conservative politicians and
the media, are heated. Impoverished people of color from former Western colonies
are leaving their countries—having been ravaged, stripped of all useful
resources and left with neo-colonial/imperial structures that sustain the
Western economy—to Western regions in search of peace and better lives. In the
era of “free market” global capitalism, however, Western metropoles live in fear
of free movement between borders. More than the anxiety of encountering the
racialized “other” in their territory, Westerners are concerned that migrants
would overrun and plunge their countries in economic crises. But neocolonial and
neo-imperial sponsored “violence, wars, political oppression, economic
marginalization, dictatorships in the colonial world do not come without a
price” (Nagy-Zekmi 2003; 176). Now more than ever, the globe is feeling the impact of the
legacy left behind by European colonial powers—the British, Spanish, Portuguese,
France and the Netherlands—in the Americas, Africa, Australia, the Middle East,
and Asia. Within the last four hundred years, people from all parts of the globe
are dispersed and mixed through the migrations of populations, forced into
slavery, starvation, economic necessity or the threat of genocide, all resulting
from encounters with colonial and imperial powers. Not only has the ideology of
racial purity fostered and shaped current notions of race, ethnicity, and
nationality in a confused world, but these constructs have also at some point or
the other led to violence in multicultural societies. Delving deeper into the subject of
transnational migration movements, it is prudent to begin with the fact that
popular colonial travel narratives such as William Shakespeare’s
The Tempest,
Joseph Conrad’s
Heart of Darkness and Sir
Rider Haggard’s
King Solomon’s Mines not
only fall into those category of novels that describes Africans, according to
Ngugi Wa Thiong’o (Thiong’o 92), as either noble or evil, but they are also
highly descriptive of the manners in which Western colonial powers and
adventurers exploited and stripped African societies of their wealth through
violence and other means. Most novels in this category begin with protagonists
of European descent developing a high moral sense of duty towards saving the
black heathens in Africa from hell or from themselves; other characters straight
up admit they seek adventure and fortune. Four to five centuries ago, the
continent known as Africa today was ripe and open for appropriating, slave
trade, “elephant hunting,” mining “bright yellow stones” from diamond fields
(Haggard 95), and other forms of wealth extraction. Moreover, those who chose
settlement colonies—in their Eurocentric imagination—viewed these “newly
discovered lands” as a sign from God to take over even if it meant exterminating
or displacing indigenous populations, such as the Australian Aboriginals, the
First Nations People in the Americas, and the natives of South Africa. Africa was that luscious and succulent
dark corner in the world where one could make his fortune by simply “snapping
ivory from the natives” (Conrad 234). In addition to looting wealth and natural
resources from natives, missionaries and colonial workers picked up the cross,
“the white man’s burden” to liberate the “prehistoric” “ugly” “howling”
“leaping” savages who “made horrid faces” from their barbaric ways (Conrad 260).
In fact, it was the white immigrant’s mission to “suppress savage customs” and
introduce civilization in the form of Christian religion and capitalism. And
like Robinson Crusoe before them, the only way to go about this civilizing
mission was to introduce Western education. The aim of the Christian missionary
was to convert the people to the Christian faith, and this meant engaging in
teaching the people a second language (Taiwo 1). At first, according to Oladele
Taiwo in
Culture and the Nigerian Novel, the Western
government left the task of educating the natives to missionaries; however, they
eventually became interested in education because of the need for clerks, civil
servants, court messengers and teachers (2). The outcomes of this Western
education were urbanization, nationalist movements and the African novel. Western education not only created a work
force in the colonies, it also created generations of creative writers who
challenged those exaggerated negative images of Africa exploited by Western
writers, travelers, missionaries and political adventurers throughout history
(Taiwo 5). Furthermore, English studies in colonial settings involved studying
Eurocentric literature that demeaned the colonized subject: the idiotic
protagonist in Joyce Cary’s Mister Johnson, the “spiritual and mystical
Africans” in Karen Blixen’s Out of Africa or the good African who cooperates
with colonizers and help subjugates and sells out his people and community or
the bad African who resisted to foreign conquest and occupation of his country
(Thiong’o 92). “The reader’s sympathies are guided in such a way as to make him
identify with Africans collaborating with colonialism and to make him distance
himself from those offering political and military resistance to colonialism”
(Thiong’o 92). Indeed as Chinua Achebe points out in
The Education of a
British Protected Child, “ Colonial rule was
stronger than any marriage,” and since the Africans fought against it and lost,
they had no other recourse as dispossessed people than to turn the powerlessness
to good account and laugh, and thereby lift themselves out of desolation and
despair (49). The generation of writers responded to this dispossession by
challenging prominent colonial literature, but in even earlier times, their
parents realized that times were changing and acted accordingly. So not only did the African student
encounter literature in colonial schools and universities in a way that defined
and reinforced European superiority (Thiong’o 93), but also entire African
communities were brainwashed into wanting Western goods, according to Jean
Comaroff in “The Empire’s Old Clothes: Fashioning the Colonial Subject.” Thus,
one of the defining moments in colonization history was marked—in the case of
Africa as an extraction colony—by the British effort to incorporate African
communities into a global economy of goods and signs (Comaroff 401). For
instance, Flora Nwapa’s characters in her novels
Idu (1970) and
Efuru
(1966) remark on how distillers faced heavy fines and imprisonment for producing
the homemade local gin simply because it been banned in favor of imported
whiskey. Furthermore, by the early nineteenth century, “commodity consumerism
was indissolubly linked to the production of civilization (Comaroff 401). Thus,
the campaign to cover up Africa’s “nakedness” was driven by capitalist
interests. Achebe attests to this phenomena fleetingly but yet significant
manner in Things Fall Apart; “…more people came to learn in his (Mr. Brown’s)
school, and he encouraged them with gifts of singlets and towels” (181). In
Things Fall Apart,
Achebe points out that worthy people sometimes joined the church and sent their
children to school, in addition to the usual converts to Christianity of the
slaves, outcasts and downtrodden, because they quickly realized that “the
leaders of the land in the future would be men and women who had learned to read
and write” otherwise, “strangers would come from other places to rule them”
(Achebe 181). Furthermore, the white man had not only brought a government and
religion, he had also introduced a more sophisticated trade system that involved
the readily available palm oil and palm kernel trade, which resulted in the
introduction of money in Igbo society (179). People began to work on their farms
in the morning and went to school in the afternoons, gradually changing the
African society from agrarian to one slowly drifting to a capitalist society
(181).
Buchi Emecheta expands on this transition in her novel
The Slave
Girl in which one of her characters, an
orphaned young man, Okolie sold his youngest and only sister to a wealthy
relative living in the big city because “he needed money” and “did not want to
work hard at farming” even though his father had left him with “a big farm that
he did not know how to manage” (41). Amongst the reasons for his despair was the
fact that he felt sad because he could not even afford to buy or encourage his
little sister to save her savings from selling palm kernels to buy a European
Lappa (76).
He eventually “sneaked off’ to join the other young people
who had “emigrated to do what was known as ‘olu oyibo,’ the white man’s job”
(80, 85).
No Longer At Ease,
Achebe’s sequel to
Things Fall Apart, delves
further into the changes that occurred in Nigerian/African societies following
the introduction of religion, education. More importantly, it explores the
introduction of capitalism and urbanization in African societies and how these
resulted in not only the migration from rural regions to urban areas but also
the genre of “been-to” novels and the problem of hybridized identities (a term
used in describing those who have traveled, lived, and studied overseas as seen
in Buchi Emecheta, Flora Nwapa, Chinua Achebe and many other Nigerian novelists
from their generation). Umuofia sponsors Obi Okonkwo’s scholarship (Nwoye’s son
and Okonkwo’s grandson from
Things Fall Apart) to
study law in England, and during the farewell ceremony guests congratulated Obi
pressing “presents into his palm, to buy a pencil with, or exercise book or a
loaf of bread for the journey, a shilling there and a penny there—substantial
presents in a village where money was so rare, where men and women toiled from
year to year to wrest a meager living from an unwilling and exhausted soil (13).
In a poignant moment, an older guest addresses Obi; “Today greatness has changed its tune. Titles are no longer
great, neither are barns or large numbers of wives and children. Greatness is
now in the things of the white man. And so we have changed our tune” (62). “In
times past…Umuofia would have required of you to fight her wars… Today we send
you to bring knowledge… We are sending you to learn book” (12). In other words, the transition from a
collectivist agrarian African society not only changed the value systems but
also created a variety of anxieties rooted in these movements from the ancestral
lands to the cities and overseas. For instance, when the president of Umuofia
Progressive Union in
No Longer At Ease points
out that it was work that brought Igbos four hundred miles away from their
ancestral home in Umuofia to Lagos, someone corrects him; “It is money, not
work…we left plenty of work at home… Anyone who likes work can return home, take
up his matchet and go into that bad bush between Umuofia and Mbaino. It will
keep him occupied to his last days. The meeting agreed that it was money, not
work, that brought them to Lagos” (91). Thus, introduction of Western culture in
African societies not only meant taking on English or Christian names, language,
but most importantly, education for the purpose of leadership and work.
Abandoning the ancestral land by migrating from rural to urban areas for
employment not only created a new working class, but also ensured the
consumption of British goods.
When Obi returns from his four-year sojourn in England, he
finds that Nigeria has greatly changed. Apart from having to get used to the
idea of the name Nigeria and the idea of Nigeria as a nation, he observes that
the colonial powers are gradually handing power over to incompetent corrupt
leaders; and thus, the nation has been set up to fail from the very beginning.
The white colonial officer, Mr. Green, mocks Obi and his kind for getting
unnecessary education and also made frequent predictions about the future of
Nigeria as a failed nation. It is true that the works of
nationalism theorists such as Frantz Fanon in
Wretched of the
Earth (1963) and Benjamin Anderson in
Imagined
Communities (1983) are exceptionally useful in
understanding why the new nations that emerged from former colonies failed. But
fiction and nonfiction Nigerian novels serve the purpose of illustrating these
theories in simpler terms. “The British,” Achebe writes in his Biafran memoirs,
There Was a
Country (2012), “were well aware of the
inter-ethnic tensions and posturing for power among the three main ethnic
groups… The structure of the country was such that there was an inbuilt power
struggle among the ethnic groups, and of course those who were in power wanted
to stay in power. The easiest and simplest way to retain it…was to appeal to
tribal sentiments” (229, 232). Furthermore, corrupt English workers had been
selected to oversee the rigging of Nigeria’s first election “so that its
complaint friends in Northern Nigeria would win power, dominate the country, and
serve British interests after independence” (229). As Achebe concludes in
There Was a Country
Britain’s active collaboration in selecting leaders changed Nigeria’s status
from colonial to neocolonial status (443). “The British made certain…that power
went to that conservative element in the country that had played no real part in
the struggle for independence (234). The result, of course, was a three-year
bloody civil war followed by the ongoing social and economic displacement that
has led to mass migrations from Africa to the West in search of employment,
safety and peace. To further demonstrate how colonialism
and neocolonialism led to mass movements from Nigeria to the West it is
important to introduce some theory on migration movements from the global south
to the West before looking into the post-1990 novel. For as long as Nigeria
remained a colony and a British Protectorate, according to Achebe, Nigerians
were allowed free movements into the United Kingdom and other countries where
the British citizens are allowed entry. Achebe writes in
The Education of a
British-Protected Child that in 1957 all he
needed to enter London as a “British Protected Person” was his passport, but
once Nigeria became independent three years later in 1960, that “protection”
ended and movements became more restricted (30-31). The migration pattern from Africa to the West that followed
the termination of British “protection” after Nigeria’s independence is well
documented in works of fiction, nonfiction, and scholarly articles across
disciplines. In his 2007 essay titled "On Mbabuike's Nigerian American
Intellectual Journeys: A Personal Tribute,” Chudi Uwazuruike gives an account of
what he calls the “Nigerian brain drain or intellectual migration waves” to the
United States, beginning in the late 1940s till the present. Concerned with the
social conditions of Nigerians scattered all over the world in what he calls
“unplanned sojourns” that has created Nigerian Diaspora communities, Uwazurike
lists five trajectories in the academic engagement of Nigerians with Americans
beginning with the education of the first ceremonial president of Nigeria, Dr.
Nnamdi Azikiwe at the historic black college of Pennsylvania, in 1928, after
which the second wave arrived between the late 1930s and 1940s (Uwazurike 112). The third wave of
intellectuals—sponsored through United States Department scholarships and
individual and private scholarships, including Rockefeller and Carnegie
Foundations—arrived in the U.S around the early 1960s during the Nigerian
independence to study the sciences, medicine, agronomy, and enroll in various
doctoral programs (Uwazurike 113). Most Nigerian students of this third wave,
according to the author, returned to their homeland to serve their country using
the education they gained from the West. The fourth wave, however, began with
the self-exiled returnees’ “second missionary journey,” following the crises
that began with the Nigerian-Biafran Civil War, and the economic disasters of
the 1980s, which culminated in the military regimes of terror during the 1990s,
ending in the fifth wave of the intellectual migration
(Uwazurike 114-115).
The author goes on to narrate the tragedies
experienced on a societal and individual level as a result of these migrations.
The fourth and fifth waves of
intellectual migration were the most devastating to both the Nigerian individual
and Nigerian society as a whole. According to the author, the middle-aged
American trained Nigerians returned to America without job guarantees; some with
children and wives in tow,[6]
while many others left their families behind (Uwazurike 114, 115). These
migrants of the fourth and fifth wave not only lost opportunities from being
uprooted in their homelands at their ages, they also faced an uncertain future
in America, as they had little or no networks to pave the way for them in their
adopted countries. Furthermore, according to the author, these migrants often
longed for home, but could not or would not move back even when Nigeria made the
transition from military rule to democracy because stability and security was
still elusive in the homeland (Uwazurike 115). These waves of the Nigerian “brain drain” or intellectual
migration culminates in what Uwazurike describes as the new generation: the one
million strong Nigerian American youth born in the United States, with the older
ones in their twenties and thirties gaining education and forging strong careers
within America (Uwazurike 115-116). More importantly, the author believes this
generation of Nigerian-Americans born in the United States since 1980 are the
first cohort of black people to be free in the past five hundred years to think
big, act continental, invest in the global economy and reject the inferiority
inflicted on people of color (Uwazurike 116). The five waves of Nigerian
migrants to America and their descendants, the new generation, amid the
negativity resulting from sensationalizing and generalizing scams to all
Nigerians, have managed to build strong communities in their adopted home and
contribute to the essence of the United States in many ways (Uwazurike 116-117). It is important to point out that these
diasporic movements are being more or less replicated in historical metropole
destinations, especially in the United Kingdom and other parts of Europe. Buchi
Emecheta’s novels
In the Ditch (1972),
Second-Class
Citizen (1974),
The Joys of
Motherhood (1979), and
Destination Biafra
(1982) further demonstrates the tensions, identity confusion, and anxieties that
followed colonial rule and Nigeria’s struggle with urbanization and nationhood
after independence. Moreover, Emecheta’s novels also map out a similar
trajectory of movement from Nigeria to the Britain to Uwazurike’s model. The
post 1990 Nigerian novel by post-independence generation of novelists, such as
Chimamanda Ngozi Adichie, Chris Abani, and Chika Unigwe, establish links between
contemporary African diasporic movements to the West and colonialism,
neocolonialism and capitalism in Africa. Adichie’s
Half of a Yellow
Sun (2006),
Purple Hibiscus
(2003), That
Thing Around Your Neck (2009), and
Americanah
(2013); Chris Abani’s
GraceLand (2004), and
Chika Unigwe’s
On Black Sisters’ Street
(2009) not only explore gender constructions and relations in Nigerian society
as well as in the West, they most importantly analyze the social problems in
Nigeria—from colonialism to independence and from civilian to military rule—and
how these led to the post-1990 emigration from Nigeria.
While Abani and Adichie focus on
emigration from Nigeria to the United States and England, Belgium Nigerian
author Unigwe takes it a step further by introducing another problematic form of
global migration, the smuggling and trafficking of young Nigerian women to
Europe for the purposes of prostitution. Unigwe links the social problems
arising from urbanization and consumerism in post-1990 Nigeria to emigration
from Nigeria to Western destinations. On
Black Sisters’
Street specifically deals with gender, race and
class in relation to global capitalism beginning with the transatlantic slave
trade to colonialism and neocolonialism in former Western colonies, and finally,
migration from Africa to Europe to gratify Western consumers through sex work.
Interestingly, just as we see in our American immigration debates, research and
literature suggest that European governments, non-for profit organizations and
scholars place blame solely on the women and the corrupt Nigerian government.
Nigerian scholars admit that extreme poverty and urbanization as a factor in sex
work migration; however, Unigwe, showcases this manifestation as a two-way
street, involving the Nigerian and European governments at the societal level,
as well as the sex workers and their customers at the individual level.
According to Jorgen Carling in his article, “Trafficking in
Women from Nigeria to Europe,” the Western European market has become
increasingly globalized in the last fifteen years (Jorgen 2005). Nigerians
represent the largest group of prostitutes among Eastern European, Southeast
Asian, Latin American and other women from Sub-Saharan Africa (Jorgen 2005). In
“Migration, Human Smuggling and Trafficking from Nigeria to Europe, a research
report for the International Organization for Migration, Jorgen Carling writes
that Nigerian emigration to Europe has gained so much attention from European
governments because some elements of this migration flow has been linked to
human trafficking and smuggling, and other sordid activities (Carling 2006). The
business of human trafficking and smuggling, while not entirely for the purposes
of the purposes of sex labor, has strong associations with prostitution.
Furthermore, the unique thing about the Nigerian prostitution, besides the
staggering numbers, is in the method of their migration into Europe. Nigerian
prostitutes tend to be very young women, adolescent girls, teenagers, and women
in their early twenties, who are trafficked; that is, deceived, scared and
manipulated into situations of exploitation (Okojie et al., 2003; Jorgen 2005). To be more explicit as I present a brief outline of gender
theory in relation to consumerism and migration without digressing too far, it
must be pointed out that ever since the transatlantic slavery, people of African
descent and other peoples of color have shouldered the burdens of consumerism
and sexual depravities of the so-called West, in the form of wealth extraction
and in the form of sexual exploitation. In the era of “decolonization” and
nationalism, the former imperialists/colonizers “handed over” power to carefully
selected puppets that would further their interests of the West. It is no
surprise at all that the elite ruling class of former colonies govern their
homelands in the same manner—extracting wealth and resources at an alarming rate
and exchanging favors for sex. Surely, this is the case with Nigeria and the
poor women Carling described as having migrated to Europe from the Niger Delta,
the oil rich region that fuels luxury cars in the West and lines the pockets of
the Nigerian elite with their Western partners. This phenomenon is what Dr.
Kwame Nkrumah has defined as neocolonialism: “…the worst form of imperialism…it means power without
responsibility and for those who suffer from it, it means exploitation without
redress. In the days of old-fashioned colonialism, the imperial power had to
explain and justify at home the actions it was taking abroad…In the colony those
who served the ruling imperial power could at least look to its protection
against any violent move by their opponent. With neo-colonialism neither is the
case” (Nkrumah 1965). Furthermore, migrating across borders
for sex work/gratification is nothing new, certainly not to Western consumers.
Angela Davis in Women,
Race and Class (1982),
bell hooks in
Black Looks: Race and Representation
(1992), Cynthia Enloe in
Bananas, Beaches and Bases
(2000), Kamala Kempadoo in
Sun, Sex, and Gold: Tourism and Sex Work in the Caribbean
(1999) and Andrea Marie Bertone in “Sexual Trafficking in Women: International
Political Economy and the Politics of Sex, demonstrate the role of the West in
shaping and exoticizing women of color worldwide. (Think of Sarah Baartman
christened the Hottentot Venus by her European exploiters, and Josephine Baker
in her banana skirt). Hence the international sex trade system in which women
are forced by one reason or the other to become mail order brides, prostitute in
brothels, and engage in sex tourism, pornography, and militarized sex. These
authors establish the fact that all forms of sexual exploitation of women of
color—for instance, sex tourism in the Caribbean, migrant prostitution in
Europe, militarized prostitution in Vietnam and the Philippines, and trafficking
of women through Africa and Arab regions and Eastern Europe to the West—are
vestiges of the transnational sex trade industry, Western dominance. Kempadoo
particularly believes that past and present disruptions in the global economies,
such as in the industrial era, slavery, imperialism, colonialism systems, led to
the creation and consolidation of sex industries in former colonies (Kempadoo
1999). So it is not surprising that in a failed nation such as
Nigeria where resources are monopolized and controlled by the elite and foreign
powers leaving nothing for the poor and unconnected, young women and girls from
even poorer backgrounds are ending up in the West as prostitutes, voluntarily or
not. It is not surprising that after many years of living through poverty,
hunger, unemployment and a disastrous civil war people are emigrating at
alarming from Africa to Western destinations to seek fortunes, employment, and
pursue their destinies…just like white travelers, adventurers, missionaries, and
colonial workers did for many years in Africa and other colonies. For the people
born in colonized societies it is all about survival. In other words,
consumerism—capitalism—is not only interwoven with gender, class and race, but
it is also explicitly linked to contemporary movements from former colonies to
imperialist countries.
As scholars from all disciplines,
especially Western scholars, continue to untangle the webs created by global
encounters, it is very important to link these global problems to its origins in
order to find lasting solutions. It is not enough to blame poverty and its
related factors on corrupt non-West governments without looking inward. What has
become clear to me in these readings is that Western conquest and exploitation
structures from centuries of unbridled dominance in non-Western region have
resulted in a Catch-22 boomerang effect. Colonial literature and other genres of
British literature was—if not completely conscientious and honest about the
natives they encountered—more or less upfront about why Europeans needed to
travel as missionaries, workers, adventurers and colonizing forces to Africa,
Asia, the Americas and the Middle East—population growth, inheritance policies,
greed, curiosity, unemployment, poverty and the good old moral obligation to
save the savages by bringing them into the Christian fold. In fact, literature
teaches us that people of European descent, for many years, enjoyed unrestricted
movements between borders, cities, countries, and across continents. Isn’t it
interesting that today—in the Western imagination and collective
amnesia—immigrants from former colonies are suddenly a burden and liability for
the West to shoulder?
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Nelson & Sons Ltd.,. (1965). Okojie, Christiana, Obehi Okojie, et
al. "Trafficking of Nigerian Girls to Italy." Report
of Field Survey in Edo State, Nigeria. (2003). Taiwo, Oladele. Culture and the Nigerian Novel. New York: St. Martin’s Press, 1976. Thiong’o, Ngugi
Wa.
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Literature.
Oxford: James Curry, 1986. Unigwe, Chika. On
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Dialectical Anthropology.
(2007): 111-125.
[1]
See Adichie’s Purple Hibiscus
(2003), The Thing Around Your
Neck (2009) and Americanah
(2013); Abani’s GraceLand
(2004; 2005); and Unigwe’s The
Phoenix (popularly known in Europe as
De Feniks. 2005; 2007) and
On Black Sisters’ Street
(2009).
[2]
North American Immigration web page:
http://northamericanimmigration.org/217-nigerian-immigration.html.
2011.
[3]
Ibid.
[4]
http://en.wikipedia.org/wiki/Nigerian_American
[5]
http://www.immigrationpolicy.org/just-facts/african-immigrants-america-demographic-overview
[6] Note
that African men benefitted more from early Western education
opportunities than women.
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