Umaymah Shahid
Romantic Individualism: Not as Simple as It Seems
Individualism is a significant part of the Romantic genre and is explored in
various texts between man and society, man and nature, and even man and himself.
Romantics have dealt with individuality in various ways in their texts and
readers have varying interpretations of what Romantic individualism exactly is.
In their midterms, Meryl Bazaman, Gregory Buchanan, and Roslynn Kelley look at
the various ways individuality works in Romanticism. Meryl Bazaman in her essay,
“Extending Individualism in American Romanticism,” explores how a Romantic
Individual is one who exhibits intelligence and energy, oftentimes escaping the
confines of society to implement them. Gregory Buchanan in his essay, “The
Complex Duality of Romantic Selfhood” explores the Romantic individual and
his/her natural duality between good and evil and struggle to create a unified
whole when divided by the two. Finally, Roslynn Kelley in her essay looks at how
the Romantic individual goes through a journey to unify his/her inner self with
the exterior surroundings. All three midterms focus on individuals and either
conflicts within themselves or conflicts from the outside.
Bazaman focuses her
2013 midterm essay on how individualism in not merely an individual separated
from his or her surroundings, but that individualism extends to intelligence,
energy in the form of knowledge in action, and independence to guide one’s life.
Bazaman looks at a variety of characters such as Thoreau from
Resistance to Civil Government and
Hawkeye from Last of the Mohicans.
What is especially unique about Bazaman’s essay is her incorporation of two
outside texts: Nietzsche’s essay “Live Dangerously” and Ayn Rand’s
Anthem. Bazaman compares the madman
in “Live Dangerously” and Prometheus in
Anthem to Hawkeye and Thoreau. Hawkeye and Thoreau are examples of Romantic
individuals because they are intelligent and energetic, using their intelligence
in action. Hawkeye uses his intellect of nature to guide him and Thoreau uses
his intellect to resist the government. Although I am not very familiar with
Nietzsche’s piece, I have read Anthem
and it was interesting to see the connection Bazaman made with Prometheus
fulfilling the three characteristics of Romantic individualism. Prometheus is
independent, intelligent, and energetic because he applies the concept of
electricity he learns when attempting to convince the elders to do away with
lamps and candles. And like Hawkeye and Thoreau, Bazaman points out that
Prometheus takes his intellect and energy and preserves it by escaping into the
wilderness “where individualism in aptitude and action can function more
freely.” Bazaman’s take on Romantic individualism helps to take it beyond mere
independence and by pulling from outside sources, she solidifies her point that
a Romantic individual is one who is independent, intelligent, and energetic in
applying his/her knowledge into action.
After reading
Bazaman’s essay, which seems to present the Romantic individual as a complete
whole, Gregory Buchanan’s essay explores how the Romantic individual desires
wholeness but lives in a duality between good and evil. The crux of Buchanan’s
essay is that the Romantic desires wholeness and through self-determination
unifies itself, yet a duality is created within it because the Romantic
individual has to struggle with what is naturally good and evil and what is the
normative standard of good and evil, whether that normative be society or a
higher authority. Buchanan first explores this duality in Edwards’ “Sinners in
the Hands of an Angry God” and Thoreau’s “Resistance to Civil Government” where
individuals live in some form of dual existence. In “Sinners in the Hands of an
Angry God,” sinners are separated from God and humanity and the only way they
can transcend this separation in their existence is by following God’s orders.
Similarly, Thoreau describes those who serve the state as having an unthinking
mind and mechanic body, which can only be unified through “self-initiated
effort” (Buchanan). This reading of Edwards strikes me as interesting because I
had not noticed there was a split in sinners between them and the rest of
humanity. The idea that sinners are not only condemned to Hell but are
disassociated with everyone around them, cut off from humanity is striking. In
one instance Edwards seems to blame the sinners and that the only way they can
achieve salvations is through good work, yet, later he claims that there is no
Salvation except from God.
The idea of duality becomes even more
complex when it comes to Poe’s “William Wilson” where the individual duals with
his own sense of goodness and ends up destroying a part of him but in the
process, becoming one again while also destroying any possibility of becoming
better or transcending the evil. Similarly, Buchanan explores Levertov’s “The
Jacob’s Ladder,” and in it he points out the duality between physical exertion
towards what one considers divine yet the divine actually brushing past the
individual. Buchanan’s essay was very well written and it made me question the
notion that Romantic individuals are wholesome and at complete peace in both
inner and outer dimensions. However, from Buchanan’s essay it is evident that
the Romantic individual is anything but wholesome and at peace and is always
struggling with the inner duality between good and evil and normative morals and
self-determined ones.
Roslynn Kelley’s 2015
midterm works well alongside Buchanan’s because she examines how the external
environment helps the Romantic individual grow internally. As Buchanan explored
the duality of the Romantic individual in a moral sense, Kelley explores
specifically how the Romantic individual lived a dual existence with the
internal comfort of society and home and the external terror of the unknown
wilderness around them. Kelley uses the captivity narrative to drive her point,
looking at Mary Rowlandson’s Narrative of
the Captivity and Restoration of Mrs. Mary Rowlandson and John Smith’s
A General History of Virginia. In
both the captivity narratives the individuals take a journey through the
wilderness and grow internally to reflect their understanding of the nature
around them. Kelley states that Mary Rowlandson “can unify her experience in a
wild exterior with her domesticated interior because of her journey; and since
she is now able to reconcile the two, her new individuality provides deeper
insight and knowledge into her existence.” Although John Smith does not have
such a deep insight into his existence, he does assimilate to the wilderness as
a survival mechanism. Kelley’s exploration of the unification of the external
and internal areas of Romantic individuals gives insight to how certain
individuals who were not naturally inclined towards nature, unlike Thoreau,
Emerson, and Hawkeye, unified with their natural surroundings. Thus, Kelley’s
reading of the two captivity narratives and her understanding of the Romantic
individual allows room for those who might not have been considered Romantic
individuals to find themselves very much so.
In their midterm essays, Meryl Bazaman (2013), George Buchanan (2015), and
Roslynn Kelley (2015) each explore the complexity of the Romantic individual.
All three students took what I assumed a quite simple concept and explored the
nuances from what exactly qualifies one as a Romantic individual to the duality
of morals within a Romantic. From all three essays it is quite clear that
individualism in Romanticism is more than just being a wholesome individual who
goes out into nature to contemplate the good and bad of society. Rather, a
Romantic individual constantly battles between good and evil within him/herself
while also fighting the external pressures of conformity and mindlessness.
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