Brittney Wilson 
A Modern Adaptation of Poe’s 
The System of Doctor Tarr & 
Professor Fether 
         
The British actress, Kate Beckinsale, has always been an idol of mine and 
psychological thrillers have always been my favorite genre of movies, so when I 
saw Kate in Stonehurst Asylum—a 
psychological thriller with her as the supporting lead—I already had all the 
reason I needed to be hooked on it. Kate plays the role of a patient suffering 
from seizures but who does not seem to belong since she is classy and of sound 
mind, especially compared to the other patients. The asylum itself is 
patient-sustained aside from one man in charge who seems to direct and manage 
the asylum with an off-kilter approach to psychological care. He does not 
approach things the way a contemporary doctor would have executed such therapy; 
he simply lets the patients go about their behaviors as is. Seemingly out of the 
blue, a doctor-in-training happens upon the asylum and asks to shadow this rogue 
doctor in order to gain his clinical training but upon inspection learns that 
the doctor in charge is actually a patient there and that he and all of the 
patients have overrun the asylum and the real doctors and staff have been locked 
up in the basement mistaken for the real crazy people. 
         
After being blown away by this movie, I did some digging and found that 
it was an adaptation of Edgar Allan Poe’s 
The System of Doctor Tarr & Professor Fether. This short piece is not 
exactly as the movie portrayed it but the movie stuck well enough to the plot 
with the patients taking over the asylum and trapping the staff that I was able 
to see the reflection there. Of course, in typical Poe fashion, the element of 
the gothic is abundant in the dim hallways of the asylum and the menacing nature 
of the patients so the abstractedness of the psychological is exactly what one 
would expect from him. Here again, we see the heroic individual on a quest to 
figure out what is going on and emotions constantly outweigh logic because 
reason and logic have been tossed out completely in an attempt to let the 
patients simply live in a soothing day-to-day in which their delusions are 
enabled instead of disentangled. 
         
What I eventually found so intriguing about this film adaptation of Poe’s 
original Romantic work is how a classic work could be taken and made into a 
contemporary, popular piece yet still retained its original Romantic qualities. 
It was easy enough to stick to the genre but the producers were also able to 
stick with the whole style and affectation of Poe’s Romanticism. This made it so 
captivating and admirable that I had to watch it several more times, and of 
course it was solely on an academic basis for Poe and not Kate Beckinsale. 
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