Munira Omari
May 6, 2013
Edgar
Allan Poe: The Tell Tale Heart and
The Premature Burial
In recent years, people have become fond of what is considered to be dark and
taboo. Watching horror movies and listening to hard metal rock has become a
fashion and a style of interest for millions of people around the world. Why
this fascination with Goth has become a major part in their life?
Gothic literature has been a common interesting style of literature for a few
hundred of years. It is synonymous with dark castles, haunted houses, grave
yards and unsolved, horrific deaths. Gothic literature has various images and
elements and the main goal of Gothic is to plant the seed of fear in the hearts
of those who see or read them. In a way, I think it is an idea of escape, the
escape from reality and the morals of a society is somewhat realistic for
people; thus having this attachment to Gothic literature. During the 19th
century, Gothic was side by side compared with the Romantic literary style in
which Gothic had this dark side to it, whereas Romantic literature had a bright
and shining aura that also attracted many. It has brought a connection between
Romanticism and death, darkness and love in one genre. This paper will analyze
the elements of Gothic in the works of Edgar Allan Poe:
The Premature Burial and
The Tell Tale Heart.
Gothic literature has been predominant for hundreds of years. As mentioned
earlier, it has the mixture of Horror and Romance in one. There seems to always
be a love story hidden in the horrors of the situation; however, the stories I
have chosen, the main characters are not in a romantic relation with a female.
The affect of the Gothic is mainly the comfort or release after fear. As Stephen
King indicates in his essay “Why We Crave Horror Movies?” people are in their
nature “mentally ill”. People chAllange themselves by watching gruesome movies
or riding roller coasters we know are scary because we want to feel normal.
Having the sense of normality through discovering that the world is not only
beautiful, but that it is also gruesome is the reason why we are attracted to
what is scary; and basically why we are attracted to Poe’s work. King also
mentions in his essay that there is no such thing as ‘normal’ and that we all
enjoy seeing people in pain and Gothic literature and horror movies gave us
that.
Gothic has many elements and forms that are
clearly seen in the writing, and especially in Poe’s writing. Some elements are
clearly seen in the background: haunted houses, ghosts, creepy forests, grave
yards and death and can also have psychological meanings to it. Poe followed
these rules and used death and grave yards in his stories. It was said that Poe
was an insane person, especially when he drank. Basically, since we were
children, our mothers, fathers and our communities warned us and tried to scare
us. They tried to plant fear in our hearts from death, murder and being buried
alive that we see it as normal and at the same time not normal. Our society has
considered these topics as taboo and that only the mentally ill (insane) people
would do them. King emphasizes on this point in his essay “Certain of these
emotional muscles are accepted – even exalted – in civilized society; they are,
of course, the emotions that tend to maintain the status quo of civilization
itself. Love, friendship, loyalty, kindness -- these are all the emotions that
we applaud, emotions that have been immortalized…” and thus Gothic is considered
to be more psychological than factual, and this is why Poe was so talented.
Thus, the works of many Gothic writers speak of a deeper psychological meaning,
and Poe using what he knows in his writing, as Burwick states about Poe, “Poe's
imagination exhibits its 'submissive,' 'self-pitying,' or 'depressive' phase”
(2).
Edgar
Allan Poe is the father of Horror and Gothic literature. He is well known for
his Romantic and Gothic short stories and poems. With his writing, he creeps
into the mind of the reader and causes fear that trembles the soul. His style in
writing transitions the reader into a state of distress and despair, following
it a cathartic relief, but how cathartic can Poe be? He was born on January 19,
1809 in Boston, Massachusetts. He lived as an orphan after his mother died and
his father abandoned them. Then he was taken by John and Frances Allan, who took
care of him but never formally adopted him. After realizing he was not
successful in the military, he decided to leave his family and write poems and
prose. At that point in his life he published his successful poem “The Raven”.
The
Premature Burial was published in 1844. It is
one of Poe’s short stories. It is about an unknown man who suffers from
catalepsy—a disease that affects the nerves—and in this short story, this man
narrates various tales of premature burials that he had heard of; and clearly he
is afraid of it himself, as we will learn at the end of the story; he takes
certain precautions to which has an unpleasant ending. However, in
The Tell Tale Heart, the narrator
tells the story of the killing of an old man with a vulture eye. He explains the
situation and the killing in details, and this story as well has a shocking
ending for the reader.
From the titles of the short stories, we can clearly classify them under the
Gothic genre. Both stories are dark and gloomy.
The Premature Burial has a very
chilling tone to it. The one thing that people are mostly afraid of is being
buried alive and it was something that no one could possibly dare to speak of;
however, Poe did. The Tell Tale Heart
has the same Gothic tone to it, but it has an unease feel to it. The story takes
place in a dark and lonely house. In The
Premature Burial he wrote a complete short story of the many premature
burials which existed over a period of time, without using his voice, but the
voice of a man who is in pain. In the period of time, there have been many
factual stories of premature burials. He indicates in the beginning of this
story that people have great satisfaction when in pain or seeing other people in
pain. “We thrill, for example, with the most intense of ‘pleasurable pain’” (The
Premature Burial). King also noted in his essay that people in their deep
and darkest minds we all feel pleasure with pain we cause. He also states that
all humans are “mentally ill”. Meaning
we enjoy the pain we inflect on people. Thus, we can see the connection between
these two writes that are famous for their horror genres and their manipulation
of the human mind and how it works. It is clear that the two famous Horror
writers agree with that statement.
The
first noticeable style is that he gives the illusion of relief just before the
ending, then, he surprises the reader. His style of writing in both short
stories The Premature Burial and
The Tell Tale Heart is an appealing
style. He gradually prepares the reader for the final release, or as we can also
say, the final exhale; then he shocks the reader back into reality and back into
the fear zone. We can clearly see this in the beginning of
The Premature Burial as the unknown
narrator explains how he prepared his grave and as he was relieved that he was
not buried alive by giving these multiple examples of cases in which people were
accidentally buried alive, and him being able to strategize his escape if he was
accidentally trapped in the tomb; and after shocking the reader as he is trapped
in an unmarked grave struggling to get out. It is as if Poe wanted the reader to
feel the struggle and fear of the narrator. In
The Tell Tale Heart, Poe uses that
technique of leaving the narrator nameless, which we will discuss later. He has
the reader also believe that once the old man was dead, he would feel that
feeling of comfort, or catharsis. However, to the surprise of the reader, the
servant hears the heart of the old man and surrenders himself to the officers.
This technique I would like to call it Reverse Catharsis. Somehow, the greatest
Horror fiction writers seem to agree on this concept. This method is sometimes
used in horror movies, where the protagonist comes to a feeling of safety and
security and in an instant they might be killed by the monster of the movie. The
method of reverse catharsis has an affective reaction from the audience. I
remember a time when I watched a movie called “The Ring”. It is a horror movie
that did not have a happy ending as we shall call it. After the movie, I had
that sense in which I thought that the monster of the movie was going to attack
me because it did not die in the end. This style of writing that Poe uses for
his endings has the same effect as unresolved horror endings do. To my surprise,
Poe did not have any background psychology of any kind as he wrote this and yet
he has caused many hearts to tremble.
Poe, in both short stories, uses the first person narration. First person
narration means that he uses the pronoun “I” instead of a name or a pronoun for
the narrator. This style of writing is also connected to the style of Poe and
psychology. Poe’s goal in his writing is to have the reader connect to the story
and he does that by forcing the reader to say “I”. By doing this, he is not
excluding anyone from that situation. Subconsciously, he is driving the reader
to admit and make them become one with story that no one is safe. It is
basically as the point of view shots in films, where the director forces the
viewer to see things in their point of view. This concept is to show the reality
or factuality of the situation, and thus putting fear in the reader’s heart that
they are not immune to it. He intends to put the reader in his mind; the mind of
sanity and insanity. The use of this first person allows him to communicate his
thoughts and his feelings towards one thing by speaking through a narrator. From
the realistic reports, we can assume that Poe was meaning to educate and warn
people from the medical mistakes and to put fear in the hearts of the reader.
Understanding the mind of the reader is one of the most important concepts of
writing literature. A person who writes literature must have the ability to
connect to the reader. As far as to
Freud, the father of psychology, Poe had no relation to him. He died before
Freud was born. As far as his knowledge of psychology, Poe did not research
about it and I was not a common topic at the time. But where did Poe get the
skill to enter the mind of the reader and use psychology in his writing. I
believe that Poe had the tendency to understand the mind of the reader through
his own experiences in life. As we have mentioned in the introduction, Poe was
not a happy child and his only success was in his writing. I also believe that
the people who were attracted and loved his writing were people who wanted
change. People who thought of the clinically insane people were evil and demons
were living in their bodies. Poe’s alcoholism was also a key concept in
understanding his mind and his ability to influence people. With this Poe
understood the meaning of “getting into the mind of the reader” by pointing out
something far more fearful, such as being buried alive. In the beginning of this
story, the unnamed narrator was pointing out stories that he had heard of from
the newspaper and these stories were specifically about premature burials. In
the end of the short story, the narrator indicates all the precautions he took
in order not to get buried alive. Although
The Tell Tale Heart he did not use
the same method as in The Premature
Burial, he used a more realistic one. Meaning, he used a more everyday life
situation in the story, which also means that Poe invaded the minds of the
people with realistic situations. Let’s compare this to a modern day horror
movie. When we watch a horror movie about vampires, werewolves or zombies, we do
not feel the same fear as if we watched a horror movie about demons or serial
killers. And the fact is that we know that vampire and werewolves do not exist.
They were created out of the imaginations of the writer. However, in movies
about serial killers, we tend to fear for our lives because it is something that
we hear about in the news and possibly in the neighborhood. That is something
that Poe focused on in these two short stories. Another point that was dominant and easily noticeable in Poe’s stories and its connection to his life as an orphan and an alcoholic is the entrapment and enslavement of the narrator. In The Premature Burial, the narrator was entrapped in his grave as he struggled for freedom. And not only that, but he also was enslaved and obsessed by his fear of being buried alive. This concept is also seen in The Tell Tale Heart as the narrator indicates that:
It is impossible to say how first the idea entered my brain; but once conceived,
it haunted me day and night. Object there was none. Passion there was none. I
loved the old man. He had never wronged me. He had never given me insult. For
his gold I had no desire. I think it was his eye! yes, it was this! He had the
eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon
me, my blood ran cold; and so by degrees -- very gradually --I made up my mind
to take the life of the old man, and thus rid myself of the eye forever.
From the text taken from the story, it is clear that the idea was planted in his
mind and was a slave to it as it consumed him and it was his mission, as it was
in The Premature Burial, it was the narrator’s mission to protect himself from
the thought that was haunting him. This notion is connected to Poe and his
feelings of entrapment, since he was not good at anything as he was growing up.
Another aspect that is seen in Poe’s work is transcendence. Transcendence means
the feeling of elevation and reaching a higher place. In both stories
The Premature Burial and
The Tell Tale Heart, it is noticed
that both narrators elevate to a higher sense of greatness after their
achievement. “I then smiled gaily, to find the deed so far done” (The
Tell Tale Heart). In The Premature Burial, the narrator describes how happy
he felt as he took all his precautions in his tomb. This is what Poe was aiming
at in his stories, the tragic ending of the hero. As mentioned earlier,
Catharsis and Tragedy go with each other. And that is what I feel makes Poe’s
work amazing. Since the beginning of playwright and poems, Tragedy plays were
famous and ended in giving the viewer a cathartic feeling. Many great writers,
such as Shakespeare and Sophocles wrote such plays and had done an amazing job
with them.
In a way, I will need to agree with the famous horror story writer in our days.
We are all “mentally ill
; those of us outside the asylums only hide it a little better – and maybe not
all that much better, after all” (King). People need an escape. It is true that
Poe had a dark and mysterious ending, but in the end his escape was through his
stories. He wrote what he thought would release that loneliness. We all need an
escape and we have that evil in us. Poe understood that and King also understood
the need to watch horror movies or to read horror stories because we all need to
release our insanity and our instincts. And that is why we are attracted to
Gothic and Horror.
The mythic horror movie, like the sick joke, has a dirty job to do. It
deliberately appeals to all that is worst in us. It is morbidity unchained, our
most base instincts let free, our nastiest fantasies realized . . . and it all
happens, fittingly enough, in the dark…[and watching these films is] as lifting
a trap door in the civilized forebrain and throwing a basket of raw meat to the
hungry alligators swimming around in that subterranean river beneath. Why
bother? Because it keeps them from getting out, man. It keeps them down there
and me up here. It was Lennon and McCartney who said that all you need is love,
and I would agree with that.
As long as you keep the gators fed (King).
Works Cited
Burwick, Fredrick. "Edgar Allan Poe: The Sublime, the
Picturesque, the Grotesque, and the Arabesque."American
Studies. 43.3 (1998): 423-436. Web. 5 May. 2013.
<http://www.jstor.org/stable/41157397 .>.
King, Stephen. "Why
We Crave Horror Movies?." (1981): n. page. Web. 30 Apr. 2013.
<http://www.vonsteuben.org/ourpages/auto/2013/1/4/56603637/StephenKing_Why We
Crave Horror Movies.pdf>.
Poe, Edgar Allan. The Tell
Tale Heart. 1850. Print. Poe, Edgar Allan. The Premature Burial. 1850. Print.
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