LITR 4533:
TRAGEDY |
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Student-designed final essay
samples
essay assignment
(essay sample a): When I signed
up for the course, my parents asked me what was tragedy and I just shrugged my
shoulders . . .
(essay sample b): While reading
the specific genre of tragedy I found myself trying to assign a definite
changing point in the plot which leads to the fall of the tragic hero in the
play . . . .
(essay sample c): Judging by the
survey of works covered in this course, it is clear that tragedy has evolved in
a number of ways. . . .
(essay sample d): New Dramatic
Theory: On American Tragedy
(essay sample e): When I
enrolled in Tragedy, I had several preconceived ideas about what genre consisted
of. . . .
(essay sample f): Modern Tragedy
and the Ambiguity of the Identity of the Tragic Hero
(essay sample g): Upon taking
“Tragedy” I had limited knowledge of the different genres . . . .
Excerpt
Women in tragedy
Tragedy
does more than explore the degradation of certain individuals and situations.
As the supreme genre, it attempts to teach certain lessons, “inspire a
search for truth” (handout) and often ends on a note of hope or resolution.
In order to accomplish this it mimics reality in a way that the other
genres do not, especially in regard to gender related issues.
One universal truth about the greatest writers of tragedy is that they
posses an innate ability to create realistic female characters regardless of the
patriarchal history of tragedy. Part
of this realism most likely comes out of necessity; if a writer wishes to reach
both genders with his writing then both genders should be accurately
represented; otherwise one side or another will be ostracized.
Aside from this necessity though, is the notion that female characters,
especially those found in male-authored plays, are often more colorful than
their male counterparts, and there are many reasons for this idea.
Medea,
while cold-hearted and single-minded, is definitely a stronger, more dynamic
character than her husband. Her
intelligence, hatred, and inferior social position drive the plot in a direction
that would not have been very realistic if she had been a male character.
This is mainly because her legal status as a woman in Greek society put
her at the mercy of her husband. Furthermore,
the play gains much more “shock value” because she flagrantly defies all of
the public ideals about maternal instinct.
The murder of children becomes even more profane when committed by the
mother. Antigone gains the same
kind of power over the audience because she is defying not only male authority,
but her father figure as well. Thus
the women of Greek tragedy are alike in this respect: they gain depth by having
the strength to defy social conventions and patriarchal authority.
. . . [DC]
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