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LITR 4533:
TRAGEDY |
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Student-designed final essay
sample a
When I signed up for the course, my parents asked me what
was tragedy and I just shrugged my shoulders. I wasn't real interested in
conjuring up a definition for my parents. Tragedy did not seem so foreign
to me. Personally I was struggling to see my life as anything but a sad,
hopeless story. My understanding of tragedy parallels with the growth of
my understanding of myself.
Before I began this class, genre was a generalized
term I threw around to describe a simple classification of books, movies and
music. I was a little skeptical beginning to study genre. The
purpose was unclear. What was I to learn from defining genres? I
thought genre was just to help organize pieces of work in some way in
anthologies and libraries. But what I didn't realize was that genre helps
to analyze the text. Especially tragedy, which is so hard to define. I do not
see this classification as limiting at all. What causes me to delve deeper
into these tragic dramas that we studied was that there must be something more
to them. The fact that Oedipus Rex can withstand time and still be
a powerful text means there must be a power or intangible quality that can not
be described within a tragedy. Knowing the patterns helped me to get past
the actions of the characters and try to experience the characters more wholly.
Instead of genre causing me "to take one work less seriously than
another" it actually heightened my awareness of repeating factors. (BM 04)
In this half of the semester I connected more with
the characters. As I saw the characters develop, I was beginning to
understand my emotions better. I was not associating well with the female
characters of Hamlet and Oedipus Rex. The women in Medea
and Antigone truly stood up for themselves and their families. Although
Medea took her fight with Jason over board by killing her children, at least she
fought. I learned about my self that I admire women who fight for their
rights as human beings. Something that in ancient Greece, women did not
have that. It also made me thankful for all the women who came before me.
Especially the Suffragettes, who fought the same kinds of powers as in Medea and
Antigone. Like Antigone, the Suffragettes faced the all male politicians
to get women the right to vote. Many hid their cause from their husbands
because men did not approve of the assertiveness of these women.
Not only did these later plays teach me the power
of my own voice, they also showed me that women have a unique role in society.
Women are meant to bear the emotional burdens of families. Something I am
learning now. Whereas women are physically weaker and still are not
treated equally with men, nor should we be, women must care for the emotions of
all those around them. Thus sacrificing their own emotional health.
For example, Ruth in a Raisin in the Sun must make the difficult decision
and sacrifice to abort her baby, and she must do this alone. Likewise
Jessie makes sacrifices for her mother and never achieves true happiness
resulting in her suicide. Even Josie in A Moon for the Misbegotten
forgets her own feelings for Jim when he needs her. Even though this may
not be as extreme in my life, I am already learning that women must make
emotional sacrifices for the people they love. My boyfriend is presently
in the Persian Gulf on the USS JFK. To keep him happy and our relationship
alive I must bear this heavy burden. He doesn't even think about the
danger he is in, he just does his job. And even his job I have a problem
with. I am a pacifist and would rather not be at war, but I support the
war because I support him. I see my self in Josie, right now I am sitting
up with my "Jim" helping him through the night.
One of our classes themes was tragedy as a
catharsis, and I found my self experiencing this throughout the semester.
Working through emotional pain is hard when you don't know what emotion is
plaguing you or what is causing it. Am I angry, am I sad, who am I angry
at, why am I sad, or am I just happy? Tragedies evoke emotions that we
can't describe in simple terms. Like the family in Long Days Journey into
Night. Sometimes things have gotten so bad that you can't find blame in
anyone or any specific action. But as the character assess and deal with
their problems we are forced to look at our selves to relate and thus deal with
our own emotions. Watching the Tyrone family is like the gift from the Ghost of
Christmas Future. As it ends we all want to make things better with our
families, because we have seen what things could be if we remain misers with our
emotions.
When I began this summer I was convinced I was a
tragic character, beyond the help of anyone or any drug. But using these
works as a way to understand my own emotions has helped me see that I am not as
far gone as I thought I was. In fact I am already half way to being
better. In someways that is just the journey of young people, just thinking you
are so messed up that you could never be normal, and then somewhere you realize
that life is just a whirlpool of happy days, mistakes and trying to figure out
which today is. Literature is amazing in that you can find your self in the most
unlikely of characters. This is what I have learned from tragedy.
Not only the technical analysis of genre, but I learned about my self. As
we study tragedy we also study our selves. That is the elusive quality
that is so hard to define. Tragedy requires more emotion out of us because
it is a deeper look into the human soul, analyzing the parts of ourselves that
we wish never existed. [AB]
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