Michelle Liaw
Fact or Fiction: John Smith a Hero?
The
portrayal of John Smith as a romantic hero has been a heavily dominated belief
in popular culture, much in part to the iconic Disney movie, Pocahontas.
As this Disney movie was a large part of my childhood, it shocked me after
reading A General History of Virginia,
in which John Smith seemed to be the complete opposite of an archetypal hero.
The preconceived image of Smith as a heroic, altruistic buffer between two
cultures was shattered when he is instead shown as an egocentric, self-absorbed
character. While there are scarce accounts on the first happenings between the
settlers and the Indians, and most tales are profusely biased in showing the
natives as savage creatures, John Smith’s so-called History of Virginia
has become a stage for his own personal history. What can we discern from his
pompous account as fact or fiction? The differences between a romanticized
account of interactions with Native Americans and Smith’s own flowery depiction
caused me to question the reliability of Smith’s personal account in capturing
true events.
After initial research, I stumbled upon various accounts by historians
where the general consensus was that little could be trusted on Smith’s
accounts, as they are the only accounts available. Alexander Brown, Virginian
historian, published The Genesis of the
United States, argued that Smith’s vainness is overshadowed by a general
public interest during the time of colonial exploration. A lack of information
over initial interactions with the natives caused sympathy for Smith’s
self-proclaimed heroism. In an interview with Washington University historian
David Silverman, he unveils that the significance of the Pocahontas and John
Smith myth was that it was told to the American public to feel better about the
evils of colonization. Silverman suggests that Smith was actually partaking in a
customary adoption ceremony, where Powhatan utilized Smith as a link for trading
and in exchange for providing reciprocal hospitality. According to Silverman,
the Indians would say that kin wouldn’t need weapons to guard against their own
kin. While Powhatan had high expectations for Smith acting as a trade broker,
Smith’s ulterior motives of seizing control over the natives were downplayed in
his accounts.
Recent archaeological excavations of Jamestown, as evidenced in the
documentary Pocahontas Revealed,
state that some accounts of Smith’s history may have been exaggerated. Presence
of English copper on the Werowocomoco site shows that Smith may have been
meeting with the chief to discuss trade. If physical artifacts suggesting trade
bartering were uncovered at the historical site, then why did Smith depict his
capture with so much of a “guns-blazing” Hollywood
Die-Hard hero account? Furthermore,
his one-sided narrative seems to undermine the fact that the settlers owe much
of their initial survival to the food donations from the natives. Tree-ring
research shows a drought may have halted the Indians from continuing donations,
as they couldn’t feed themselves. In light of this archaeological evidence,
Smith’s one-sided account begins to juxtapose the preconceived beliefs of
Indians as war-hungry savages and the Indians’ good intentions as essential to
the colonist’s survival.
Finally, in a journal article critiquing Smith’s romanticized accounts of
the New World, Mythic Anglo-Saxonism in
John Smith and Pocahontas by Micheal Modarelli shows that the accumulation
of Smith’s work represents a romantic-nation building ideology that fails to
exhibit the true capitalistic nature of the Virginia Company. Smith’s detailed
accounts, General History, A True
Adventures and Observations of Captain John Smith, and Proceedings of the
English Colony of Virginia considerably alter the accounts of the same story
in different editions, causing doubt on what is considered fact or fiction.
Considerable doubt must be shed due to the fact that the time period in which
Smith’s accounts were published were during a time of corrupt printing
practices. Smith’s original manuscripts were knowingly trimmed, chopped, and
re-arranged in congruence with the Virginia Company’s desire for public support
of their peaceful conquests in the New World. Modarelli argues that political
propaganda inserted a strong force in the re-scripting the originality of early
American writers. Smith’s portrayal as a romantic hero was perhaps influenced by
political manipulation in creating a national chivalric persona.
Ultimately, my research findings lead me to believe that while some facts
of Smith’s history can be verified, the accounts are skewed due to his ornate
and self-absorbed depictions. As being on the conquering side of history,
Smith’s accounts automatically become the only true account generally accepted
into American history. While my research still finds it hard to discern what is
fact or fiction in Smith’s voyages, I come to the overall conclusion that his
version cannot accurately portray the initial interactions between the colonists
and natives in the New World. I was surprised to come across so many journal
articles about this topic, and I hope to shift my focus on the relations between
Pocahontas and John Smith and the impact of this so-called romantic myth in the
next post.
Sources:
Brown, Alexander. “Brief Biographies: Captain John Smith.”
The Genesis of the United States. Ed.
Alexander Brown. Vol.2. Houghton, Mifflin and Company, 1890. 1006-1010. Rpt. in
Literature Criticism from 1400 to 1800.
Ed. James E. Person, Jr. Vol. 9. Detroit: Gale, 1989.
Literature Resource Center. Web. 4
Mar. 2016.
Modarelli, Michael. "Mythic Anglo-Saxonism in John Smith and Pocahontas: The
Generall Historie and National Narrative." Sydney Studies in English 40
(2014): 76-106. Alfred R. Neumann Library. Web.
<http://openjournals.library.usyd.edu.au/index.php/SSE/article/view/8321/8456>.
Pocahontas Revealed. Perf. Nova. PBS.org, 2007. Documentary.
http://www.pbs.org/wgbh/nova/ancient/john-smith.html
04.01.07, Posted. "John Smith's Bold Endeavor." PBS. PBS. Web. 04 Mar.
2016.
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