Elisa Cortez
March 21, 2014
Sor Juana Ines De La Cruz a Pioneer of Women Rights
One of the most interesting writers that I have studied so far In Early
American Literature is Sor Juana Ines De La Cruz.
What interested me the most was the type of poems that she was writing in
a male-dominated era when women were not as educated as men were and their
voices were not being heard. While
some information about her background is known, I wanted to explore more about
her work and how was she able to educate herself and her desire to write poems
about her discontent with the male-dominated world.
Most importantly I wanted to know if her work and background make her a
pioneer for women rights while as a Catholic nun.
Little is know about Sor Juana Ines De La Cruz’s background, only that
she was born in Mexico in 1648 and was sent to live as a nun in a convent as a
teenager. During her childhood she
learned to read and write at an early age; she was self-taught and learned to
read books that were from her grandfather’s private library (Merrim xi). I began
my search using Goggle Scholar as my main source for information about her and
her views on women’s rights. I found several books and literary studies about
Juana De La Cruz and her impact on feminism. I was
surprised to discover that she was considered to be a celebrity of sorts due to
the fact that many considered her highly intelligent for a woman and were as
curious to hear her thoughts. In Poems,
Protests and a Dream: Selected Writings
of Juana De La Cruz, I also
discovered that she had written not only poems displaying her unhappiness
towards a male-dominated society, but that she in fact also wrote responses to
theological writings from other theological theses. In one of her writings she
criticized a well-known theological thesis written by Father Vierya where she
accused the Father of “misunderstanding Christ’s love for humanity” (Poems,
Protest and a Dream).
One of her most famous writings was called
Respuesta A Sor Filotea - 1691,
an intellectually written response to a critique of the Bishop of Puebla, where
he defends her right to study and write artistically (Luciani 21). At this time
in her life she had gained a following for her writing, something unusual for a
woman and definitely for a Catholic nun. She argued that God had created her so
she should have the same rights as a man since we are all created from God.
Her approach to convey her thoughts often came in the form of poems and
responses to thesis, which lead to her being banished from reading once the
Catholic church felt that she was to outspoken for a woman and especially a nun.
Many of Sor Juana De La Cruz’s poems, plays and other writings were
intentionally written with the intent to be read outside of the convent.
This became a way for Sor Juana’s beliefs to be known, despite the
backlash she had received (Kirk, Rappaport).
In Sor Juana Ines de la Cruz:
Religion, Art and Feminism, Sor Juana clearly wrote with the intent to bring
light to women’s rights the best way she knew how by writing.
Many of her works included profanity, which was considered very outspoken
for a woman and a nun. One of her
many quotes, “One can perfectly well
philosophize while cooking supper” ( Juana de La Cruz), speaks volumes to
her ideals and her use of words to get her point across.
I had also discovered that a film had been made about her life in 1990
was entitled Yo, la Peor de Todas (I, The Worst of All), and was
directed by Maria Luis Bember. It remains to me that Sor Juana was in fact a
true pioneer for women’s rights.
After her death in 1695 from the plague, many of her works, poems and plays were
published and still have an impact on women and literature.
I was able to find that she was not ordinary to say the least for her
time and her works and subjects were often controversial at the time, but
because of her intellect and ability to respond to criticism with words she was
able to reach many people despite the church’s intent to strip her of her right
to continue to educate herself. I do believe because of her stance she was a
pioneer for women’s rights.
Works Cited
De La Cruz, Sor Juana. Poems, Protest and
a Dream: Selected Writings. New York: Penguin Books. 1997. Print.
Kirk-Rappaport, Pamela. Sor Juana Ines de
la Cruz: Religion, Art and Feminism. New York. The Continuum Publishing
Company. 1998. Print.
Luciani, Frederick. Literary Self-fashioning in Sor Juana Ines de la Cruz.
Cranbury. Rosemon Publishing & Printing Corp. 2004. Print.
Merrim, Stephanie. Early Modern Women’s
Writing and Sor Juana Ines de la Cruz. Nashville. Vanderbilt University
Press. 1999. Print.
|