(2014 midterm assignment)

Sample Student Midterm answers 2014

#1: Long Essay

LITR 4231
Early American Literature
 

 

Jonathon Anderson

Early America as a Cosmic Space

“Oh my America, my new found lande…”

 – John Donne, “Elegie: To his Mistris Going to Bed”

            When early settlers reached the American mainland and began to explore, we can imagine something of the sense of awe induced simply by the sheer scale of the continent. Coming from England or Spain, these unsuspecting people were entering a space approximately thirty-eight times the size of the British Isles or eighteen times the size of Spain. The more Europeans explored the new land, through forests, plains, or deserts, the more it would seem functionally limitless: the sagas of countless generations had played out in physical spaces almost stacked on top of each other between the English Channel and Mediterranean Sea. This expansive quality finds expression in the origin stories of the Native Americans, where Good Mind and Bad Mind might engage in epic struggles across the land and enormous caves may hold “all the animals” or an entire race of human beings.

The Europeans, too, experienced the larger-than-life scope of the New World, as when Cabeza de Vaca describes weathering a “great storm” that carried men off ten leagues and disfigured them so badly that they were unrecognizable. After the day of “two contrasting storms…the people…were so terrified by what had happened that they were afraid to set to sea again in winter and begged the Governor to remain there for that season.”  The elemental presence of nature in America quickly transforms its network of meanings for Europeans into what it had been for the Native Americans all along; it becomes a cosmic space.

            The first impressions of this place excite Columbus’s mind into confusion. What turns out to be an island “is so extensive that [he thinks] it might be the mainland.” His language is already transforming the land mass when he offers descriptions like “ports along the sea-coast excelling any in Christendom” or [the mountains] “are most beautiful, of a thousand varied forms,…full of trees of endless varieties.”

            It seems perfectly in keeping with Native American (the Apache, Zuni, and Iroquois we read) concept of a world of cosmic hope when the Pilgrims set out, as Bradford says, with “a great hope and inward zeal,” crossing a “vast and furious ocean” to arrive in the “vast…countries of America, which are fruitful.” They are crossing not only a physically “vast and furious” distance, but, as they discover when they realize the magnitude of their distance from the world they knew (“they had now no friends to welcome them nor inns to entertain or refresh their weatherbeaten bodies; no houses or much less towns to repair to, to seek for succor.”), they have crossed just as vast and furious spiritual distance. They have successfully “revert[ed] to” a sort of “ancient purity, and recover[ed] their primitive order, liberty, and beauty,” but the true immensity of what they have done hits them when they set foot on this dreamed-of Unknown.

            Once Europeans start to adjust to the cosmic scale of America, their hopes and fears undergo a similar change. If we cannot bring ourselves to admire anything else in John Smith’s A General History of Virginia, we might be able to appreciate the characteristically American concept of the larger-than-life hero. Smith constantly appeals to an aesthetic of myth-making, transmuting his experiences into the realm of legend. This seems to me merely a response to an experience of America on what I have been calling a cosmic plane; Smith has created a character based on John Smith (himself) who is a metaphor (as things tend to be when considering things from a mythic standpoint) referencing certain ideals while still containing grains of historical fact.

            One only has to read a little of Mary Rowlandson’s captivity narrative to see something similar going on in which she uses a Biblical framework to connect her story with a larger narrative worked out on the cosmic stage. (Nor has this tradition of America as stage for the working out of cosmic dramas abated in the intervening centuries.) In fact, thinking of America metaphorically opens a path towards the possibility of assimilating the disparate stories that filter through time into something uniquely American.