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 Melissa Holesovsky
Entertainment and Instruction: The 
Rationale of Literature 
         
As a future educator, I have examined my school work through the lens of 
both student and prospective teacher. As I worked through each assignment for 
each class, I have posed the question to myself: “If I needed to teach this, how 
could I make students care?” In answer to this question, I keep returning to the 
works that can be used for both entertainment and instruction, but, yet, are 
still considered literature. Even more interesting, all these works come from a 
variety of time periods and serve to reinforce the principles of these periods. 
Over the semester, these are the works that have stuck with me and I find myself 
thinking of them in other classes and cross-referencing them with other assigned 
works. 
         
One of the first works I found remarkably entertaining and instructive 
was “Sinners in the Hands of an Angry God,” the sermon by Jonathan Edwards. 
Giving his sermon during the Great Awakening, Edwards’s words and message were 
typical of the time. In the first Great Awakening, people shifted away from the 
formality once associated with religion and toward an emotion, heart-felt 
spirituality. This is apparent in Edwards’s sermon. Edwards doesn’t just use his 
sermon to try to draw lambs of God to the fold, but to incite fear in them 
through depictions of what God, when angry, can be capable of doing. Of a Bible 
quote, Edwards explains “he will crush you under his feet without mercy; he will 
crush out your blood, and make it fly, and it shall be sprinkled on his 
garments,” which is both terrifying and fascinating. His over-the-top 
explanation of a wrathful God evokes the emotion of fear and repentance in those 
hearing the sermon, bringing them back to their relationship with God, but it 
also draws a reader in with a gruesome sense of entertainment. 
         
With considerably less fanfare and vividness, Benjamin Franklin’s 
enlightenment era writing “Remarks 
Concerning the Savages of North America” is still both instructional and 
entertaining. Because Franklin was a rational thinker, typical of the 
Enlightenment period, he takes a much more rational, reasonable approach to his 
writing. Franklin takes a close look at the habits, traditions, and wants of the 
native people and reports his findings in a way that helps break biases against 
this population of people. In my midterm essay two, “Something Savage,” I looked 
at one of Franklin’s recounts of the natives in regards to traditional views and 
the reciprocity of politeness in regards to other’s views. The point made in 
this passage is summed up in the opening line of the excerpt chosen for this 
class, “Savages we call them, because their Manners differ from ours, which we 
think the Perfection of Civility. They think the same of theirs.” This idea is 
reinforced again and again as Franklin balances his information with some humor 
and irony regarding the views of natives and how they are not as savage as 
assumed, but more like the people labeling them so. 
         
With a return to emotion and instruction,
Charlotte Temple by Susanna Rowson 
delivers a great message while serving as a cathartic read for those who want to 
experience desire and corruption. Coming from the Romantic period, this early 
novel features a young woman who goes against all that she has been taught to 
embrace her desires for adventure and love. Despite her parents’ teachings, 
Charlotte listens to Ms. LaRue and accompanies Montraville to America and into 
social ruin. This novel has a storyline that entertains and was well received by 
audiences on both continents as it followed the journey of passive Charlotte 
into the social ruin of pregnancy and death. In fact, in her 2014 Final Exam, 
Dawn Iven said of the novel “Charlotte Temple, characterized as a romantic tale, was easy to read 
and kept my attention,” a sentiment I share as well. The entertainment of the 
novel is also what makes the novel one of instruction, teaching young women what 
not to do and what would happen should they give in to their desires. 
         
Also of the Romantic period, Edgar 
Huntly by Charles Brockden Brown has many elements of entertainment, but 
also can be used for instruction. Inspiring later writers like Edgar Allan Poe 
and R.L. Stevenson, Brown’s early American novel has multiple story lines all 
connected to one another which are all being recounted by the character Edgar to 
his fiancé, Mary. True to the Romantic form, Brown adapts the gothic genre to 
American settings by way of darker than dark, mountainous settings overshadowed 
by a mysterious death and sleepwalking. In this adaptation of a popular genre, 
students can read and learn about the differences in the gothic depending on 
country of origin, specifically, how an American created a gothic setting 
without the use of castles and dungeons. What makes the novel instructional is 
also what makes it entertaining. Brown’s character Edgar opens the novel with 
the recount of and intent to investigate the death of his friend, but finds 
himself drawn into the practice of sleepwalking. As Edgar tries to rationally 
explain the practice of sleepwalking, Brown’s style almost seems to revert to 
the Enlightenment as the character considers a psychological basis for the 
behavior and the possibility that the sleepwalking is allowing for behaviors 
repressed during waking hours. With Edgar 
Huntly, Brown successfully entertains and instructions, presents an American 
gothic, and bridges Romantic and Enlightenment principles. 
         
The readings offered in Early American Literature have been a 
cross-section of American time periods and have both taught and entertained me. 
Some of the elements I found most entertaining are ones that help me distinguish 
certain elements of time periods associated with the author and/or purpose of 
the piece. While the question of the purpose of literature is not one likely to 
be uniformly answered, arguments can be and have been made that literature can 
both entertain and instruct. It is with this thinking that I move forward into 
the world of education and prepare to offer my students readings that can help 
me teach while entertaining. If I can hold their attention, I know they will 
learn as some of these readings have already done for me.  
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