Instructor's note: The opening to Gulliver's Travels illustrates how Satire--etymologically a "mixed dish"--typically mixes with distinct styles of humor or comedy, or even with other genres altogether:
Elements of satire in Gulliver's Travels:
Question or prompt: Identify the most essentially satirical elements, but also how satire appears mixed with other generic or stylistic elements.
from
CHAPTER I.
The author gives some account of himself and family. His first inducements to
travel. He is shipwrecked, and swims for his life. Gets safe on shore in the
country of Lilliput; is made a prisoner, and carried up the country.
[1.1] My father had a small estate in Nottinghamshire
[cf. opening to Robinson Crusoe,
1718: “I
was born in the year 1632, in the city of
[1.2] Soon after my return from Leyden, I was recommended by my good
master, Mr. Bates, to be surgeon to the Swallow
[a ship],
Captain Abraham Pannel, commander; with whom I continued three years and a half,
making a voyage or two into the Levant
[
[1.3] But my good master Bates dying in two years after, and I having
few friends, my business began to fail; for my conscience
would not suffer me to imitate the bad practice of too many among my brethren.
[<satirical narrator / character is a naif, innocent and straightforward like Candide or Huck Finn]
Having therefore consulted with my wife, and some of my acquaintance,
I determined to go again to sea. I
was surgeon successively in two ships, and made several voyages, for six years,
to the East and West Indies
[East Indies = SE Asia;
[1.4] The last of these voyages not proving very fortunate, I grew
weary of the sea, and intended to stay at home with my wife and family. I
removed from the Old Jewry to
[1.5] It would not be proper, for some reasons, to trouble the reader
with the particulars of our adventures in those seas; let it suffice to inform
him, that in our passage from thence to the East Indies, we were driven by a
violent storm to the north-west of Van Diemen’s Land
[Tasmania, island S of Australia].
By an observation, we found ourselves in the latitude of 30 degrees 2 minutes
south. Twelve of our crew were dead by immoderate labor and ill food; the rest
were in a very weak condition. On the 5th of November, which was the beginning
of summer in those parts, the weather being very hazy, the seamen spied
a rock within half a cable’s length
of the ship; but the wind was so strong,
that we were driven directly upon it, and immediately split. Six of the
crew, of whom I was one, having let down the boat into the sea, made a shift to
get clear of the ship and the rock. We rowed, by my computation, about three
leagues, till we were able to work no longer, being already spent with labor
while we were in the ship. We therefore trusted ourselves to the mercy of the
waves, and in about half an hour the boat was overset by a sudden flurry from
the north. What became of my companions in the boat, as well as of those who
escaped on the rock, or were left in the vessel, I cannot tell; but conclude
they were all lost.
[<details & locale differ, but shipwreck superficially resembles
Robinson Crusoe’s>] [1.6] For my own part, I swam as fortune directed me, and was pushed forward by wind and tide. I often let my legs drop, and could feel no bottom; but when I was almost gone, and able to struggle no longer, I found myself within my depth; and by this time the storm was much abated. The declivity [rise or ascent] was so small, that I walked near a mile before I got to the shore, which I conjectured was about eight o’clock in the evening. I then advanced forward near half a mile, but could not discover any sign of houses or inhabitants; at least I was in so weak a condition, that I did not observe them. I was extremely tired, and with that, and the heat of the weather, and about half a pint of brandy that I drank as I left the ship, I found myself much inclined to sleep. I lay down on the grass, which was very short and soft, where I slept sounder than ever I remembered to have done in my life, and, as I reckoned, about nine hours; for when I awaked, it was just day-light.
[Following scene is not so much satire as physical or low comedy,
though politely told.]
[1.7] I attempted to rise, but was not able to stir: for,
as I happened to lie on my back, I found
my arms and legs were strongly fastened on each side to the ground; and my
hair, which was long and thick, tied down in the same manner. I likewise felt
several slender ligatures across my body . . . . I heard a confused noise about
me; but in the posture I lay, could see nothing except the sky. In a little time
I felt something alive moving on my left leg, which . . . came almost up to my
chin; when, bending my eyes downwards as much as I could, I perceived it to be
a human creature not six inches high,
with a bow and arrow in his hands, and a quiver at his back.
[<cute! distortion of size as comic]
In the mean time, I felt at least forty more of the same kind (as I conjectured)
following the first. I was in the utmost
astonishment, and roared so loud, that they all ran back in a fright . . . .
However, they soon returned . . . .
[1.8] I lay all this while, as the reader may believe, in great
uneasiness. At length, struggling to get loose, . . . I discovered the methods
they had taken to bind me, and at the same time with a violent pull, which gave
me excessive pain, I a little loosened the strings that tied down my hair on the
left side . . . . [I]n an instant I felt above a hundred arrows discharged on my
left hand, which, pricked me like so many needles; and besides, they shot
another flight into the air, as we do bombs
[cannonballs]
in Europe, whereof many, I suppose, fell on my body, (though I felt them not) .
. . .
[Comedy or humor frequently depicts violence without injury, as when someone
falls and gets up without stopping action. Cf.
Aristotle,
Poetics, V:
Comedy is . . . an imitation of characters of a lower type
. . . . It consists in
some defect or ugliness which is not
painful or destructive. To take
an obvious example, the comic mask is ugly and distorted, but does not imply
pain.]
[1.9] [>Representations of food and body functions are
almost invariably comic>]
. . . I found the demands of nature so
strong upon me, that I could not forbear showing my impatience (perhaps against
the strict rules of decency) by putting my finger frequently to my mouth, to
signify that I wanted food. The hurgo (for so they call a great lord, as
I afterwards learnt) understood me very well. He descended from the stage, and
commanded that several ladders should be applied to my sides, on which above a
hundred of the inhabitants mounted and walked towards my mouth, laden with
baskets full of meat, which had been
provided and sent thither by the king’s orders, upon the first intelligence he
received of me. I observed there was the
flesh of several animals, but could not distinguish them by the taste. There
were shoulders, legs, and loins, shaped
like those of mutton, and very well dressed, but smaller than the wings of a
lark. I ate them by two or three at a mouthful, and took three loaves at a time,
about the bigness of musket bullets.
[<distortion of size as comic]
They supplied me as fast as they could, showing a thousand marks of wonder and
astonishment at my bulk and appetite. . . .
[1.11] It seems, that upon the first moment I was discovered sleeping
on the ground, after my landing, the emperor had early notice of it by an
express; and determined in council, that I should be tied in the manner I have
related, (which was done in the night while I slept;) that plenty of meat and
drink should be sent to me, and a
machine prepared to carry me to the capital city.
[the description of this great machine and its building resemble
fantasy]
[1.12] [excellence in mathematics and engineering may refer to
the highest values or principles of the
Enlightenment and Scientific
Revolution]
. . . These people are most excellent
mathematicians, and arrived to a
great perfection in mechanics
[engineering],
by the countenance and encouragement of the emperor, who is a renowned patron of
learning.
[cf. King Charles II of English Restoration, who supported the Royal Society . .
. for Improving Natural Knowledge]
This
prince has several machines fixed on wheels, for the carriage of trees and other
great weights.
[fantasy]
He often builds his largest men of war, whereof some are nine feet long, in the
woods where the timber grows, and has them carried on these engines three or
four hundred yards to the sea. Five
hundred carpenters and engineers were immediately set at work to prepare the
greatest engine they had.
[fantasy; cf. hordes & great
constructions in Lord of the Rings]
It was a frame of wood raised three inches from the ground,
about seven feet long, and four wide, moving upon twenty-two wheels. . . . Nine
hundred of the strongest men were employed to draw up these cords, by many
pulleys fastened on the poles; and thus, in less than three hours, I was raised
and slung into the engine, and there tied fast. . . . Fifteen hundred of the
emperor’s largest horses, each about four inches and a half high, were employed
to draw me towards the metropolis, which, as I said, was half a mile distant. .
. .
[from
CHAPTER III.
from
CHAPTER III.
The author diverts the emperor, and his nobility of both sexes, in a very
uncommon manner. The diversions of the
court of Lilliput described. The author has his liberty granted him upon
certain conditions.
[3.1] My gentleness and good behavior had gained so far on the
emperor and his court, and indeed upon the army and people in general, that I
began to conceive hopes of getting my liberty in a short time. I took all
possible methods to cultivate this favorable disposition.
The natives came, by degrees, to be less
apprehensive of any danger from me. I would sometimes lie down, and let five or
six of them dance on my hand; and at last the boys and girls would venture to
come and play at hide-and-seek in my hair.
[fantasy]
I had now made a good progress in understanding and speaking the language.
The emperor had a mind one day to
entertain me with several of the country shows, wherein they exceed all nations
I have known, both for dexterity and magnificence.
I was diverted with none so much as that
of the rope-dancers
[tightrope-walkers],
performed upon a slender white thread,
extended about two feet, and twelve inches from the ground. Upon which I shall
desire liberty, with the reader’s patience, to enlarge
[expand]
a little.
[3.2] This diversion is only practiced by those persons who are
candidates for great employments
[appointments],
and high favor at court.
They are trained in this art from their youth, and are not always of noble
birth, or liberal education. When a great office is vacant, either by death or
disgrace (which often happens,) five or six of those candidates petition the
emperor to entertain his majesty and the court with a dance on the rope; and
whoever jumps the highest, without
falling, succeeds in the office. Very often the chief ministers themselves
are commanded to show their skill, and to convince the emperor that they have
not lost their faculty. Flimnap, the treasurer, is allowed to cut a caper on the
straight rope, at least an inch higher than any other lord in the whole empire.
I have seen him do the summerset
[somersault]
several times together, upon a trencher
[academic cap or mortarboard?]
fixed on a rope which is no thicker than a common packthread in
[3.3] These diversions are often attended with fatal accidents,
whereof great numbers are on record.
I myself have seen two or three candidates break a limb. But the danger is much
greater, when the ministers themselves are commanded to show their dexterity;
for, by contending to excel themselves
and their fellows, they strain so far that there is hardly one of them who has
not received a fall, and some of them two or three. I was assured that, a
year or two before my arrival, Flimnap
[the royal treasurer]
would infallibly have broke his neck, if one of the king’s cushions, that
accidentally lay on the ground, had not weakened the force of his fall. . . .
— [ ] x
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