Tara Orr Between the Woman and the Witch We stand saying our goodbyes through clenched teeth and watch-your-back smiles, both of us blaming the other for every wrong. We barely wait for the door to close before we start to mutter our disbelief at the other’s stupidity. No matter what I do it’s always wrong. How can I appease you? It always ends up being a clash between the woman and the witch. It’s been weeks since we fought it out. It hasn’t been the same, I don’t think it ever will. And some part of me doesn’t want it to, part of me mourns, part of me knows that’s just the way it is between the woman and the witch. Sometimes I think you may be right. Maybe I ‘m the one who’s hard to please. and I ‘m the one who always changes who I am just as you get to know me. I may not see the truth of what’s before me because it doesn’t fit my needs. Perhaps I judge too swiftly and forget my past. I’m not sure I know what’s going on between the woman and the witch. There are nights when my baby sleeps, my husband’s gone, and I am alone, I think about what’s between us, how we hate each other and miss each other. I think that I’m not as open or as humble as I thought I was. I think that I’m a little more lost than I want to know, and you might see me a little better than I see myself. I look in the mirror and see two pieces that are jagged, scarred, and see that I am caught in the middle, between the woman and the witch. This poem is a personal one for me and was written a few years ago, then put away. The original idea came from an argument I had with a very close friend over how differently we raised our little girls and how different we had become in each other's eyes. More honestly, it was about how we weren't sure we liked what the other had "become." The poem came out of my written frustration. The poem I presented in class was the really the third version of the poem. I included the original to show just how much I had cut before I even brought it to class. As for the actual revisions I made I tried to take everything I was told in class into account when I revised it. The parts of the poem that changed the most where the first stanza and the ending of the last stanza. I went ahead and took out the quotes in the third line, first stanza to help the flow of words and broke some of the lines down to help keep the staccato feeling of the words through out most of the poem. I really did not receive much input about changing the second and third stanzas that I could remember and felt comfortable about what they sounded like so I left them alone. The last stanza presented more of a challenge to me in revising since I wanted to pare down the words some more but still keep the sense of myself in the lines as I read them. I added the commas where they could help add dramatic pause as was suggested to me and tried to make the image of the reflection in the mirror more vivid by taking out some of the repetitive words. Overall, what I did the most was to try and compact the words even more and clean up the images in the beginning and end of the poem. I'm very happy with the revisions but I also know that I could probably be more concise. I just need to figure out how to do that without losing the depth of feeling that exists in the longer lines because it's their almost languid feel that works so well with the intense almost fired off phrases in the rest of the poem.
Between the Woman and the Witch (original) We stand there saying our goodbyes through clenched teeth and “watch your back” smiles, both of us blaming the other for every imaginable wrong. We can barely wait for the door to close and the tires to squeal off before we start to mutter our disbelief at the other’s stupidity and gall I can’t believe that no matter what I do or say or believe it always seems to be against you. How in the world can I please you? It always ends up being me against you, between the woman and the witch. It’s been weeks since the last time we fought it out. It hasn’t been the same… I don’t think it will ever be the same. And some part of me doesn’t want it to. And some part of me mourns And some part of me knows that’s just the way it is between the woman and the witch. Sometimes I think you may be right. Maybe I am the one who’s hard to please. Maybe I am the one who always changes who I am just as you get to know me. Maybe I don’t see the truth of what is before me because it doesn’t fit my needs. Maybe I judge too swiftly and forget my past. Maybe I don’t know what’s going on between the woman and the witch. There are nights when my baby sleeps and my husband is gone and I am alone that I think about…us. I think of how we hate each other and miss each other. I think of other friends that don’t really call as often. I think that maybe I’m not as open as I though I was. I think that maybe I’m not as humble as I thought I was. I think that maybe I’m… maybe I’m a little more lost than I want to know, and maybe you see me a little better than I want to see. When I look in the mirror I see the two pieces. The two pieces that are jagged and a little scarred and I see that I am caught Between the woman and the witch. Through the Veil Once, she flowed through the days. Now, she watches the world, letting the movements of others wash over her. They are the untouched fantasies, the fleeting desires of her numbed body and disjointed mind. Once, her curves graced men's vision, her flesh promised pleasure. Now, her chocolate smooth skin lies untasted. Her saffron hair fading into the almost dark. Her fingertips fondling the twisted scraps of paper memories. Once, she could see the sunlight amid madness. Now, she rides along the seeming, grasping at the glamour, losing to the autumn. Her only light, the murky glow of normalcy, comes creeping up the floorboards, dragging her to forgotten. Once, she played with the mystery of the other side. then she fell through to the veil of the lost.
El Alacran The Scorpion Scar I watch you, perched there on my father's hand, waiting, taking care so that you can land in just the right spot to cause the most pain. Your poison bite rots him slowly. You rain misery into his mind. You make him remeber the blue water bottle, dim lights, tearing metal, screams. You make him taste smoke, blood, potential death. You lay him waste to the mockery or nightmares and doubt and vile memory. I know all about your deceit and I will not let you win my father. I'll pry you from his scarred skin. I'll crush you under my heel, and clean you out of my father's life. He's paid his dues. Experience Me I see you walking towards me and know that you can feel me seeing you, wanting you, tasting you on the air between us. I want you to entice me. You brush against me, liquefying my craving, molten need, burning through linen layers hoping to let skin meet skin. I need you to see I need quenching. I want you to sense me. We dance around words with hidden meanings, flirting with temptation, wanting to feel the weight of sin, sweet and silken and slow, each moment languid torment. I want you to feel me. I reach out and touch you letting you course over me, in me, through me. I want to be crushed under the weight of black night and crimson longing and you. I want you to know me.
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