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Presenter/Discussion Leader – James Johnson Recorder – Samantha McDonald "On First
Looking into Chapman's Homer"
At the age of twenty one, John Keats read George Chapman’s translation of Homer for the first time and was inspired to write a sonnet about the works of exploration literature that he had read. The genre of the sonnet provides a significant contrast with our other literature of exploration readings or even with other types of poetry. The brevity of the sonnet does not really allow for its impact to be conveyed through detailed descriptions. I found it remarkable that such a short work of poetry was able to readily convey the sense of excitement and wonder that Keats felt relative to exploration. When I first read the poem I did not know if Keats’ fascination with exploration was based totally on books that he had read or if personal travels had also been a significant contributor. In order to get a better sense of what Keats’ sonnet
conveyed to his contemporaries, I thought it was important to provide at least a
brief historical reference to the period when the sonnet was written.
In the early nineteenth century (1816) exploration followed by colonial
expansion and trade are expanding the British Empire and increasing British
influence, wealth and power in Europe and throughout the world.
With exploration so directly linked to British prestige, the literature
of exploration available at the time would probably have been preferred reading
and a great source of entertainment for the average Englishman.
Because of the national political importance of exploration during that
period, literature of exploration would probably have been considered essential
reading for any Englishman with the ambition to acquire wealth and power. When I first read Keats’ sonnet, some questions were
immediately raised in my mind. What
were the “realms of gold” that he alluded to in the sonnet?
Were these places that Keats had actually visited?
Since the questions regarding the “realms of gold” readily came to my
mind when I first read the sonnet, I thought that might be a good place to start
my efforts to stimulate some class discussion.
With that in mind my first question to the class after I finished reading
the sonnet was: “What are the
realms of gold referred to by Keats’ sonnet?”
Marion Carpenter was the first to respond and suggested that possibly the
reference was to the Golden Age of Greece and its associated stories of
exploration and valor such as The Odyssey.
John Granahan next suggested that Keats might be referring to the gold
discovered during the conquest of the Americas.
Dr. White took this idea one step further by mentioning Cortez’ quest
for gold during his conquests in the Americas and the direct reference to Cortez
in the sonnet. John Eberhart
and Tara Gray indicated that although they had previously read this sonnet,
reading it again as literature of exploration added a new dimension to the work.
At this point I added that due to my lack of knowledge of Keats, I had
done some basic research in the Encyclopedia Britannica and found that
Keats had no personal world travel experience.
This had led me to believe the “realms of gold” identified in the
sonnet were all of the places Keats felt he had been transported to via the
literary works that he had read. Dr.
White then pointed out that this ties directly to the audience issues objective.
More specifically, exploration is seen while uncovering and investigating
the details in a book; much the same way as traveling through an unknown land. My second discussion question was:
“What does this sonnet communicate to the reader about the literature
of space and exploration?” This
second discussion question was my attempt to get everyone in the class to assess
the sonnet from the exploration literature perspective.
Kelly Tumy was the first to respond.
She indicates exploration can be mental not just physical and the
different types of exploration are wide-ranging with unlimited potential for
discovery in almost any area. Dr.
White contributes the thought that exploration can be a metaphor for mental
exercise. Tara Gray indicates
the inclusion of the part of the sonnet relating to the discovery of a new
planet (Uranus had been discovered in 1781) ties the sonnet to the science of
that period. Dr. White comments
that this ties into the third course objective – period issues.
John Eberhart questions the location of Darien and I reply that Darien is
in the isthmus of Panama. John then
mentions that the reference to Cortez in the sonnet probably should have been a
reference to Balboa because Balboa was the first to see the Pacific.
At this point I added that I found it rather amazing that a piece of
writing as short as a sonnet was able to convey so effectively the sense of
adventure and knowledge to be found in literary works on exploration. My third discussion question was: “In the absence of
detail, how is this communication accomplished?”
The third question was meant to provoke a discussion of the devices that
Keats used in the sonnet to communicate to the reader.
John Eberhart starts the discussion by suggesting that Keats’ sonnet
was intended for a small, close group of people in his own class.
In this group, much of what Keats referred to in the sonnet would have
been common knowledge. John also
points out that Keats compares ancient texts of exploration to more recent
exploration and scientific discovery; essentially equating old literature with
the newest discoveries. At this
point I indicated that I felt Keats was using the emotion his contemporaries
would commonly share from recent exploration and discovery events, to illustrate
his feelings about Chapman’s translation of Homer.
Kelly Tumy, Barbara Sharp, and Tara Gray all commented on the obvious awe
Keats expressed relative to new discoveries.
Tara Gray refers to this as the “Holy Cow” moment.
The Cortez versus Balboa issue comes up again and Dr. White points out
that it doesn’t really matter that Keats referred to the wrong explorer.
Keats successfully communicates the feeling he wanted to convey.
He shows the audience the extent of his amazement by connecting with
events they can all relate to, such as being able to simultaneously view the
Atlantic and Pacific oceans as Cortez was able to do.
This also demonstrates the use of the sublime in literature of space and
exploration. Aaron Van Baalen
points out that the sublime element would probably have occurred as a part of
hindsight. During the experience,
what is later seen as sublime, may in fact have been perceived as something
horrible - the “What there’s more water.” concept. Dr. White
concludes the discussion by pointing out that a sonnet of exploration is very
unique and he does not know of another. Sonnets
are usually associated with more intimate personal material. CLASS HANDOUT LITR
5738 - Poetry Presentation On First Looking into Chapman’s Homer Poem
by John Keats Presenter/Discussion
Leader – James Johnson Recorder
– Samantha McDonald January
22, 2002 The Setting ·
It
is the early 19th century (1816). ·
It
is a time in the nations of Europe when exploration followed by colonial
expansion and trade is fueling their competing interests for global influence,
wealth and power. ·
The
literature of exploration available at the time would have been a great source
of entertainment for the average reader and would probably have been important
reading for people with the ambition to acquire wealth and power. ·
John
Keats, a 21 year old Englishman, reads George Chapman’s translation of Homer
for the first time and writes a sonnet about that experience. Other
Things
to Consider ·
The
genre of poetry, more specifically a sonnet, provides a contrast with the other
assigned readings or even with other types of poetry. ·
The
brevity of the sonnet does not really allow for it’s impact to be conveyed
through detailed descriptions Poem
Reading Copies
provided in presentation handout Questions
for
Discussion
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