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Barbara
Sharp April
30, 2002 Final
Exam Essay 2: Revise, extend, or defend an objective - focus on objective 2:
Cultural / natural issues Natural
and Cultural Issues in the Literature of Exploration In
the Literature of Space and Exploration, non-fiction works such as Tracks
and The Worst Journey in the World relate to cultural issues regarding
humanitarian issues in the same way as the fictitious pieces of A Princess of
Mars and The Left Hand of Darkness. The drive to explore, risk
danger, and court death seem to be a universal condition of humanity. However,
aside from A Princess of Mars, these pieces also reflect how humanity
disregards the attitudes of the inhabitants being explored. Adaptability to the
situation, physically, mentally, and culturally becomes a challenge for both the
explorer and "exploree." How far should a person go to fulfill the
"basic human and humanizing curiosity" that is the catalyst for the
adventurous spirit and has been said "g[ave] birth to S[cience] F[iction]"
(Seed 75). Where should the ethical boundaries be drawn? Questions
regarding ethical conduct in exploration is a sore issue in western culture when
one looks back on how Native Americans were treated by the Europeans over five
hundred years ago. This kind of disregard is echoed in Tracks when Robyn
Davidson reflects on "how [the Aborigines had] been slaughtered, almost
wiped out, forced to live on settlements that were more like concentration
camps" It seems the egotistical nature of the explorer fails to see the
natural rights of the explored. Although
both of these examples depict conditions where there are many explorers
invading, the presence of fear from a lack of trust by both the explorer and
explored seems to be a natural human reaction regardless of number. For
instance, in The Left Hand of Darkness, Genly Ai is feared because
"[t]hey look at the man from another world and see" the possibility of
his being "a spy from Karhide, a pervert, an agent, a sorry little
political Unit like themselves" (161). This last sentiment speaks volumes.
To fear the unknown is even more fearful if the worst about one's self is
transposed to another. The best and worst attributes of humanity are depicted
through this story, but Genly Ai seems to lack the natural quality of an
adventurous spirit that is magnified in A Princess of Mars and The
Worst Journey in the World. In The
Worst Journey in the World, Cherry Aspley-Garrard does not portray this
adventurous spirit with colorful adjectives relating to the men's zeal for going
on this expedition; instead he adds details of what he sees and feels about the
natural world around him. During an unpredictable time, writing as if he was
speaking directly to someone close, he says, "I wish I could take you on
the great Ice Barrier some calm evening when the sun is just dipping in the
middle of the night and show you the autumn tints on Ross Island" (79).
Here, the author-explorer seems to be disclosing the real meaning, the unknown
territory that "drives" him to make the expedition. Perhaps he does
this even better when he recounts how "after the indescribable effort and
hardship" he and the other men of the expedition "were witnessing a
marvel of the natural world, and [they] were the first and only men who had ever
done so" (95). As an expedition, there purpose was two-fold, they were to
be the first to the South Pole and the study of Emperor penguins. Although they
did not fulfill the first aspect, they did fulfill the last, and in doing so
they are able to some extent, satisfy the ultimate desire of the journey:
conquering the unknown. In
his quest to "conquer the unknown," John Carter, the hero of A
Princess of Mars, is the ultimate adventurous spirit and although full of
ego, still maintains his humanitarian qualities as well. The depiction of Carter
is of a man whose mission is underscored by his desire to "do the right
thing." This story delivers the idea that ego and ethics can be balanced.
Carter's ego is not overindulgent for he is able to think in the perspective of
another. Throughout this book in fact, Carter is almost always thinking about
what another may be thinking before he acts; he analyzes the situation in terms
of the other person's perspective. For instance, when Dejah Thoris suddenly
stops speaking to him, Carter does not immediately come to a conclusion as to
why, he takes time to ponder the possibilities; his thinking is not bound by
cultural differences. This story shows a very different kind of explorer and
consequence. Here, the explorer's ego is not a displayed as desiring control of
other people, but rather self-control. This perhaps is an exemplary piece in
showing how the qualities of human nature can be balanced. Literature
of Space and Exploration creates a natural question between humanitarian issues
and the desire to know. Placing the boundaries on ethical questions of how far
one should go when exploring new territories creates divisions among those who
believe it is essential to the future and those who believe it is invasive and
unnecessary. This is the debate that haunts the future of space exploration. Works
Cited Burroughs,
Edgar Rice. A Princess of Mars. New
York: The Ballantine Publishing Co., 1912. Cherry-Garrard,
Apsley. The Worst Journey in the World.
Ice: Stories of Survival From
Polar Exploration.
Ed. Clint Willis. New York: Thunder's Mouth Press, 1999. 59-100. Davidson,
Robyn. Tracks. New York: Vintage
Books, 1980. Le
Guin, Ursula K. The Left Hand Of
Darkness. New York: Ace Books, 1969. Seed,
David. Ed. Anticipations: Essays on Early
Science Fiction and Precursors. Syracuse: UP, 1995.
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