Lisa Ann Hacker An Honest Perspective: Bringing Colonial and Post Colonial Writers
into Dialogue in the Christian Classroom
When my oldest son, Justin, was in kindergarten, he toddled off the school bus
one day with a tattered coloring page of Christopher Columbus amicably shaking
hands with a smiling Native American.
“Mom, did you know that Christopher Columbus and the Indians were best friends?”
Had I not been in the midst of a college American History course, perhaps my
academic feelers would not have been so sensitive. I felt it best to correct my
son as gently and sensitively as I could, desiring for him to have a balanced
and age appropriate understanding of the truth. (He did not get the total of
Howard Zinn’s A People’s History of the
World, but he did get a taste of it).
The next day, my son sulked off the bus, distraught and confused. His public
school teacher had told him that his mother was
wrong.
I can not say why this teacher fumbled the opportunity to teach the truth, but I
can learn from it and address the issue today as a teacher in a Christian
school. I certainly understand the concept of presenting information that
correlates with a system of values, but my experience teaching Christian
curriculum has been that it often presents edited versions of history that
overwhelmingly support nationalism and missions-based expansion. Historical
figures, like Columbus, are praised as men who answered a call from God, seeking
Christian conversions and the spreading of the Gospel. Although I will not argue
against all of these assertions entirely, I do see the need for painfully honest
clarification and further discussion on colonial and postcolonial issues in the
Christian classroom.
The concepts I have learned in this class up to this point, and the writers I
have been exposed to, have kindled within me a strong desire to present a fair
and balanced truth to my students, regardless of the limitations that
Christian-based curriculum may sometimes impose. I believe that the best
opportunity to provide a balanced understanding of colonialism and post
colonialism is through its writers. Valuable and enlightening dialogue between
colonial and postcolonial writers in the Christian classroom should be taught
from the angle of historicism, combining history with the study of literature.
This cross-curriculum approach is easily adaptable to any current
Christian curriculum and will provide Christian educators with the opportunity
to give their students a stronger, more balanced education.
Currently, the bias in most Christian curriculum is quite clear, especially to
non-Christians. Because the focus of Christian curriculum is to raise up
students with Christian values, this type of Christian curriculum will naturally
focus on the attributes of historical figures that support those values, while
oftentimes softening those that don't.
For example, in the A-Beka history curriculum for 8th graders, Christopher
Columbus is described as a man moved by the Holy Spirit to bring wealth to his
sponsoring country, Spain, and bring about Christian conversions. To today's
Christian, the general concept of seeking conversions is a good thing. It is the
Christian's goal to spread the gospel and bring others to the faith.
To the typical 13 year old sitting in the Christian classroom, this sounds good.
But without explaining how Columbus went about doing this, and how he displaced
and dehumanized natives in every place that he traveled, the truth has not been
presented.
The first step in achieving this balance, surprisingly, is
not to throw the current curriculum
away. Despite its tendencies to be biased, the bias does not negate its value.
It has been my experience that a great majority of curriculums are biased in one
way or the other, whether they are conservative, liberal, or nationalistic. The
bias in Christian curriculum provides for an intriguing explanation of colonial
and postcolonial literature from the very first day of class.
Students will most likely be unaware of the genre, but after a defining
introduction, the text itself could serve as the first springboard for dialogue.
After all, couldn’t this text be presented as another example of
postcolonial literature, albeit one that favors the colonial viewpoint?
Postcolonial literature is not necessarily limited to the viewpoint of the
colonized, but is also seen as possibly including any contemporary postcolonial
discourse. Simply put, a text that tends to encompass or favor the colonial
viewpoint, in part, could still be considered part of postcolonial literature.
“In other words, postcolonial studies is the study of the ‘totality’ of texts,
in the largest sense of ‘text’, that participate in homogenizing other cultures
and the study of texts that write back to correct or undo Western hegemony…”
(Groden and Kreisworth). Although not fictional, Christian curriculum could be
seen as correcting or undoing Western hegemony by actually defending it. Though
certainly not a perfect fit, it opens up the classroom as a place of honest and
searching discourse. I realize that this is a highly debatable assertion, but it
is certainly one worth considering, and one that would definitely get the
discussion going in a classroom.
Once students have been brought to the understanding that certain texts have a
place as either colonial or postcolonial writings, they can begin to look at the
actual works that are representative. While learning about the age of
exploration and discovery in The New World, students could be reading excerpts
from Robinson Crusoe. After the
presentation of factual information, they would probably enjoy reading the
fictionalized account of Crusoe. (What teenager today is not intrigued by the
concept of parental rebellion leading to a defiant journey towards
independence?)
At some point in the study, students would come to see that the complexities of
this novel extend far beyond the initial adventure story.
Crusoe will emerge not simply
as a story of one man’s survival, but as a story of one man’s desire to rule
over another. The parallels between Crusoe and colonizing nations such as
England and Spain will help students see that the explorers who came to The New
World were not acting only as ambitious individuals, but as representatives of
nations influenced by entitlement and a desire for wealth that benefited both
themselves and their home countries.
Yes, Columbus did desire to convert natives to Christianity, just as Crusoe
initially desired to save Friday’s life. But for what purpose? The process of
conquering and converting resulted in the re-education of Friday, just as
Columbus’ efforts and the efforts of those after him resulted in the
re-education, displacement, and eventual near eradication of entire people
groups. Friday was forced to lay aside his language and take up Crusoe’s,
abandon his own religious and cultural beliefs, and even leave his homeland in
order to better serve Crusoe’s needs and vision. The same happened in colonized
nations. In this type of study, literary fiction definitely plays a part in
instructing students’ knowledge of world history because it provides such a
close parallel to the truth. It also helps to reveal the thinking behind the
actions.
The Christian student will, undoubtedly, struggle with the complexities of this
narrative. I have seen it happen in
my own classroom. While presenting the poem “White
Man’s Burden” to my 8th graders, students were astounded at the
racial tones and proclamations. The fact that this “horrible” poem, in their
words, was written by the same author of “The
Jungle Book” made it only worse. But in our college classroom, there was not
as much shock because we have been educated in the truth of the colonial
process.
Some Christian teachers may fear these types of dialogues because it focuses
attention on the missteps and mistakes made by fellow Christians. They may be
unwilling to delve into the sins of the forefathers, so to speak. But it is a
grave mistake to "teach" in a manner that whitewashes history in an effort to
preserve outdated an false historical assumptions.
It is at this crossroads in the classroom that intertextuality between colonial
and postcolonial writers becomes
such a vital tool. After the
introduction of texts from postcolonial writers such as Jamaica Kincaid and
Derek Walcott, the classroom discussion becomes complete as students can
visualize the impact that this type of colonization has had on emerging and
current generations. Both Kincaid and
Walcott are masterful writers who provide profound expositions on colonialism
and postcolonial issues, but they also represent two different modes of
thinking.
For Kincaid, the bitter aftertaste of colonization is ever present. Students
would be exposed to a variety of her pieces, including excerpts from
A Small Place, which show that the
author herself still struggles with coming to terms with what has happened to
her home country. In Karen Daniels’ midterm, “The Purpose of Ambiguity in
Literature”, she asserts that students should always understand the difference
between narrator and author, because they are not one and the same. But with the
case of Kincaid, the author writes from such a strong autobiographical viewpoint
that the two can not be completely severed. The narrator’s frustrations and
hurts parallel Kincaid’s personal view. By reading
A Small Place, students would have an
example of the everlasting effects of colonialism on current and emerging
generations:
"I cannot tell you how angry it makes me to hear people from North America tell
me how much they love England, how beautiful England is with all its traditions.
All they see is some frumpy, wrinkled-up person passing by in a carriage waving
at a crowd. But what I see is the millions of people, of whom I am just one,
made orphans: no motherland, no fatherland, no gods, no mounds of earth for holy
ground, no excess of love which might lead to the things that an excess of love
sometimes brings, and worst and most painful of all, no tongue."
By comparing Lucy in reference to
Crusoe, students can also see the
issue of transmigration come to life. Lucy comes to America looking for a better
way, but finds heartache in every turn. From the betraying sun that promises a
false heat the to the stomach-churning image of daffodils, Lucy is a captive to
her past. For the colonized, it is a double-robbery of the soul. She can not
find peace at home, but she also can’t find it away from home.
Students would also see, as we discussed during Mallory Rogers’ class
presentation, that when Lucy came to the states to work as an au pair, she was
in a similar position of Friday, working for the good of the colonizer. Lewis
and Mariah are perfectly content for Lucy to serve them, but unable to accept
her for who she is. Therefore, while Crusoe is successful in recreating a
version of his home in another land, Lucy finds herself in a continual and
repetitive cycle from which it’s difficult to escape: displaced, discontent, and
disengaged from her identity.
While Kincaid is an example of a postcolonial writer who remains bitter about
colonialism, Walcott is an example of a postcolonial writer who has emerged from
it and found a semblance of peace. In an interview in the London Guardian,
Walcott is described as a writer who is “…a profound critic of how the Caribbean
has been treated by empire, but is also very aware of the cultural legacy and
riches that connection brings.” (www.nalis.gov).
Walcott acknowledges that he is torn between the hatred for England that he and
Kincaid share, and the love for the culture and identity that he is grown up a
part of:
Where shall I turn, divided to the vein?
In his own words, Walcott attempts to define the relationship. “Obviously,
colonialism was there and racism and history and so on. We had our anger, but it
was kind of great to be angry-it had its own vigor. It wasn’t at all sour or
vengeful.” (www.nalis.gov).
Walcott also provides a perspective that further reflects his place of healing
when he says:
"...we're all imported, black, Spanish. When one says one is American, that's
the experience of being American-that transference of whatever color, or name,
or place. The difficult part is the realization that one is part of the whole
idea of colonization. Because the easiest thing to do about colonization is to
refer to history in terms of guilt or punishment or revenge, whatever. Whereas
the rare thing is the resolution of being where one is and doing something
positive about that reality."
(www.english.emory.edu).
The fact that two postcolonial writers can have such contrasting ways of
thinking will provide an even richer discourse in the classroom. Like most
elements of history, nothing about these writers is simple or one-sided. By
comparing and contrasting these two postcolonial writers, the students in a
Christian classroom can engage in a more fair and balanced dialogue. It will
also lead to a more compassionate
understanding of the effects of colonialism in colonized countries.
It is clear that there is a gap in Christian curriculum where it concerns
colonial history. The fact that Christians have not always done the right thing
is no surprise, but it is also not justification to abandon their contributions.
In the Christian classroom, this conflict may be one of the most valuable
teaching opportunities a teacher will have to explore. Without abandoning
Christian-based curriculum and
without demonizing the Christian faith, the Christian school teacher can teach a
more balanced and truthful account of history by using colonial and postcolonial
literature.
As a student in Professor White's Colonial and Postcolonial literature course, I
have been exposed to theories and texts that I will now bring back to my own
classroom. As a teacher, I will choose to present information in a fair and
balanced manner so that my students are the better for it. And I am thankful for
other teachers who are committed to the same, like retired College of the
Mainland Professor Larry Smith.
After listening to my frustrations with
my son’s kindergarten teacher, Professor Smith agreed to meet with Justin one
morning. I kept Justin home from school and we met with Professor Smith before
my 8:00 a.m. class. Justin brought a list of questions that Professor Smith
answered with great patience and clarity. He then allowed Justin to sit in on
our class and listen to the discourse about Columbus, colonization, and Native
Americans in great detail. My son took note the entire time, sitting quietly and
attentively.
Later, Professor Smith was concerned that he had let slip a couple of words that
may have been inappropriate for Justin’s young ears, but the greater good had
been achieved, nonetheless.
My son learned the truth.
Works Cited:
"Derek Walcott" www.english.emory.edu, n.d. Web 28 Sept. 2011.
"Derek Walcott: The Laureate of St. Lucia." www.nalis.gov, n.d. Web. 28 Sept.
2011.
Groden, Michael, and Kreiswirth, Martin, eds.
The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore and London:
The Johns Hopkins University Press, 2004. Print.
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