LITR 5731:
Seminar in American Multicultural Literature
Poetry Presentation, fall 2007
Thursday, 15 November
Poetry: W. H. Auden, "Lullabye"
Poetry reader / discussion leader: Leah Guillory
Objectives: 4a: To identify the “new American” who crosses, combines, or confuses gender identities. 5a: To discover the power of poetry to help “others” hear the minority voice and vicariously share the minority experience.
Lay your sleeping head, my
love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral: (ephemeral:
lasting a very short
time--m-w. com)
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.
Soul and body have no
bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.
(carnal: marked by sexuality <carnal love> carnal more connotes derogatorily an action or manifestation of a person's lower nature <a slave to carnal desires>
Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell
And fashionable madmen raise
Their pedantic boring cry:
(pedantic: of, relating to, or being a pedant: one who makes a show of knowledge b: one who is unimaginative or who unduly emphasizes minutiae in the presentation or use of knowledge c: a formalist or precisionist in teaching m-w.com)
Every farthing cost
All the dreaded cards
foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.
Beauty, midnight, vision
dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find our mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
Discussion Question: How does it matter that the male speaker in the poem is speaking to another man about their “soul and body” love connection?