LITR 5535: American
Romanticism 
 
 
Student Poetry Presentation 2005 
William White Jr. 
A GRACIOUS DISCUSSION  
ABOUT WALT WHITMAN
 
From
By THE
ROADSIDE
 
                             
When I Heard the Learn’d Astronomer
 
When
I heard the learn’d astronomer,
 
When
I heard the proofs, the figures, were ranged in  
columns before me,
 
When
I was shown the charts and diagrams, to add, divide,  
and measure them,
 
When
I sitting heard the astronomer where he lectured with  
much applause in
the lecture-room,
 
How
soon unaccountable I became tired and sick,
 
Till
rising and gliding out I wander’d off by myself,
 
In
the mystical moist night-air, and from, time to time
 
Look’d
up in perfect silence at the stars.
 
___________________________________ 
Walt Whitman was born on May 31, 1819 on the West Hills of
Long Island,  
New York. 
Whitman left school at age eleven and became an office boy
at a law firm  
and in a doctor’s office. By twelve, he had learned the printer’s trade and  
according to his biography “ad fallen in love with the written word.” 
During 1848 and 1855 
Whitman developed a style of poetry that astonished  
Ralph Waldo Emerson who was a Transcendentalist ((between 1850 and  
1860 there was a unique and creative concentration of writing like no other  
period in American history). 
POEM REVIEW: The
first stanza displays rational words and phrases  
like “ranged in columns,” “charts and diagrams,” and “add, divide,  
and measure.” I am not sure about second stanza – but the fourth stanza  
has two transitional lines and then the genre changes to words and  
phrases like “mystical moist night-air.” 
Questions: 
  - Do
    you feel that Whitman’s style of writing (in this poem) defines 
 
    mostly the Romantic or Enlightenment movement? 
 
 
 
  - In
    the above poem, what words show that Whitman uses both the 
 
    Enlightenment and Romantic styles of writing to show both have a  
    place? 
 
 
 
  - Are
    there other words or phrases that show both Enlightenment and 
 
    Romantic genres exists in the poem? 
 
 
 
  - Is
    the poem’s last line a reflection of a rational or romantic genre?
 
 
  
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