Russ Lanier
Is There Truth in Utopian Fiction?
A question from the eyes of a dreamer
Coming into this class, I had a vague distinction of what a dystopian genre or
style consisted of. At first guess
(and if questioned under a hot lamp), I
would have described dystopian literature as more science fiction that
paints futuristic worlds with
apocalyptic narratives that involve conflicts such as man versus machine…much
like scenes out of the movie Escape from New York(1981).
Like movies, literature can not only
entertain but also can have tremendous impact on the individual and their psyche
when it comes to painting the world that’s around them.
One of the most influential novelists of the twentieth century, Ayn Rand
(1905-1982), was one of those authors.
With her theory that blurred the lines between fiction and reality, Rand
stood for the individual over the collective and that according to her
foundation’s mission statement was “to
exist is to be something, to possess a specific identity……and…that reality is
not to be rewritten or escaped, but, solemnly and proudly, faced.”
Ok so
I admit it. I’m sentimental.
Maybe it’s fatherhood or middle age or some of both, but the callousness
that supposedly comes with age has not sunk in yet and, while as naïve as it may
sound, I believe in being “just.”
Having children makes you that way, I suppose. So at the start of my
undergrad, I was enamored with The Republic by Plato.
The idea of a society that works together instead of competing while
developing foundations of truth, justice and nobility was a beautiful utopian
concept and a virtue that I wished would continue.
Interestingly enough, in my research I found that what I like most about
this style of literature is that while it (the story) is supposedly fiction, the
truth about our degrading circumstances—depicting the downfall of humankind as a
species—is all too familiar and presents images that are easily applicable to
current events. In my research I’m
compelled to shine some light on many subliminal relationships between the
fictional dystopias as portrayed in Ayn Rand’s Anthem (1938) and the 21st
Century. To consider what dystopian
ideals in Sir Thomas More’s Utopia (1516) seem to be recurring
themes in the current capitalistic framework of Europe and the United States of
America. And lastly,
if the definition for fiction
(according to Webster’s dictionary), which defines it as “something
that is not true”—why does the utopian/dystopian genres seem to predict
future social issues with such historical accuracy? Doesn’t this seem a bit
coincidental?
It’s
a fair assumption to claim that the philosophies of Plato or Socrates for that
matter would be too far removed from 20th Century rhetoric, but surprisingly
enough after two thousand years apart, Rand and Plato’s viewpoints on “ethics”
are almost identical, but their views about the individual clash severely.
According to the Lawrence University Students of Objectivism conference
the following paper was presented titled, Ayn Rand vs. Plato: Two
Philosophies, A World Apart (1997) which highlights the differences between
the two intellectuals, namely the idea of existence versus consciousness.
Rand opposed the idea that the quest for knowledge took two paths or
“realities”, for in her eyes, “reason is
the only means of knowledge, but reason is not detached from the real world.
Reason is the faculty that integrates and identifies the materials provided by
man’s senses.” But those principles
of epistemology have long been replaced by a more selfish longing for power at
the expense of others. While
Plato adopted a more altruistic theory in which “the
individual must sacrifice himself for the whole”, Rand opposed this theory
by perceiving that “man can achieve
happiness by acting in his long-term, rational self-interest, neither
sacrificing himself to others, nor sacrificing others to himself”.
The
most common theme in dystopian literature is the oppressive state of propaganda
and its use to control a popular opinion through controlled media outlets.
In the ongoing battle of autonomy versus the collective, George Orwell
published an article titled The Prevention of Literature (1946) whereby
he states that “from a totalitarian point
of view history is something to be created instead of learned…….and that the
enemies of intellectual liberty always try to present their case as a plea for
discipline versus individualism and that the issue of truth versus un-truth is
as far as possible kept in the background”.
Do fictional narratives play a bigger part in shaping the current reality
then we realize and how does the media (i.e. radio, publications and television)
convert its subliminal messages into the thought of the populace.
In More’s Utopia, Alan Nagel describes this phenomena in Lies and the
Limitable Lane: Contradiction in
More’s Utopis, (1973), as ‘central to
art and imitation is this contradiction that occurs in the case of words
themselves” (173)
Works
Cited
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