Angela Pennington
8
March 2019
Part
I: Isolation in Utopian Society: Is it Necessary? Is it Practical?
In Thomas More’s 1516 book Utopia,
Charlotte Perkins Gilman’s 1915 novel
Herland and Ernest Callenbach’s 1975 novel
Ecotopia, three utopian societies are
portrayed which all share a similar trait: partial or complete isolation from
the outside world. However, it is not immediately clear why so many utopias,
both literary and historical, isolate themselves from their surrounding
neighbors. It could simply be an unwillingness to acknowledge groups of people
that the utopian community members view as living less ideal lifestyles than
their own; however, this would paint utopian citizens unfavorably as merely
like-minded snobs. To understand the desire for isolation and the truths about
its real-world practice in utopian communities, I investigated three research
posts and one midterm exam which addressed the topic of utopic isolation.
In
her 2015 research post “Called to be a Utopia?”, Jessica Myers claims that a
“separateness from the ‘world,’” is “clearly necessary for a utopian society to
work.” While isolation of the utopian societies from the outer world has been
prevalent in the utopian literature that we have read, the practice must be
further investigated. Why would it be problematic for a utopian society to have
regular communication with the outside world? One answer may be found in
Marisela Caylor’s 2013 research post, “’Holy Land:’ An Examination of Lakewood
as Suburban Utopia.” On the topic of isolated suburban communities, Caylor
writes, “These ideal communities provide a space for limited individuality
within the safety of a planned community.” In her 2015 midterm titled “Living in
Balance: The Common Good Verses Individualism,” however, Ashley Wrenn argues
that “Societies will always have people who differ in opinion.” Wrenn notes that
“what matters is how society is able to ensure that all people have the
opportunity to experience their idea of a perfect society.”
Following this line of reasoning; a non-isolated utopian society will
always be at risk to fall prey to
the corruption of influence of its non-utopic neighbors. Myers addresses this
very dilemma in modern Christian churches, noting that “the present day church
looks nothing like the example described” in the idyllic Apostolic communities
in Acts because they have succumbed to the values of materialistic societies that
they are actively participating in. Myers points to the Pauline Epistles,
wherein followers of Christ are instructed to disassociate themselves with
anyone who is actively indulging in sin, adding that this intentional severance
of social bonds “is similar to what we read in [Charlotte Perkins Gilman’s]
Herland, where those women who could
not comply with the community’s expectations were not allowed to become mothers,
or in [Sir Thomas More’s] Utopia,
when community members were banished for breaking rules.” In all cases, there is
an intentional distancing by the members of a utopic community from those who do
not conform to their values.
Is complete isolation necessary to a utopian society, then? Ruthi
McDonald’s 2013 research post, “Utopian Ideals in the Community” surveys several
real-life utopian communities. McDonald writes that while “citizens at Twin Oaks
made a choice to live in a communal way … the outside society is still there.
The actions of the community do affect the larger society and vice versa … monks
that I looked into at Plum Village and Magnolia Grove monasteries live in the
same way: apart but open to the larger community.” This aligns with Myers’
argument that “it is difficult for the church to fight off the influences of the
world because it cannot escape the world”; whereas Myers views the church’s
inability to isolate itself from the world as a threat, however, McDonald
examines the opportunities that open communication with the outside world may
permit: “Places like this where a group of people have chosen to live in a way
that is very different from the surrounding larger community often open
themselves up for tours, workshops, or even retreats. This allows people to
experience their way of living temporarily and then take what they learn back
into their home lives.” Ideally, then, more individuals or even entire
surrounding communities may choose to join the utopian society.
Various literary and real-world utopian societies have valued, if not perfected
in practice, isolation from the outside world. Comfort within a like-minded
community and protecting the utopian community members’ ideals from outside
corruption are two of the main arguments for isolation. However, many utopian
societies believe in active and open interaction with the outside world, as it
can lead to a spread of their values and practices. Interaction with the outer
world may also prevent some of the “negatives that spurred from a need for the
familiar” which Caylor acknowledges that there are a host of in a like-minded
community that is cultivated and isolated; even the pseudo-isolated space of the
suburbs suffers from these negatives, Caylor states, including a return to
“segregation between the races in the early suburbs” of America. Even in the
realm of literary utopias, Wrenn argues that the mother-centric utopian society
of Herland “may easily become a dystopia for women who do not want to become
mothers and surely would be a dystopia for men.” Because real-world utopian
communities are typically “Unlike the Utopia where they live on an island that
is impossible to penetrate unless you know exactly where to sail, or Herland
where the people are literally trapped in a mountain valley with no way in or
out, and therefore, [are subject to] no influences from the outside world” due
to natural topography (Myers), then, they should perhaps embrace contact with
the outer world.
Part
II: Utopias in Practice and How to Avoid a Dystopian Society
Coming into this course, my knowledge of utopias was limited to the
“castle in the sky” societies that are pointed to in objective three. When
thinking of a utopian society, I thought of a perfect, futuristic community,
unplagued by war, sickness, toil, and civil unrest, with technology far advanced
from our own likely solving all those problems which our society would find
unachievable to solve otherwise—something like the world of
The Jetsons. Alternatively, there
would be the philosopher’s utopia, something like that described in Plato’s
Republic, which I believed was simply
one person’s vision of perfect society that no one else could or would strive
toward. Another belief I held was that a utopian society could somehow not exist
in the same universe as our own, that if a “perfect” society existed, all people
would recognize its superiority and wish to join it; the only exception would be
if the society had some intentional isolation or exclusivity which barred the
outside world’s interaction with it.
However, through reading about both the literary utopias described in Thomas
More’s Utopia, Charlotte Perkins
Gilman’s Herland, Ernest Callenbach’s
Ecotopia and the dystopia described
in Ayn Rand’s Anthem, I realized that
a utopia needs not to have already solved every problem we face in human society
today, and utopian societies can have contact with the outside world. In
studying historical attempts at utopias, I have come to understand that all that
is necessary for a utopian community is a group of like-minded people with a
shared vision for a perfect society making an active attempt to achieve that
vision.
The first challenge to my opinion of utopias as perfect and unachievable
societies was in reading Thomas More’s 1516 book
Utopia.
Utopia is divided into two books; in
the first, More’s fictional counterpart relates a conversation between himself
and a few other people, including philosophizing traveler named Raphael
Hythloday with a vision for a better future, whereas in the second book,
Hythloday relates to More the details of a fictional, idealistic society called
Utopia. When More tells Hythloday that he should advise monarchs in court,
Hythloday protests, responding that “there is no room for philosophy in the
courts of princes” (More I.13b), thus acknowledging the common dismissal of
those utopic visions of philosophers such as Plato. More responds, however, that
rulers and their advisors need only to “manage things with all the dexterity in
your power, so that, if you are not able to make them go well, they may be as
little ill as possible; for, except all men were good, everything cannot be
right, and that is a blessing that I do not at present hope to see” (More
I.13c). More is acknowledging, then, that the reality of a utopia may in fact be
true to its name—the Greek prefix “ou-” meaning not, and
topos meaning “place” literally
translating the country’s name to “nowhere”—but that this need not discourage
attempts to improve one’s society toward an idealistic vision. Even if that
ideal is unachievable, More argues, in striving toward it we as a society will
improve significantly.
The belief that striving toward an ideal state is more important than
achieving the ideal state itself is carried over to the 1975 utopian novel
Ecotopia by Ernest Callenbach. In the
utopian literary tradition of those before him, Callenbach’s narrator, William
Weston, acts as a vehicle to the reader understanding the fictional utopian
society of Ecotopia: explaining in minute details its social, institutional, and
economic practices through the lens of a foreigner visiting the nation. The
novel takes a non-standard approach, however, in that it balances the more
typical, structured sections explaining the Ecotopian society’s formal practices
with Weston’s journal entries and thoughts on the informal social practices of
the Ecotopians. One such social practice, “cooperative criticism,” is described
through the story of a customer’s complaint in an Ecotopian restaurant about
overcooked eggs: the customer makes a complaint, the cook disagrees, and the
fellow restaurant-goers chime in, work collectively to evaluate the situation,
and determine that the eggs are indeed overcooked, spurring an apology from the
cook and a restaurant-wide brainstorming session on how to prevent this issue in
the future (Callenbach 45-46). The Ecotopians are all agreed that the cook
should not be overworked and yet customers should not have overcooked eggs
(Callenbach 46). In coming to this agreement, the Ecotopians express a unified
ideal vision of the restaurant in which everyone gets what they want: they had
not heretofore reached that goal, and so they recognize that they must enact
some change.
This
restaurant is a microcosm of the Ecotopian society at large. After witnessing
many of the changes that the Ecotopian society has enacted over time to solve
the environmental crisis, Weston notes that Ecotopians “seem adept at using
moderate and gradual changeovers to reach extreme goals” (Callenbach 95). The
Ecotopians are living in a utopian society not because they have reached the
perfect ideal, but because, as More encourages, they have identified their
values and they strive toward them as a collective society. This practice of
conscious, continual improvement can also be observed in the female utopia
depicted in Charlotte Perkins Gilman’s 1915 novel
Herland. The narrator of
Herland, an American sociology
student named Vandyck "Van" Jennings,
notes about his experience reading through the history of Herland, “When I dug
into the records to follow out any line of development, that was the most
astonishing thing—the conscious effort to make it better” (Perkins Gilman 7.34).
Jennings goes on to specify the practices of Herland’s inhabitants that make
this effort explicit:
They
had early observed the value of certain improvements, had easily inferred that
there was room for more, and took the greatest pains to develop two kinds of
minds—the critic and inventor. Those who showed an early tendency to observe, to
discriminate, to suggest, were given special training for that function; and
some of their highest officials spent their time in the most careful study of
one or another branch of work, with a view to its further improvement. (Gilman
7.35)
Though the inhabitants of Herland differ in their practice from the method of a
philosopher advising a monarch described by More, or the cooperative criticism
depicted by Callenbach in Ecotopia,
the guiding principle is the same. It seems, then, that the only requirement for
a utopian society is to have a group of like-minded individuals who not only
have shared values that they strive toward, but who are constantly questioning
those values as a society. Working together to continually improve the society
completely bypasses the idea of a truly perfect community in practice—it
acknowledges that a “true” or “perfect” utopia is in fact nowhere, and yet, a
practical utopia will always question, improve, and progress.
Consider the contrasting example provided in Ayn Rand’s 1938 dystopian
novella Anthem. The narrator of
Anthem, Equality 7-2521, lives in a
dystopic future wherein individualism is suppressed by a government institution
called the World Council. Equality 7-2521 relays the words of the Word Council
which govern this suppression of individuality, saying they “were cut long ago”
and “are the truth, for they are written on the Palace of the World Council, and
the World Council is the body of all truth” (Rand 1.9). In this society,
governing law is not examined or questioned, but rather accepted as absolute
truth. Equality continues, “We think that there are mysteries in the sky and
under the water and in the plants which grow. But the Council of Scholars has
said that there are no mysteries, and the Council of Scholars knows all things”
(Rand 1.21). Not only is the law unquestionable, then, but so is scientific
knowledge. Only a select few out of the entire society depicted in
Anthem are allowed to partake in
scientific discovery, and even in doing so, they are highly inefficient, such as
“the twenty illustrious men who had invented the candle” (Rand 7.3). Rand uses
irony in having Equality call the men illustrious to indicate to the reader that
a technology so simple as a candle would require twenty of this society’s most
brilliant scholars to “invent” it. Even the term invent is ironic as Equality
earlier speaks of the “Unmentionable Times” preceding the “Great Rebirth,”
wherein “the lights which burned without flame,” and so man had discovered
electricity (Rand 1.10). The Great Rebirth described by Equality is another
convention of the utopian genre, an origin story that results due to some great
war, catastrophic event, or apocalypse. The destruction of society during this
time then becomes the opportunity for a new, more perfect society to be created
from a blank slate. Rand is suggesting, however, that the society ruled by the
World Council is extremely resistant to progress, and therefore deeply flawed.
As with the utopian societies of Ecotopia,
Herland, and
Utopia, the society depicted in
Anthem encourages collective ideals
and values, but it differs in that these values cannot be questioned.
A refusal to continually question and progress is a common failure of
historical attempts at utopias. My personal interest in this course was learning
more about the utopia in practice: if one person’s ideal state looks different
than another’s, who do we listen to? How do we get to the bottom of achieving a
truly utopic society? The utopian fiction we have read so far seems to encourage
an open and continual dialogue within utopian societies; however, many
historical attempts at utopian societies have been in response to religious
texts. These texts are static, unmoving, and so the only debate there is to be
had is with interpretation. In my first research post, for example, I
investigated Fundamentalist Mormon intentional communities, which were trying to
recreate the utopic nation of Israel described in the Bible. Fundamentalist
Mormons continue practices that the larger Church of Jesus Christ of Latter-day
Saints has questioned and subsequently progressed from. The ideals of the
Fundamentalist Mormons are the same as those of the modern LDS church, however,
the former group refused to question how they strive to achieve those ideals in
practice. Comparatively, members of the modern LDS church suffer much less
scrutiny from the American government and society that they live within as they
do not subscribe to these older practices.
The only requirement for a society to be utopian is to be filled with
like-minded, though necessarily unique and individual, persons who hold shared
values and strive toward those values together as a community. What separates a
utopia from a dystopia, perhaps, is the ability to question how ideals are being
enacted in practice. In the literary genre of utopian fiction, there are certain
standard practices: a narrator that is alien to the utopian society experiencing
it and explaining it in a way that would be understandable to the reader
audience, a systematic description of social, economic, and institutional
practices, usually through long dialogues that may or may not compare the
narrator’s real-world society to the utopian one, and a much deeper focus on the
setting of the utopia than any characterization or conflict that may occur over
the course of the text. My interest in historical attempts at utopias causes me
to wonder if there are any works of nonfiction in the genre of travel literature
that conform to the genre conventions of utopian literature whilst exploring an
intentional community, commune, or cult as described in objective three.
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