Katie Raney
Utopian Studies: A Source for Enlightenment
Essay One
At the beginning of the semester, my understanding of utopian and dystopian
literature was limited. I had read no actual utopias, and previously had a
pessimistic view about actual historical utopias.
However, over the weeks, I have gained insight through the readings and
the class discussions. Through our
studies, I have better learned to define utopias, seen advantages of studying
dystopias and utopias in the classroom, learned about historical utopias, and I
have seen that the quest for utopia will continue living on.
First, I have learned how better to define utopias and dystopias.
Though traditionally I would have considered a utopia as a “perfect
society,” after discussing the issue in-depth I see that it is not so easy to
define. According to Felicia Byrd
in the 2009 seminar, “The difficulty of definitions is that there are no
absolutes. There is no pure example
of utopia,” which I think is one of the reasons that make utopias so difficult
to define. I think that I have come
to embrace the idea that utopias are “experiments” aimed for perfection. Within
all of the utopias we have discovered, I keep coming back to the expression “one
person’s utopia is another’s dystopia.”
This was evident in Herland in
which Terry looked to escape the “world of perfection” at every moment he could.
Even in the end of More’s Utopia,
the narrator reacts to the knowledge of the Utopians in a positive way with
Raphael, but secretly he admits that several laws of the people “seemed very
absurd” to him (More 84). It truly
seems that utopias might never be attainable simply because everyone has a
different view of what a utopia should really look like. It was interesting to
see how equality was an idea that the cultures seemed to value in the utopian
literature; yet, within Anthem and
the Giver, “equality” seemed to be
the opposite of what these characters wanted.
Though difficult to define, one clear advantage for utopias as literary study
has been the interest that students have expressed in it.
Through hearing other teachers discuss the excitement that their students
have for it and reading some of the research posts about it, I can see that just
giving students something they are interested in learning about has a clear
advantage to it. Within dystopias, the conflict, feelings of isolation that the
protagonist has, and the abuse of authority, are all things that teenagers can
relate to, making dystopias an interesting read for them.
Even though dystopias may be of a natural interest for them, I also think
teaching utopias have value, as the students could be challenged to discuss if
they think the utopia that they are studying really “works.”
Though sometimes they are limited because they are primarily didactic, I
think students would gain benefits in looking at specific ideas that different
utopias hold and using their own critical thinking skills to evaluate whether or
not they think they would work well in society. For example, In
Looking Backwards, Julian seems to
have an issue with the fact that one man may do twice as much work as another
and still receive the same pay; however, Dr. Leete responds that all men are
giving “their best service” (61).
It would be interesting to debate matters like these in a classroom setting to
see what students really think.
Though I have learned much about the literary utopias and dystopias and how to
apply them within my class, I have also learned about historical utopias or
dystopias. After reviewing the
objectives this evening, I realize that I have learned much in regard to this
aspect. First, if I had been seeing
objective 3b on the first day of class, “Are
utopian impulses limited to socialism and communism, or may free market
capitalism also express itself in utopian terms and visions?” I am without a
doubt that I would have had no real idea what it was discussing.
However, not only do I know what it means, I can think of specific
examples as to how it relates to some historical utopias and dystopias.
For example, for the Web Review that I had in the second week of class, I
was able to present over the Oneida Commune.
Though this utopia did aspire to certain ideas of communism, they were
also quite capitalistic, developing their own flatware company, Oneida, which is
still in existence today! This was also seen in other communes where people
still attempt to use free market capitalism to make gains for their commune such
as seen in the Twin Oaks community and their hammocks. Though they do have
communal living, they are not above using the market to make gains.
The fact that so much dystopian literature is being published, and the fact that
communities like Twin Oaks still exist, demonstrates the idea that the utopian
impulse has not gone extinct as objective 3c asks.
If anything, in the wake of a world full of problems, the quest for
perfection continues. Due to this desire, it is our responsibility to keep
learning about utopias and dystopias in order to try and do our part to make
society a little more utopian for everyone.
Looking at Genre and Convention in
Utopia,
Herland, and
Looking Backward
Essay Two
In the introduction of Herland, Ann
J. Lane pens, “The society to be transformed must first be known.”
Here, she describes how one must first learn about a society in order to
assess its flaws and correct them. This quote relates well when discussing works
in the utopian genre and their conventions. Objective
1b asks, “What genres join with
or branch from utopia?” After reading several utopias, one genre that I cannot
help but seeing is satire, a genre pointing out problems in society in order to
promote change. In Thomas More’s,
Utopia, and Charlotte Perkins
Gilman’s, Herland, the authors offer
their ideas for the perfect society as a way of pointing out the flaws that are
found within their own modern day civilizations. These works of fiction also
reinforce the idea that one of literature’s main goals is to “inform.” Through
these satirical works, readers are informed about some ideals in society that
should undoubtedly be changed. More desires to change ways that his British
government operates, while Perkins Gilman desires to make a statement about the
equality of the sexes. Also, within
the utopian genre, one content convention that has stood out to me has been the
individual vs. the community.
Julian West from Looking Backward
discovers what it is like to move from an individualistic society to a more
communal world. Through this
movement between worlds, he demonstrates the individual vs. the community
convention.
Thomas More’s, Utopia, makes several
points to inform readers about the harm that a selfish, tyrannical authority and
selfish group of the citizens might inflict upon a nation.
As the book opens, the book’s main speaker, Raphael, notes that the
prince of a nation has either the power to give life or bring death when he
pronounces, “for the springs both of good and evil flow from the prince, over a
whole nation, as from a lasting fountain” (More 5).
This comparison that he makes between a prince and a fountain urges
rulers to make “good” decisions that will bring health to the nation.
However, he is well-acquainted with the realities of the selfishness of
rulers as he states that “they are generally more set on acquiring new kingdoms,
right or wrong than on governing well those they possess” (5). This is
emphasized even further when Raphael reports that the chief jobs of ministers to
the prince are to figure our “by what art the prince’s treasures might be
increased” (19). These statements illustrate More’s own desire to have a country
in which the ruler would work for the good of the people rather than his own
selfish desires. Yet, kings are not the only ones that are out for themselves in
More’s world. He also critiques
other citizens out for their own good.
For example, Raphael verbalizes that “luxury likewise breaks in apace
upon you, to set forward your poverty and mister; there is an excessive vanity
in apparel, and great cost in diet” (10).
Here we see that British citizens are indulging in luxury and vanities
while neglecting the poor.
Both the selfishness of the rulers and the selfishness of the people lead
Raphael to discuss a utopian society where everyone seems to be content and not
purely out for their own good. Rather than having selfish motives, within
Utopia, “no town desires to enlarge its bounds” and some rulers even prefer to
be called “fathers” (29, 61). Even
the Prince himself, chief ruler of Utopia, wishes to have no distinguishing
characteristics from himself and other citizens, a principle seen when Raphael
states that the Prince “has not distinction, either of garments, or of a crown”
(More 61). These Utopian rulers are seen
more as equals, desiring the good of all Utopians. Not only are the rulers
portrayed this way, citizens are “content… with fewer things,” because there is
not “anything that can tempt a man to desire more” within Utopia (37). Instead
of indulging in luxury and excess, the Utopians prefer being content with what
they have.
These ideals of equality and contentment between the Utopian rulers and citizens
are utilized by More to inform English citizens about the desire for wealth and
power in their contemporary society, establishing it as a satire.
It seems natural that More might have
some of these ideas about the political state of things within that society,
especially after learning in Alicia’s web review that Henry VIII had him
beheaded for saying things that did not agree with him, thus illustrating
further the need for a change.
Herland is another example of
a satire that points out issues that the author’s society was facing.
After hearing Nicole’s web review of Charlotte Perkins Gilman, it seems
fitting that Gilman would write a book about a society of woman that were
self-sufficient. After having a father who abandoned her and her mother when she
was a young age, combined with going through divorce, Perkins Gilman would want
challenge the societal idea that men were necessary for survival and urge women
to take a stand.
Even though that may have been a standard in her “real” world, Perkins Gilman
refutes the claim that men are needed in her novel.
When first flying into Herland, Van remarks, “why this is a civilized
country!... There must be men,” an assumption that many probably felt in her day
and age (Perkins Gilman 11). Yet,
we learn that the women are able to create an orderly world that is “clean” with
“well-built roads” where even the “vines are trained” (11, 13). They create a
society in which they have assessed what is useful for survival, and they
eliminate the things that are not, such as keeping birds but having cats to
“destroy mice and moles and all such enemies of the food supply” (49). The
women’s clothes are designed for function, and they only use “hats for shade
when working in the sun” (50). They have the strength to do rigorous outdoor
work, even defeating the men visitors, and they are well-educated.
Within their society, there is no
poverty, and there is no war. Interestingly, not only are the women able to do
everything that the men are able to do, they are even able to complete the one
task in which it seems like it would be absolutely necessary to have a man:
reproduce. Yet, their ability to
reproduce on their own only further reemphasizes the idea that Gilman believes
women are not completely dependent on men. All of these things demonstrate how
women not only survive in a society without men, but they thrive.
Furthermore, Perkins Gilman wanted to challenge women to take a stand against
men which is evidenced through her work. Even the way that Herland was formed,
demonstrates a possible challenge for women in that day. The women of Herland
must kill “their brutal conquerors” instead of “submitting” (55).
It is as if their creation story describes what Perkins Gilman desires
women in her day to accomplish. Terry is even included in the story to represent
that male resistance and maybe even the “brutal conqueror,” which would
certainly make sense after reading the horrific rape scene in which he tries to
force his own manly expectations on the women. However, even this attempt at
brutality is overcome, which Perkins Gilman may be using to illustrate the idea
of persevering under male persecution.
Perkins Gilman creates a utopian women society to satirize the common view in
her day that men were needed; however, through showing what industrious women
can do, she challenges this assertion, informing her readers that women can show
fortitude and endurance to create a perfect society.
Though genre is an important thing to assess while reading utopian literature,
it is also essential to pay attention to content conventions.
One particular content convention that was seen in several of the novels
was the idea of the individual vs. the community.
From the beginning of Looking
Backward, Julian portrays this idea perfectly.
He opens the novel making it clear that “each class or nation lived by
itself, in quarters of its own” (Bellamy 10).
While he and his fiancé lived on “the top of the coach,” he could do
nothing but hold grievances “against the working classes… on account of the
effect their strikes [had] in postponing [his] wedded bliss” (13).
Even the underground chamber that Julian builds showcases the individual,
separation that the classes held in his original world. One thing that really
shocked me as I was reading was how Julian told no one about the chamber except
for Sawyer and Dr. Pillsbury; even Edith was unaware of it and its location.
These things point to the strong individualism that was showcased in 1887; yet,
when Julian plunges into the future, it is a world that is desires the welfare
of everyone.
In Julian’s new reality, the individual is set aside for the good of all of
humanity. As Dr. Leete explains, just being part of the human race entitles one
to life. When Julian questions the
idea that all men “have the same share,” Leete responds with “his humanity” as
being “the basis of his claim” on his credits (60). All men are now “members of
one class” enjoying the same benefits (103).
They are working for the good of the whole community, and all things
created are made for everyone. The
metaphor of the private umbrella works very well to show the contrast between
these ideas. Within Julian’s original time, “everybody lived for himself and his
family… holding his umbrella over himself and his wife”; yet, in the new world,
there is one umbrella covering the walkways so that people can walk through rain
together without getting wet (99-100). Often within the utopias that we have
read, there is a mindset of doing things as a group for the good of the whole,
rather than doing things individually for the good of one’s self.
In conclusion, satire is a specific genre that branches from the studies of
utopia literature. This is
evidenced in More’s Utopia and
Perkins Gilman’s Herland.
In addition to discussing genre, the content convention of the individual
vs. the community is seen within Bellamy’s
Looking Backward. Though utopian
societies may be unattainable, we can certainly learn from some of their ideas
in hopes of making our society a better place.
Special Interest: Literacy within
Anthem,
1984, and
The Giver
Essay Three
Throughout the different selections that we have read this semester, I kept
noticing the common theme of education, which seems to be a special interest
that I have developed and have researched throughout the course of the semester.
Before the semester started, I had read a few dystopias, but I was not greatly
familiar with the subject. One of
the dystopias that I had read was George Orwell’s
1984. The novel opens with the main
character Winston sitting in his apartment after he has just purchased a diary.
Similarly, when I read Anthem,
I found it interesting that this book’s opening statement is, “It is a sin to
write this,” as if we pick up at the beginning of a diary or journal that the
main character is keeping. Both of
these things made me want to focus on the idea of reading and writing within
dystopian, building on objective
5b.
What does utopian / dystopian literature instruct us about education?
Throughout the course, I have re-read
The Giver and portions of
1984 to help me remember what those
texts said about literacy.
Interestingly enough, in Anthem,
1984, and
The Giver, there seems to be a
connection of a repression of literacy in all of these works.
To explore this even further, I have been exploring how the repression of
literacy leads to the decline of critical thinking. This has been a special
interest for me throughout the course, even one that I developed further through
my first research posting.
In Ayn Rand’s Anthem, Equality
7-2521 discusses the lack of reading and writing that occurs within the
community; yet, he is unable to stop himself from the learning process.
After discovering his underground lair,
he cannot help but to begin writing.
Though he knows that it is wrong, he feels the need to write.
This leads him along in his process of learning. One of the first things
that Equality 7-2521 decides to do after being in his lair is steal manuscripts
from the Home of the Students. Two
years pass by in which Equality 7-2521 is able to read freely from the
manuscripts. After these two years, Equality 7-2521 declares that “in these two
years we have learned more than we had learned in the ten years of the House of
the Students,” illustrating the amount of learning that can take place simply
through reading (Rand 36). It should also be noted that within the two years,
there is no mention that the manuscripts having been stolen, demonstrating how
citizens in the House of Students were neglecting the reading of these
materials. In addition to this,
Equality 7-2521 says that “Manuscripts are rare,” showing the lack of reading
material that the citizens have.
This repression of literacy seems to result in a lack of innovation and critical
thinking. For example, the citizens are stuck with outdated, archaic knowledge.
Within the school system, the students learn that “the earth is flat and
that the sun revolves around it,” ideas that were dismissed hundreds of years
ago because of more modern innovations (23).
Furthermore, the students learn “how to bleed men to cure them of all
ailments,” another idea that has been refuted with medical advancements (23).
Additionally, the citizens in the world of
Anthem are found unable to produce
new innovations in technology which is shown when Equality 7-2521 introduces
their “newest” invention, found one hundred years ago: the candle (24). However,
after beginning to read and write, Equality 7-2521 gains the critical thinking
skills needed to begin actual productivity which is demonstrated when he is able
to create electricity. Though he
had natural intelligence, without reaching out to read, write, and learn on his
own, he would have been stuck in his assignment of Street Sweeper for years,
only doing what the Elders asked of him. This link between reading, writing, and
critical thinking is also shown in the knowledge that we have of the previous
civilization. It seems that in the previous time, people were well-read and also
had critical thinking powers enabling them to invent modern technologies.
When The Golden One and Equality first find their way into the home that
they will enter and then live in, they see “rows of manuscripts, from the floor
to the ceiling,” and Equality admits that they had “never…seen such a number of
them” (91). This is illustrating that in one person’s house from the previous
age there are a vast number of books.
However, books are not the only thing that they see.
They also see light bulbs, proving that this society was not primitive or
stuck in their old ways. Arguably, it was their ability to read and think which
led them to make such innovations.
Finally, it is through reading that Equality really discovers himself, or his
ego, as Rand describes it. He records, “It was when I read the first of the
books I found in my house that I saw the word ‘I.’ And when I understood this
word, the book fell from my hands, and I wept…I wept in deliverance and in pity
for all mankind” (98). Here readers
see the value that reading has upon Equality. Through
his literacy, he is able to find knowledge and himself, and it even inspires a
love for the rest of mankind.
A similar idea is found running through Orwell’s
1984. As previously mentioned,
Winston, the protagonist of Orwell’s novel is seen keeping a diary.
Though he says the process is not illegal, “since there were no longer
any laws,” he does state that “if detected it was reasonably certain that it
would be punished by death, or at least by twenty-five years in a forced-labor
camp” (Orwell 6). Winston records
several things in his diary throughout the novel.
One is the party motto which states, “Ignorance is strength” (26).
Here we see how the Party within the novel wants to manipulate its people
into remaining uneducated and ignorant about real matters. Yet, Winston
continues journaling for several months, leading to a process of self-discovery.
Through journaling, he is able to remember things in the past, things that the
Party longs for him to forget, and over time, he even develops a plan to resist
the Party and the infamous Big Brother.
He acknowledges later in the novel, after getting caught, that the diary
had a key role in his rebellion: “The first step had been a secret, involuntary
thought; the second had been the opening of the diary. He had moved thoughts to
words, and now from words to actions.” This is almost identical to Equality’s
sentiments when he says, “It is a sin to think words no others think and to put
them down upon a paper no others are to see” (Rand 17).
Both of these quotes demonstrate the power of thinking and putting those
words onto paper. Inevitably, as
one begins to think and write, it seems that this will lead to action.
In The Giver, another interesting
notion of literacy pops up when Jonas first enters the Receiver’s office.
He enters the Giver’s office and notices some minor differences; however,
he says that the most “conspicuous difference was the books” (Lowry 74). He goes
on to say that within each household they only contain: “a dictionary, and the
thick community volume… and the Book of Rules,” but that is it.
When seeing the Giver’s books he says that he “had never known that other
books existed,” and that “there must have been hundreds- perhaps thousands- of
books” within the Giver’s office.
Jonas and the Giver are the only two people to know about these books, and they
are also the only ones that know the truth about the community.
As Jonas gains more knowledge through his time with the Giver, he is able
to think for himself, develop a repulsion of euthanasia and all of the rituals
of the community, and eventually, get away.
This special interest made me wonder if actual historical dystopias had
repressed literacy, which led me to pursuing my first research post.
In this post, I research the education system within Nazi Germany and
noticed that there seemed to be a real lack of emphasizing any type of education
other than physical education and a total lack of developing critical thinking
skills. Through the learning done within this research post, much of the
information will be beneficial when my students and I complete our “Holocaust
Literature” unit.
Overall, this special interest that branched off of studying what dystopias
teach about education helped me to connect the dots between repression of
literacy within 1984, Anthem, and
The Giver. Studying these works has
given me confidence in pulling in works such as
1984 or
Anthem into my classroom to show
students the danger in not developing critical thinking skills.
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