Veronica Ramirez Forging bridges: Poetry for all
Romantic Souls Poetry it seems is
literature’s most elemental and complex form.
It does, in limited space, what a novel may only hope to accomplish. It
gathers observations of images, events, or feelings, and wraps them in passions
such as hatred, anger, joy or love and tries to portray this to the reader.
American Romantic poetry is essential
for transmitting thoughts and values of the American culture to the current
reader. If the reader is able to
receive, understand and connect with the poem, “The poem ascends” as
Levertov
states in “The Jacob's Ladder”, and so does the reader.
Poetry in the American Renaissance, dealt with many different
spheres of influence, many topics and subjects. The values and thoughts in the
poetry can be political such as the As I stated in my essay “Quest
for Romantic Knowledge:
Fall 2010”, one of the major aspects of the class that I really enjoyed was
seeing texts from before, during and after the Romantic period.
For the poetry discussions, I benefited a lot from pointing out details,
words, or themes that were of romantic nature even if the poem was from before
or beyond the time frame that we were looking at.
I have not taken a poetry course and would have benefited from more
instruction on poetry structure, styles, forms, etc. The two poems that I selected, “Dare you see a Soul at the
White Heat?” by Emily Dickinson and “Blackberrying” by Sylvia Plath, both fit
Objective 1C as lyric poems that exhibit Romantic aspirations. There is a
definite path or journey, Plath’s blackberry path is a physical journey to the
sea, and
These
two poems fulfill our other class objectives, “Blackberrying” has an individual
in nature, “Nobody in the lane, and nothing, nothing but blackberries,” that
aligns perfectly to Objective 1a Romantic Spirit or Ideology of an individual in
nature. “Dare you see a Soul at the
White Heat” has a romance narrative as part of Objective 1a, “transgressing
social or psychological boundaries in order to attain or regain some
transcendent goal or dream” as the soul is straightened and refined as in “That
soundless tugs- within-/Refining these impatient Ores” . They both appeal to the sense of sight by using Gothic colors
and very vivid images. Emily Dickinson uses the Gothic colors to signify purity,
by “White Heat” a heat so hot that it is white, she also uses “Red—is the Fire's
common tint” to signify the burning and purifying qualities of fire.
Sylvia Plath also uses Gothic colors, red and black as blood and death,
“With blue-red juices. These they squander on my fingers. / I had not asked for
such a blood sisterhood;“ and
black, as in the black birds, “Overhead go the choughs in black, cacophonous
flocks” and an implied death by the blackness of flies covering a bush “come to
one bush of berries so ripe it is a bush of flies,/ Hanging their bluegreen
bellies and their wing pane”. One of the transcendent qualities of Emily Dickinson’s poem
“Dare you see a Soul at the White
Heat?” is the refinement of the soul created using an
image of straightening and refining a
metal, through a physical working of the material.
This same image appears in “Blueberries” by Sylvia Plath as she states
“nothing but a great space/Of white and pewter lights, and a din like
silversmiths/Beating and beating at an intractable metal.” These two poems
connect in my mind beyond Romantic themes; they also make poetry more universal
to all types of readers, joining theory, science and nature.
Romanticism helps me read these poems
because I can extract certain images that I would have glanced over before and
helps me see the overall intent of the poem.
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