Jennifer
Summerlin
You Can’t
Have One Without The Other
My twin sister sat in on one our classes this semester and thoroughly
enjoyed the lecture and class discussion about the day’s assigned readings.
Though she had read the stories we discussed, she seemed to be a little
confused about one topic brought up in class.
On the way home, she relayed her confusion when she asked me why someone
in the class said that in order to have the concept of utopia, there must also
be a dystopia. In essence, the idea
of someone’s utopia being someone else’s dystopia did not make much sense to
her. In my feeble effort to explain
the concept to her, I gave the examples that in order to know what true goodness
is, there has to be evil in the world.
Likewise, for people to know what is right, they must also know what is
wrong. Though I am sure I did
not do a great job of explaining my meaning to her, our conversation made me
think about these two dueling concepts.
I realized that several of the stories we have read this semester have
elements of both utopian and dystopian worlds and that, in part, is what makes
them work as well as they do.
The Onion and I by Thomas Fox Averill is one story that encompasses both
of these opposing themes. In this
tale, the narrators’ mother is completely fascinated by what the author refers
to as “cyberlife”, or life inside the world of virtual reality.
She convinces her husband, who is less enthusiastic, to move into the
virtual town of
Drapes and Folds is another story that builds on both utopian and
dystopian themes. The idea of an
epidemic or large scale catastrophic event bringing about a turning point in
time is a dystopian idea. This is
seen with the Women’s Epidemic which causes a wide spread outbreak of breast
cancer. In an effort to bring
about conformity and harmony, the powers that be set up rules eliminating
everything that makes people individual and unique.
This world of fabric law and approved nutrition is utopian in structure,
but for
Some of the stories we have read this semester seem, at first glance, to
be completely dystopian in nature, but surprise the reader with sparks of
utopian elements from time to time.
The two works by Octavia E. Butler do just that.
In Speech Sounds, visions of dystopia are prevalent throughout with the
stroke epidemic, the lawlessness and animalistic behavior among people, and the
food and water shortage. These
aspects were seen also in The Parable of the Sower.
With scenes like the fighting on the bus and the killing in the streets
in Speech and the fires and looting in Parable, one might wonder where the
utopian aspects are hidden in these stories.
I think the visibility of utopian life in these stories lies in the
connections that are made among individuals and the family bonds that are put
together in both stories.
Good/ Bad. Right/Wrong.
Heaven/Hell.
Utopia/Dystopia. We think of these
concepts as opposing, never meeting and always on different sides of the
spectrum. This may be true, but
what I have learned with the readings in this class is that they actually work
together and need each other to exist.
I can no longer blindly lump novels or stories into the category of
either Utopian or Dystopian.
I have learned it is not that simple.
In her essay One and the Same?, Veronica Nedalin makes this point clear
when speaking about The Onion and Drapes saying, “These stories take the concept
of utopia/dystopia one step farther from the rest of the stories read this
semester by not creating environments that are obviously either utopias or
dystopias, leaving the reader to think more about the story long after it was
originally read.” That is what these
stories did for me. They made me
think more clearly about the distinctions between the two scenarios and helped
me understand that they can coexist in the same work of literature.
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