LITR 4632:
Literature of the Future
        

Final Exam Essays 2013
assignment

Sample answers for Essay 2:
personal / professional interests

 

Elizabeth L. Suffron

5 July 2013

Change:  The Never Ending Story

          Originally, my paper explored literature parallels of the Gospel. While this topic continues to tickle my interest, I find my first midterm essay possessing an analysis quite common among my musings:  change. Whether reading Facebook postings, blogs, AOL articles, or books, change reflects the real story within. Lives forever change. We exist second to second without realizing the many subtle changes leading to new experiences day after day. Future Literature explores this thought to the max! From alien contact and off planet adventures to societies engrossed in advancing technology while another fights for survival in rough environments, stark extremes pushes literary plots forward in the quest for change. Either through decline or progress, a main character or people rise up, bound by ideals and desire, forging paths to a “better place.” Yet, more than living conditions, the frame of mind plays a demanding role in such uprisings. Values set the tone revealing motives which turn to ideas, and ideas into action leading characters along a journey of liberation. Still, is there peace in the end? Does the cycle cease? If one man’s utopia is another’s dystopia, is a “better place” obtainable? Fantasies such as The Parable of the Sower, Time Machine, and Stone Lives suggest, not a linear line of progress, but a cycle of ongoing change. The only exception to this rule is the book of Revelation. This text presents the final battle between sinners where, by the second coming of Christ, God’s reign is established. Those whose faith is pure live forever with God while those opposing His truth are cast into the pit for all eternity. Therefore, unless a Revelation-type apocalypse takes place, change is not only inevitable, it is a never ending cycle.

          When it comes to the idea of change, either through evolution or apocalyptic forces, one must first identify the need of change. Conflict provides the greatest tool for such methods, giving the reader “an event or sequence of expectations,” flooding the black and white pages with purpose (White, online). Some plots automatically thrust the reader into a world of dysfunction as in Stone Lives, where people willingly risk life for money while others lack for nothing. Opening with “Odors boil around the Immigration Office,” readers automatically experience a place of foul sights and smell (SL, 178). Known as the “Bungle,” Stone’s existence is synonymous with strife as he fights for the basic necessities of food and water. In others, like Parable of the Sower, memories of a “better time” hold no hope for improvement. Violence is a way of life as neighbor attacks neighbor and the thought of loving others is drowned out by the need to survive. As daughter of a Baptist Minister, Lauren lives in an already troubling time that worsens dramatically with each turn of the page. Traveling north, journaling along the way, she jots down the only seen truth:  God is change. Both character’s reality, in their own way, develop a connection between fantasy and “the real world,” through the thread of suffering. So, by producing a shared humanistic quality of sympathy and/or empathy we see, from the very beginning, a need for change.

          While the demand for altering a community or society may be apparent, there’s another scenario of transformation used to build upon the need of change. This tool comes in the form of a journey or quest. Embarking on a voyage, readers, through characters, are met with conviction-challenging episodes. No longer exists the dichotomy between good and evil but, rather, the evolutionary adaptation of survival. Therefore, questioning perceptions provides the second greatest element when seeking to understand the need for change. The Time Machine interprets this strategy well by incorporating the method of telling a story within a story, or framing. Traveling to the year 802,701 AD, the time traveler encounters the Eloi, a race of light skinned people possessing childlike characterisitcs. Deeming these “very beautiful” inhabitants harmless, our traveler assesses the surroundings and concludes all to be the fruits of communism (Wells, 28). However, his initial perception of reality is found wanting as he comes upon ventilation wells propelling new thoughts and questions concerning the Eloi. Instead of “an automatic civilization and a decadent humanity,” perhaps another explanation exists (Wells, 53). Further investigation of these tunnels spurs a reformation of logical ideas in which an “artificial underworld...was necessary to the comfort of the daylight race” (Wells, 61). Returning to the Victorian Era, the traveler shares this information with fellow scientist and friends. The narrator framing the tale reflects upon his friends interpretation of the future and, examining the “strange white flowers,” finds himself incapable of accepting the predicted outcome. To him, the future remains “black and blank” (Wells, 120). Thus, perceptual extremes continue for both narrators as each strive to make sense of the “Golden Age” world. Thusly, by greying areas of perception, interpretation of change is left to each individual and, as such, evolution carries people along in its wake. Essentially, whatever the course, people adapt to the environment, just as the time traveler, due to “endless possibilities of our ever expanding world” presenting new and unique scenarios (Paula Upham, 2007).

          Interpreting a shift in realities presents many possibilities, but the final change is one that cannot be undone. When possibilities are endless, stories have no end. Recalling the texts mentioned thus far, we can see how each conclusion gives way to more questions than answers. While the characters experience an apocalyptic “ending” of sorts, doesn’t mean a utopia is established. Rather, each transcend to a new reality where “endless possibilities” continue to exist. From Lauren to Stone to the Time Traveler, while espousing ideals for a new world/life, are not removed from the turmoil of pain and strife. Why? Because people are flawed. Humanity, at its best, tolerates hardships but even then, conflict arises creating opposition within mankind. Arguments of right and wrong fuel battles and wars, all in the name of what each side deems “best.” Until this flaw is removed, change will forever continue. In the book of Revelation, however, counters worldly strength and weakness through God the Creator, the “Alpha and Omega, the first and last, the beginning and the end” (ESV, Revelation 22:13). Such an important detail should not be overlooked. In our other literary tellings, while heroic and inspiring, rely on human nature to guide steps and procure change. God does not possess such flaws as He is perfect, therefore, only His truth can prevail. Perceptions in Revelation remain black and white, not grey. The finality of this one and only apocalypse is firmly stated by God saying, “It is done!” (ESV, Revelation 21:6), successfully ending the cycle of change.

          Returning to a secular sense of evolutionary and apocalyptic change, there will always be a need for such outcomes. Whether through a society suppressed by a tyrannical government or advances in technology creating an information dependent people, individuals need progress in order to keep balance. Wells’ understanding of creation and evolution is that “Strength is the outcome of need; ...Under new conditions of perfect comfort and security, that restless energy, that with us is strength, would become weakness” (Wells, 39,41). With this in mind, can change ever cease in which perfection is found? Simple. The answer is no because change is inevitable, a never ending cycle...until God creates the new world.