Katasha
DeRouen Morphing: Changing to Belong However one may view literature visions or scenarios of the
future, the fact remains that the future is not definite. Throughout the course
various scenarios have been offered, some sharing commonalities and others
dissimilar in countless ways. A constant throughout many of the visions involves
human behavior and the ability to morph, or change accustomed behaviors in order
to belong and survive in the alternate future.
Speech Sounds, The House of Bones, The
Onion and I, and The Belonging Kind are texts within the course that typify
the evolutionary adaptation and re-adaptation from a high tech virtual reality
to a low tech actual reality and vice versa, using assimilation as a common
trope.
Speech Sounds by Octavia E.
Butler is a gripping portrayal of evolutionary adaptation from the high tech to
a low tech world for means of survival. Allow for an explanative journey here.
The setting of Speech
Sounds indicates that before the
present situation the community did operate at an intermediate level of
technology, “Buses were so rare and irregular now, Cars were rare these days…”
(Future Primitive 92-3). Thus, this reading can lead one to classify the “old”
community as high tech, which leaves the current community deemed as the low
tech society. The members of the community have lost their ability to speak,
read, and write; hence, they communicate through simple grunts and exaggerated
body language. The citizens’ ability to revert to primitive- like behaviors in
order to survive amongst the savages lurking throughout is paramount in
understanding the assimilation aspect utilized within this text. On many
occasions Rye described herself as an educated and extremely literate
individual. Now, in the low tech reality she has had to maintain, or re-adapt if
you will, to her current surroundings, thus exuding no speech, and displaying an
inability to read or write. Because she was able to adapt her behaviors and
assimilate with the others she ultimately claimed survival.
The House of Bones is a
scenario of assimilation for both belonging and survival. Robert Silverberg, in
this text, displays for the reader the act of adapting to a low tech time from a
high tech capacity. The narrator is one who has come from a familiar future
enhanced with technology. He is now trapped in the primordial past where life is
uncomplicated, yet surprisingly developed. He finds himself amongst a group of
simple strangers who live without many of the luxuries he is accustomed to. They
are a very resourceful people, and take to building their own shelter and living
off the land that surrounds them. He retorts, “They’re highly skilled
individuals,” as he reflects on the abilities of the group (Future Primitive
88). The main character, again from the distant high tech future, finds himself
altering his behavior to now belong within this
new natural world. In attempting to
assimilate into the ways of the group, he has to adapt to the past, learning
their old vernacular, and practicing
their dated mannerisms, both new to
him. He even judges himself against their standards, “I used to be considered
highly skilled too, back where I came from,” thus being a strong sign of
assimilation- absorbing oneself into the mainstream culture. (Future Primitive
88). Thomas Fox Averill’s
The Onion and I embodies the characteristics of a shift from the low tech
vision to the high tech scenario. At textual opening, the reader gains an
intimate insight of the actual life of the human family. The father is portrayed
as a simple and humble man, connected to all the aspects of a real onion, from
planting to consumption. The mother is technologically advanced and outgoing;
thus, both lifestyles are combined with the birth of their adaptable offspring.
The father is hoisted into an uncomfortable virtual reality and most remnants of
his reliable actual world are erased; he is left with his only constant, the
onion, which he has managed to preserve. Furthering Anonymous’ statement, as
written in All I Really Need to Know I
Learned from Sci-Fi “The way I see it the onion is a symbol”, the onion
itself symbolizes the father’s assimilation in this piece. As the “new world”
works to morph the real onion into an acceptable cyber replacement, the father
is able to relate this change to one he must make within himself in order to
also absorb the cyber world. Reluctantly, the father understands that the onion
will still be an onion even if the superficial layers are missing. As hinted
through interpretation, the onion has several layers, and no matter how many one
peels, ultimately the core remains intact (organic). Just as removing the many
layers of the onion doesn’t alter its core, the immersion into the virtual world
will not change the father’s beliefs or passions concerning his actual world.
Understanding the transformation of the onion allows the father to comfortably
insert himself into the unyielding cyber world, thus embracing assimilation. Assimilation is also prevalent within the text
The Belonging Kind by John Shirley
and William Gibson. Together, the authors convey the concepts of both belonging
and survival in this piece. Controlled by an innate awkwardness, Coretti
struggles to identify with an evolving world. He is socially awkward, and often
feels as though he is better at being invisible. As he stumbles upon a creature,
“Antionette” at a bar he becomes infatuated with her compelling confidence and
intriguing beauty; she is who he needs to be in order to belong. As he follows
her he finds that she is not one, but one of many who are able to adapt to their
surroundings and blend as a member of a particular scene. Since failing to
assimilate into his naturally mundane society, Coretti knows he must virtually
join Antionette in order to belong. As the authors progressively communicate the
story, Coretti’s evolutionary adaptation begins to take place as he morphs into
a creature comparable to Antionette. Not only can Coretti now feel himself
finally belonging, but he equates his belonging to his survival. Previously,
before finding Antoinette he struggled to survive with in a world to which he
did not belong. Now altered, he no longer has to try to adapt to belong; he now
belongs to adapting, textbook assimilation. Future vision and scenario texts often utilize assimilation in
displaying the evolutionary adaptation and re-adaptation that occurs during the
shift from a high tech virtual reality to a low tech actual reality, and the
reverse. Authors often supply readers with a common trope to bridge the gap
between the two worlds, just as the aforementioned highlights assimilation.
In past, present, and future the only constant definitive is change.
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