Part 1. Continue genre definition and example(s) from Midterm1 .(Index) . .
Calyssa Rosene
28
March 2017
The Highs and Lows of Laughter
The
subject of genre covers an entire realm of entertainment from books to movies
and even music, and simplifies them into known categories. If someone were to
ask you what your favorite genre was, you could simply reply with comedy, drama,
or horror and they would understand your interests. However, there are different
types of comedy broken down into subcategories of genre itself. According to Dr.
White, “Genre is a flexible and adaptable term or concept”, and there are tons
of different combinations and possibilities of genres. In terms of comedy, there
can be high and low comedy, romantic comedy, tragicomedy, and more. The first
example that comes to mind in terms of comedy is the sitcom “The Office”, due to
its incorporation of different kinds of comedic interests.
First
we can focus on the subject/audience genre which according to Dr. White is
“genre as most people understand it”. This is where the work is labeled into
something the audience can easily identify such as horror, chick flicks,
romantic comedy, or even drama. If you break down the comedic ingredients of The
Office, you have a mix of everything, but the audience would determine more
often than not that it’s a sitcom. According to the sitcom term page, a sitcom
is “a genre of comedy that features characters sharing the same common
environment [i.e., situation], such as a home or workplace, with often humorous
dialogue”. There is a mixture of high comedy and low comedy characters. For
example, Dwight Schrute, one of the main characters, is an interesting looking
man who tends to be very overdramatic and full of himself, which often causes
problems in his life and for his fellow characters. Most of the main characters
are considered low comedy characters while many of the secondary characters are
high comedy and showcase how ridiculous most of the main characters can be.
Another sitcom that fits along with The Office is a British sitcom titled “The
IT Crowd”, which follows three IT nerds in their daily hectic lives in their
workplace, as well as outside of it trying to build social relationships. The
main characters of the show are meant to be low comedy types, and unlike The
Office, there aren’t even many secondary characters that can offer high comedy
support. On the comedy term page it discusses the differences between high and
low comedy characters, and according to it the lower type characters are usually
“physical rather than intellectual or spiritual, and fleshy and gross rather
than refined.” Jen, Moss, and Roy, the main characters of the show, all have
this very awkward demeanor about them as well as personalities to match the
outward vision.
Next
we can look at the formal genre in which how the work is portrayed to the
audience. The Office is definitely a narrator-dialogue formal genre, which is
when “two or more characters speak with each other while a narrator speaks
directly to the audience” (Introduction to Genres handout). The characters all
have dialogue to one another in a series of events and scenes that seem too
ridiculous even to be fictional. However, the camera also cuts to the characters
talking solo into the camera in a “video diary” style directly to the audience
about what is happening in their lives and around them, creating a narrator
genre and breaking the fourth wall in the series. This connects the audience to
the characters by making them feel like they are a part of the show and
everything happening within it. The sitcom page also describes shows such as The
Office as “a comedy series involving the same characters in various day-to-day
situations, which are developed as separate stories for each episode.” It keeps
the audience hooked because they feel as though they are a part of the madness
of each of the character’s lives.
As
for The IT Crowd, I believe the formal genre is simply a dialogue genre, because
throughout the series there is no character that speaks to the camera and breaks
the fourth wall. A dialogue genre is defined as dialogue in which “two or more
characters speak directly with each other, which the audience overhears”. All of
the shows conversations take place between the characters and the audience isn’t
included as they are in The Office, but this still doesn’t stop the audience
from feeling like they are a part of the daily lives of each character.
The
final area to focus on is that of narrative genre, which according to the
introduction to genres page on the course site “refers to the type of story or
plot that a work of literature tells or enacts.” In this case, the narrative
genre is a form of comedy. According to the Aristotle’s poetics handout, “Comedy
is an imitation of characters of a lower type. It consists in some defect or
ugliness which is not painful or destructive. The comic mask is ugly and
distorted, but does not imply pain.” In terms of this, the mask or rather the
character is ugly and distorted, but this doesn’t signify that the characters is
of tragic circumstances or going through something that is detrimental to their
health or survival in any way, shape, or form. A good example of a use of the
metaphoric mask, is a part of The Office in which Jim Halpert comes to work
dressed as the character that sits across from him, Dwight Schrute. Jim then
begins to act exactly as Dwight does which frustrates Dwight to the point of
complaints. However, the rest of the characters as well as the audience finds
Jim’s newfound identity hilarious. Many of the main characters wear this
metaphorical mask of distorted view, but at the end of the day whatever problems
they face come to a halt and they are all reunited in their workplace to reflect
on what has happened in their daily lives with the audience.
Once again as in The Office, The IT Crowd is a form of comedy as well
when it comes to the narrative genre. In the comedy term page on the course
website, there is a section that discusses slapstick or farce comedy, and while
The IT Crowd is a sitcom, I have noticed slapstick-style endings. A slapstick
comedy includes “comic endings that are “circular” with the beginning: the comic
characters simply “run away,” supposedly to continue the comic action
elsewhere”. You see examples of these in shows like The Three Stooges or even
old Abbott and Costello shorts. Another thing I’m beginning to notice is that
while you can place a certain show, movie or book under a form of comedy, that’s
really just going to be an umbrella term for it as a whole because you can still
find many forms of comedy within them, even if it’s just a single style of joke.
There are so many combinations and possibilities for how an audience can view a
comedy, or how a writer can create one.
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