Katherine Vellella Why Teach Tragedy?
When I think back to my exposure to tragedy
in high school, all I recall is reading many plays about death and writing
essays analyzing a character’s tragic flaw. Tragedy is not limited to the tragic
flaw, and yet that is what high school students learn the most about. Also,
students tend to dislike this genre because it is depressing, outdated, and
irrelevant to their lives. However, despite students’ aversion, tragedy is
relevant, relatable, and pertinent to understanding human emotions and actions.
In tragedy, readers are exposed to a
multitude of emotions. Aristotle says that, “Tragedy is an imitation of an
action that is serious, complete, and of a certain magnitude…in the form of
action, not of narrative, through pity and fear effecting the proper purgation
of these emotions” (Aristotle’s Poetics, VI[a]). In
The Euminides fear is felt for
Orestes as he runs from the Furies. Pity can be felt as Orestes fate is decided
by Athena and the jurors. Then these emotions are purged when Orestes is
pardoned. Tragedies invoke emotions in the readers causing them to feel with the
characters and be caught up in the action and drama. These emotions are not
foreign to students.
Unfortunately tragedy is not something that
just occurs in plays, it happens in real life too. Turn on the news and it is
full of murder and wrong-doings, we are surrounded by it. Reading tragedy and
studying it with students prepares them for the real world. Yes, tragedy is
depressing and it depresses students, but it teaches us how to deal with these
emotions and experiences. Hamlet is a
blood bath, and contains suicide. As students read Hamlet they may feel sad for
Hamlet and the loss of his father. Then when Hamlet dies, students may grieve or
feel betrayed. Learning of death and how to cope with it in a classroom setting
is safer for students; it prepares students for the inevitable heartache that
comes from the death of their own loved ones.
Students can read tragedy and learn that it
is relatable. In the story of Antigone,
Ismene and Antigone have a dispute over whether or not they should bury
Polynices’s body. Many students can relate to having a disagreement with a
sibling. Also in Antigone is the
scene where Antigone is captured by Creon and Ismene is brought in. Ismene
admits she is just as guilty as Antigone and should be punished too. Except
Ismene had no part, she just loves her sister and cannot bear to be without her.
Again students can relate to such devotion to a friend or sibling and not
wanting that person to be punished. It makes a difference when a teacher can
point out such relatable moments to draw students in to the text and show
despite the age of the text, it can be applied to their life.
Another important reason for teaching
tragedy is that it gives students insight into human emotions and actions. Greek
tragedies and modern tragedies present difficult situations like incest, murder,
false rape and more. Reading about and discussing these topics in school gives a
safe atmosphere to discuss such difficult matters. The play
Phaedra by
Other plays can also make a difference. Two
plays we read in class dealt with the problem of incest. In
Oedipus the King Oedipus sleeps with
his mother who is also his wife, Jocasta. In the play
Desire Under the Elms written by
Eugene O’Neill, Eben sleeps with his stepmother Abbie. Both of these plays
present a difficult family situation, something that cannot be easily understood
or resolved. Teaching and discussing these plays allows room to interpret how
some families then, are not much different than now. Through teaching tragedy I can expose my students to the unhappiness that manifests in life. As Jennifer Clary wrote, “The study of literature wouldn’t be boring if it were applied to real life circumstances” (Sample Final Essays 2008). This is true, in tragedy we learn about problematic situations and learn how the characters handled the situations. There is nothing boring about experiencing a range of emotions that ultimately lead to a resolution – happy or not. Greek tragedies and modern tragedies become relatable as teachers break down the barriers of out-datedness. And finally, from tragedy teachers can discuss otherwise unapproachable topics with their students.
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