Mickey Thames Making the Oedipal Modern: How
Updated Tragedy Bridges The Gap I previously remarked on the
extended update of an update, comparing the changes from
Oedipus Rex to
Hamlet, and finally with
the very modern The Lion King,
to see what about the stories changed, what remained the same, and how the
different emphasis changed the nature of the story. What emerged was a stronger
emphasis on the relationship between the father and the son, and a lessening of
the relationship with the mother. And while The
Lion King is a fantastic movie, and would serve a
good intro to the plot of Hamlet,
it doesn’t allow for the same exploration into that relationship with a mother
figure. To facilitate a stronger discussion
about mother figures in a classroom, I would need to shift focus to another in a
series of three, the Hippolytus- Phaedra -
Desire Under the Elms cycle. Where
The Lion King drops the
ball when it comes to the mother, Desire Under
the Elms remains true to the spirit of its
predecessors, even enflaming the relationship of the younger man to a mother
figure. Hippolytus, in his original form, is
a sort of pure, virginal character devoted to an ideal. This contrasts with
Phaedra, who, in her passion, makes irreversible mistakes and causes the death
of the object of her desires. While sympathetic, she is still quite a bit
simpler than the successor to the story and her name, Racine’s
Phaedra. It is with
Racine’s update that this story becomes much more teachable, at least to high
school kids, as I’ve mentioned I will be teaching before. Racine’s Phaedra has the added
ingredient that all young adults find irresistible- a good romantic triangle!
With Hippolytus pulled between Aricia and the advances of Phaedra, we find him
much more sympathetic and relatable. He is unable to consummate a relationship
with either of them, the one because she is the daughter of an enemy, and the
other because she is his father’s wife. It also adds to the play’s accessibility
because of the introduction of Aricia’s interactions with her nurse, a scene
between two women that was not in the previous iteration. While still somewhat
out of date in terms of modern gender equality, Racine gives the
Hippolytus story a very
important springboard into the modern use. Finally, there’s the cherry on top,
Desire Under the Elms.
This is easily the most teachable play amongst the three, and takes the
relationship of the mother figure and the son to scorching new places that are
easy attention getters. With the play no longer taking place in the high courts
of Athens, but down home farms. High-falutin’ language takes a backseat to
grammar that is fun to read aloud, and more accurately captures emotions of the
passionate. And there is always the steamy scenes of an Oedipal Conflict that
finally gets consummated, though not in a happy way. The small number of
characters makes the story easy to follow, and the triangle of lovers remains
the central aspect of the play. What also emerges is the possible effects of an
Oedipal Conflict that is consummated, something we have not seen since Oedipus
Rex himself, and the effects are, to say the least, unsavory. With an abundance
of material available, and no need to translate the original text, Desire stands
tall as the most teachable of the modern Oedipal Conflicts.
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