Chelsea Stansell A Genre’s a Genre, No Matter How
Small—Mimesis
Although tragedy is
recognized as the greatest genre in western literary history, there is much to
be said for all of the wonderful categories that are beautifully dancing in the
ever-changing eye of
genre. When you
read a book or go to the movies, you are introduced to a smorgasbord of evolving
genres, and as you walk up and down the aisles of Barnes and Noble or excitedly
wait outside to buy your ticket at the local Cinemark theatre, it is hard to
miss the appetizing buffet that is genre. Many times, classification can be seen as a negative
concoction, used to simplify something, like when a bully in school refers to a
smart child as a “nerd”; in reality, this classification makes sense to the
bully because he understands that “nerd” means someone who is smart, and this
phrase “nerd” summarizes that the other child is in fact, intelligent,
eventually this phrase evolves, and gradually its meaning doesn’t have quite the
same demarcation as before. When you read the genre categories at Half Price
Books, I guarantee you won’t find a genre called “nerd” because books have other
evolving classifications, ones that also change over time. In class, we
discussed the Dionysiac, and Apollotic state, and these terms blossomed in my
perception, to help me better understand genre and its entirety. If in fact
people change and grow with time, and genres evolve and develop with time, is it
safe to say that people and genres grow together? Nietzsche says “The ecstasy of
the Dionysiac state, abolishing the habitual barriers and boundaries of
existence, actually contains, for its duration, a lethargic element into which
all past personal experience is plunged”. A genre expands, because of the past
literacies previously written in past classified genres, and we are simply here,
because of our past experiences, ancestors, and stories. Would current
literature be what it is today without the past works of Ovid? Would our current
science fiction movies be what they are today, without the previous success of
Star
Wars? Absolutely not! People and genres
develop over time, and eventually they no longer fit into simply one category,
because as time passes, we find more and more classifications for the things we
enjoy, we learn that the term “nerd” can’t describe a person and their entirety
anymore. I would like to focus my ideas around the genres of
Science Fiction and fantasy, because I find these genres exciting and very
relevant. Looking at Aristotle’s Poetics, he explains that tragedy is done
through imitation, and in comparison, it can be said that other genres evolve
through imitation. As we discussed in class, satires and parodies spring from
original ideas, and original ideas were inspired from something else! We also
discussed in class that kids learn through imitation, and can it be said that
writers do the same? Imitation in fact travels through entire civilizations,
cultures, societies, and social media! With blogs, movies, books, web quests,
videos, vlogs and other sources of sharing can it be said that all genres spring
from imitation?
Jennifer Hamilton also
discussed imitation in her paper, and I loved how she described how “Plato
was very concerned with the nature of things. In
The Republic,
Plato questions the role art as well as literature plays and its relation to
morality. He was afraid that if poets and writers were able to imitate reality
so accurately that the audience was totally drawn in, then the poet had the
power to mislead his readers into believing something that is not the truth”.
I found this very fascinating, because through
imitation, things do seem more concrete, not because of their factual
backgrounds, but simply because they are familiar to us. Once we read Oedipus in
class, it was much easier for me to grasp other films which examined or
encompassed the Oedipus complex, whereas without studying Oedipus, I really
would not have been able to understand it. I feel that genres and life
experiences are quite similar in the way that, once you experience them, you
have a better understanding of what they really are like, and you begin to grow
a larger vocabulary to describe them with, and I believe, that is how we develop
genres. Genres and people both evolve and grow with time.
To quote Dr.Seuss, “A person’s a person, no matter how
small” I would like to compare this to the way in which we view genre, and say
that genres exist! (A play on words of God is Dead). If you have ever attended a
comic-palooza or comic-con, you will be introduced to an entire group of people,
dressed up, supporting the entire genre of science fiction, and parts of
historical satire. Everywhere you look, there are costumes, parodies, mimesis,
and interpretation taking place, it is quite extraordinary! Authors and artists
come out to sign the books and posters that these fans bring them, and together
they can talk and dream about science fiction and in a way, they are able
re-live it and appreciate it through this interaction with each other. It is
sort of like a Disney theme park, to a young child, where the things,
characters, costumes, and ideas that they love in a movie or book come to life,
except… for adults! Comic con offers a type of mimesis that I find
extraordinary, because it encapsulates so many different types of science
fiction, and finds a peaceful coexistence under the same roof, in almost a
celebratory manner. For instance, if someone had never seen
Alice in
Wonderland, or read the
Spiderman
comics, or saw the new
Avengers movie
that recently screened with the other summer blockbusters, would they still be
able to appreciate them at a convention? Absolutely! Because genre not only
helps us dream, but also helps us to be inspired to start reading somewhere!
Genre is not simply a category, it is a theme with allure that signifies
strength and fan base.
Before taking this class, I really knew nothing about
tragedy except for the fact that it was tragic. Since taking this course, my
eyes have been opened to exactly how tragedy fits into other genres, and how
they all overlap, and that not all tragedies are necessarily tragic! Spectacle
has a large amount of importance when it comes to tragedy, and also action. In
class, we learned about teaching transcendence, hamartia, hubris, and mimesis,
and I believe that if I was teaching tragedy I would tie all these topics
together with how they relate to the Hero’s Journey.
Most viewers (including my future students)
enjoy a great story, so in order to get them interested in all these interesting
texts, I will tie them in with genre, and have them brainstorm before we are
introduced to the text or film clips, to peak their interest. Tragedy is often
seen as fiction, and I think that this is helpful when teaching a younger
generation of kids. I hope to allow them the creativity to interpret it as they
will, and the facts to inspire them in the gruesome parts of history which we
should never repeat. By teaching many genres, we are stating a fact! A genre is
a genre, no matter how small.
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