Brandy Dornelly
Keeping it in the Family
While discussing families in Greek tragedies, the Oedipal and Electra conflicts
are more common than not, but are also disturbing on many different levels.
These topics make good for a piece of literature but in today’s day and age it
is highly frowned upon and could even result in harsh consequences. Although we
were only discussing the conflicts in class, it was a very uncomfortable yet one
of the most interesting class discussions we experienced.
Euripides’s Hippolytus is a perfect
example of the oedipal complex. Although Phaedra is just Hippolytus’s
stepmother, she is still family and it is seen as disturbing. Although they
never acted on any romantic feelings the strong love was enough to destroy an
entire family. Hippolytus being the son of Phaedra’s husband was not enough to
stop or change her feeling towards Hippolytus.
In Agamemnon by Aeschylus there is a
rare and unique relationship between Electra and her father Agamemnon. Electra
shows such a loyal and compelling love for her father throughout the play. There
are many family circumstances and issues that drove Electra’s love for her
father to be so strong; a love so strong that she would persuade her brother to
avenge Agamemnon’s death. From the beginning of the story we witness
Clytemnestra as not being the best mother or wife she should be. Clytemnestra’s
unfaithfulness and dishonesty to her husband and family is the main driving
force that strengthens Electra’s love for her father. It seems as though Electra
is providing her father, Agamemnon with the love that he is lacking from his own
wife. Electra thinks she can and is protecting her father from her mother’s
actions but at the same time she is not living her life. My personal opinion is
Agamemnon gave Electra the attention she wants from her mother as well, which
strengthens her desire to always make her father happy. I don’t necessarily
think Electra wants her father in a other than a typical father-daughter way but
it comes off differently based of other factors of the story.
In Eugene O’Neil’s Mourning Becomes
Electra, we see the same exact situation. Lavinia’s powerful love for her
father Ezra is brought on by her failed relationship with her mother Christine;
as well as Christine’s unfaithfulness to her husband. Christine tries to one up
Lavinia on everything except with the relationship with Ezra. This is because
she is infatuated with Adam Brant, her secret lover that Lavinia finds out
about. It is kind of creepy how Lavinia turns down a relationship with Peter, to
make it very clear to her father that he is the “only man she‘ll ever love”.
Both Electra and Lavinia embrace their fathers for the love and attention they
lack from their mothers. The girls also both portray the essential essence of
the Electra conflict.
It was very interesting to hear the conversation we had in class when these
topics came up. I don’t have any kids as do the women in the class, but they
talked about their child’s love for them and the jealousy they have when their
husbands try to kiss or hug them. This kind of makes you understand better the
love Lavinia and Electra have for their fathers. You always hear the phrase
“daddy’s little girl” but these two plays took it to a new meaning.
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