Daryl Edwards Tragedy Reinforces Family Taboos
Literature serves as a means of allowing man to contemplate
issues and situations which are relevant to him, his surroundings, and his
society. As Aristotle noted, genres in literature, “…are all in their general
conception modes of imitation.” By this, he suggests that there is an element of
mimeses inherent in literature, a case of art imitating life. No genre is more
reflective of this than Tragedy, which seeks to encourage in its audience a
contemplation of man’s actions that are of a greater moral magnitude.
Tragedy in literature has been produced for thousands of
years. It is significant to note that while the ages may change, Tragedy
continues to be a relevant and powerful genre. The reason for this is that it
presents us with complex issues which require us to respond internally in order
to find some sense of resolution, or as Aristotle said, “…through pity and fear
effecting the proper purgation of these emotions.” Tragedy serves as a vehicle
which allows us to contend with matters of high order. It is not simple and
requires from its audience a level of visceral participation, stimulating and
evoking emotions we would perhaps rather not feel, while confronting issues we
would rather not confront. The issue of incest for instance is the focus of
Oedipus Rex. Thousands of years before Sigmund Freud postulated his theories of
psycho analysis, the Greek play-writes were using literature as a means of
engaging the audience on a social taboo. While not pontificating, the play
presents a plot and resolution which serve to reinforce the moral and social
restrictions on incest
By using a kingly figure as the protagonist rather than an
average man the play-write attempts to present what is presumably the best of
man in all of his nobility. When the plot unfolds to show the tragic
circumstances enveloping the hero we are led to understand that no one is above
or beyond the reach of divine justice. In Oedipus Rex, Oedipus is a king who,
having committed incest, finds his world crumbling around him. In this manner we
are allowed to see this change of fortune, as a mighty man is laid low, brought
from a position of prosperity to adversity. Jarred Goergen referred to this
reversal of fortune in his “Family Matters” essay in 2008. The theme of incest
is one revisited in other works of Tragedy. In Eugene O’Neill’s Desire Under the
Elms, where a son sleeps with his step-mother, and Shakespeare’s Hamlet with it
Oedipal undertones, both reference the topic, demonstrating how Tragedy is an
art form which resonates throughout history by confronting topics and issues of
moral and social significance.
Tragedy concerns itself with issues which have social
ramifications. In dealing with the oedipal issue, it serves to reinforce the
taboo of incest. Tragedy is often concerned with Family dynamics. The family is
considered to be the foundation of society. Therefore, issues which may
adversely affect the family can potentially adversely affect society as a whole.
The issue of adultery is also prominent in many tragedies. If marriage is
considered sacred, then any violation of it, such as adultery, is tantamount to
sacrilege. Still, infidelity is and has always been an issue for society. It is
certainly mimeses when works such as O’Neill’s The Homecoming or Euripides’s
Hippolytus confront the issue. By depicting such plots and their tragic
outcomes, Tragedy solidifies the social more against such conduct.
In conclusion, Tragedy can be regarded as the greatest
genre for many reasons; it deals with subjects that have magnitude, issues which
are complex, and people who are flawed. The reason it continues to resonate is
because it appeals to us on a visceral level, we are compelled to empathize,
fear, or pity the people and situations presented. The family usually serves as
a central focus of such works of art because it is something with which we all
may identify. For thousands of years Tragedy has served an important role in
helping man confront and consider issues of moral magnitude. It continues to
serve that purpose even today.
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