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Monday, 30 June 2008: conclude Samson Agonistes Text-objective discussion: Jennifer Clary Examples taken from: Oedipus at Colonus & Milton’s, Samson Agonistes http://en.wikipedia.org/wiki/Oedipus_the_King Antigone Leads Oedipus out of Thebes by Charles Francois Jalabert
Presentation Outline Part I Objectives: Objective 2: To evaluate "the greatness of tragedy" (handout) as the supreme genre in western culture and art. Focusing on the Essential terms: · irony · spectacle and the sublime · compare / contrast with other basic narratives: comedy, romance, satire
Objective 3. To study Tragedy in the context of Western Civilization 3b. To recognize the contribution of "classical civilization" to secular institutions: the theater
Terms: Ancient Greece is generally considered to be the culture which provided the foundation of Western Civilization. refers to all Greek history before the Roman Empire Western Civilization refers to the world we know today.
Greek culture had a powerful influence on the Roman Empire. This
influence was then carried to other parts of Europe and onto the rest of the
world. Our language, democracy, educational systems, and arts such as the plays
we have read in this class, have all been influenced by ancient Greece or
written by ancient Greek play writes. Sublime (from handout) “The Sublime is a phonemenon whose beauty is mixed or edged with danger or a threat – usually on a grand or elevated scale. “For an audience, experiencing the sublime involves a powerful mixture of pleasure and pain.”
Greek Tragedy Masks: http://www.arlymasks.com/timeline.htm Classic Expressions clearly seen
Today Less expressive or emotional More commercial
Greek Theater: Classic
http://courses.nus.edu.sg/course/ellpatke/en3268/en3268_lec_1.htm A contemporary view of the Greek Theatre (Athens): Photo courtesy Dr. Susan Ang Today YouTube Example Modernization has made its mark
Question # 1 Greatness of Tragedy handout: “Tragedy is more memorable and durable than more popular genres [such as comedy and romance]”. As a class we determined that tragedies memorable factors came into play through the way the characters and the action of the play make us feel. 1) Do you feel that any of the power in tragedy was lost, or could be lost, as it travels from the Classical Greek stage, with classical staging and original costuming, to our modern stage? 2) How much does the power of classical Greek drama transfer to Samson Agonistes?
Part II Terms: Humanism – to bring value to a human being. Judeo-Christian is a term used to describe the body of concepts and values which are thought to be held in common by Judaism and adapted by Christianity, and considered by some (often along with classical Greco-Roman civilization) a fundamental basis for Western legal codes and moral values. ( http://en.wikipedia.org/wiki/Judeo-Christian). When we use the words Judeo-Christian and Humanism together what we are basically saying is that through Judeo-Christian beliefs, value has been brought to the human being.
Human Value: Here Samson is questioning his human value.
Samson Agonistes Pg. 4, ln 30 Samson: “Why was my breeding ordered and prescribed As of a person separate to God, Designed for great exploits; if I must die Betrayed, Captived, and both my Eyes put out, Made of my Enemies the scorn and gaze; To grind in Brazen Fetters under task With this Heaven-gifted strength?”
Samson Agonistes Pg. 19, Ln. 664 Samson: “Some source of consolation from above; Secret refreshing, that repair his strength, And fainting spirits uphold.
God of our Fathers, what is man!”
Question # 2: Do you feel that Milton’s, Samson acknowledges classical humanisms (human rights and values) adequately?
Biblical Content: Samson Agonistes Old Testament tale of Samson Judges 13 -16
Names used in the Bible as well as the play Samson Dalila Manoa(h)
Samson Agonistes Pg. 5, Ln. 70 Samson: “Light the prime work of God to me is extinct…”
Samson Agonistes Pg. 6, Ln. 83 Samson: “Let there be light, and light was over all…”
Question # 3 How do you feel about Milton’s use of Biblical content within the play Samson or in Greek Tragedy? Does the mixing of Biblical content and Greek Tragedy work?
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