LITR 4533:
TRAGEDY

Genre Presentation 2004

Analee Bivins

Anti-mythic Western

    
Our forefathers had civilization inside themselves, the wild outside. 
We live in the civilization they created but within us the wilderness
still lingers. What they dreamed, we live, and what they lived, we dream.
    -T.K. Whipple

Definition-
To define the Anti-mythic Western one must first define the traditional Western. 
 Western: A novel set in the United States, featuring the experiences of cowboys and
     frontiersmen.  Many are little more than adventure novels, but some have literary
     value. -Jessica Sirmans ‘00
Examples of mythic characters are Billy the Kid, Buffalo Bill, Calamity Jane and Wyatt Earp.
The Anti-mythic Western deals with the same setting and essentially the same characters. Although they do perpetuate the picture of strong, silent men riding their horses on an open range, that myth "grew into a Western image" (Lich 56). The mythical cowboy figure did not feel any hate towards the West, only love. The anti-mythic cowboy is torn between civilization and wilderness. These modified characters are amusing, included in community life, talkative and are flawed as well.  They posses flaws like laziness, unethical behavior and foolishness. (Busby 182).  The time period may also be altered by dealing with the “New West,” which is set in more modern periods. (Jacobs)

 
Examples-
Larry McMurtry: Lonesome Dove, Horseman Pass By, Zeke and Ned
Cormac McCarthy: All the Pretty Horses, Border Trilogy, Blood Meridian
Barbara Kingsolver: The Bean Trees, Animal Dreams
 
Alternative/Related Genres-
Old Wives’ Tales, folklore, superstition, urban legend
Historical Fiction- Andrea Perkinson ‘02
http://coursesite.uhcl.edu/HSH/Whitec/LITR/4533/models/2002/prsns/p02perkins.htm
Regionalism: Southwest American Literature-Jessica Sirmans ‘00
http://coursesite.uhcl.edu/HSH/Whitec/LITR/4533/models/2000/prsns/p00sirmans.htm
 
Subject Genre-
Western, period piece dealing with west but not bound by the myth of the “Wild West.”
 
Representational Genre-
Narrator + Dialogue. 
 
Narrative Genre-
Westerns are generally romances.  Although the anti-mythic western lends itself more to tragedy.  It includes a journey but not all end well, and because the characters are flawed we can not distinguish clearly who is good and bad.
 

Discussion-
1. In his autobiography, Larry McMurtry says, “I thought of Lonesome Dove as demythicizing, but instead it became a kind of American Arthuriad, overflowing the bounds of genre in many curious ways.  Readers don’t want to know and can’t be made to see how difficult life in the Old West really was.  Lies about the West are more important to them than truths...”
Do you agree that lies about the past are more important to readers than the truth?
 

2.Do you think it is right to try and dispel the myth of the West?
 
3.Naomi Jacobs states that all anti-westerns “question the western narrative of righteous violence.”  Do Westerns and Anti-mythic Westerns justify violence? Is the violence more disturbing when it is based on historical fact?
 
 
Works Cited:
 
Busby, Mark.  Larry McMurtry and the west: An Ambivalent Relationship. Denton: UNT    
    Press,1995.
Jacobc, Naomi. "Barbara Kingsolver's Anti-Western: 'Unraveling the Myths' in Animal
    Dreams." Americana: Journal of American Popular Culture. 2003.
    <http://www.americanpopularculture.com/journal/articles/fall_2003/jacobs.htm#top>
Lich, Lera Partick Tyler. Larry McMurty's Texas: Evolution of a Myth. Eakin Press, 1988.
Lonesome Dove. Dir. Simon Wincer. Perf. Robert Ducal, Tommy Lee Jones, and Angelica
    Houston. 1988. Videocassete. Artisan Entertainment, 2000.
McCarthy, Cormac. The Crossing. New York:Vintage International,1994.
McMurtry, Larry. Lonesome Dove. New York: Pocket Books,1985.
---. Walter Benjamin at the Dairy Queen. New York: Simon & Schuster, 1999.