Sample Student final exam answers 2019

(2019 final exam assignment
)

Part 1: Essays: dominant culture overview

LITR 4340    
American Immigrant Literature
(Model Assignments)
 

 

Rosa Ramos

Welcome to America

The American dream is the belief that everyone has the God given right to life, liberty, and the pursuit of happiness; it is thought that if one works hard and makes sacrifices, riches and success can be attained. The consensus is that this statement is true, and it is believed that an even playing field for all exists. While minorities are often thought of as any ethnic group that is not part of the dominant culture, this American Immigrant Literature class has divided the immigrant experience and the minority experience into different categories. The immigrant, the minority, New World Immigrant, and the dominant culture narratives all serve to describe the American experience. Although the immigrant and minority groups tend to be disadvantaged, their experience is quite different. An Old World Immigrant is a person who makes a choice to leave the old world for the new, while a minority is one that was not granted the choice to join the new world but forced to do so, and the New World Immigrant has also chosen to travel to the new world voluntarily, but they have a history of exploitation or involuntary contact with the USA. The dominant culture is the culture to which these previous groups are expected to assimilate to in order to live out the American dream.

          The most recurrent example of the American dream is the Old World Immigrant narrative, this is where people leave the old world for a land with more opportunities. Although immigrants face hardships similar to minorities, the Old World Immigrant narrative tends to have a happier theme or ending. The reasons for leaving their homeland differs from person to person and it can be for economic prosperity or to escape political persecution. Many times they arrive to the new land with little to nothing to their name, but are able to “pull themselves up by their bootstraps” and become successful.

 Old World Immigrant narratives include hardships, but they are told through the rose-colored glasses of hope. In “Bread Givers” by Anzia Yezierska, the Old World Immigrant narrative is perfectly displayed. In the short excerpt, Max tells Sara how he arrived with nothing but a “little bundle on [his] back” and after a little walking was able find work. By the end of the day he made his first American dollar, pushing the narrative that those who work hard will be successful. He says that he, “felt the riches of all America in my hand” after receiving his first dollar; by the end of the week and without speaking English, he is in business for himself and will own a chain of stores. Although Max had to start out by doing the “dirty” job new immigrants are usually left to work, he does work his way up and becomes successful. In, “The English Lesson” by Nicholasa Mohr, it tells of a group of adult Old World Immigrants enrolled in an Adult Education class taking Basic English. Mrs. Hamma, the English teacher, reiterates the American dream when states that she teaches that class in part because her grandparents were poor immigrants from Germany who worked their way up. The notion that upward mobility is available to all those who are willing to work hard is present throughout this narrative. Again, the general feeling of this story is upbeat, with the majority of the students expressing their desire to become American Citizens. When Stephan Paczkowski makes his introduction, he reveals that he was a professor at a university in his motherland but is now a porter at a hospital. This relates to the notion that new immigrants must “clean toilets” at some point before they are able to succeed.

          Old World Immigrants arrive to the new world and usually want nothing more than to assimilate into the dominant culture so that they will be quickly accepted into it. This process does not occur over night and it can be an embarrassing and confusing ordeal. For example, in “Sandals in the Snow” by Dr. Rose Ihedigbo, the Ihedigbo children notice how some of their neighborhood friends talk back to and disrespect their parents. Knowing that this would never be allowed in their household, they are shocked by the lack of respect.

The dominant culture may also have cleanliness standards that are not aligned with the Old World Immigrant’s culture. In “Sandals in the Snow” the Ihedigbo children did not wear deodorant and did not know that their smell was not pleasant to their American peers. To the Ihedigbos their “Nigerian smell” was not unpleasant and that was what they were used to. Similarly, in “Soap and Water” by Anzia Yezierska, Miss Whiteside looks down on the protagonist because she does not deem her clean enough to be a teacher. Because she was not as clean as Miss Whiteside, she considered her dirty, “She never perceived [she] had a soul.” Meanwhile, Miss Whiteside never bothers to question why she isn’t clean, she merely looks down on her and assumes her dirtiness is part of her Old World Immigrant culture.

 In “Child of War, Woman of Peace” by Le Ley Hayslip the culture clashes that new Old World Immigrants may experience is clearly displayed. While at the grocery store, Hayslip discovers that even buying rice proves to be a complicated matter when she realizes there are so many options. Hayslip is also criticized by Erma for not feeding her children “a proper meal” and only feeding them rice and noodles. Erma isn’t taking into consideration that in Vietnam, Hayslip’s diet would consist of rice and noodles and the children would not starve. Hayslip attempts to be closer to Leatha and Erma by working harder and longer but everything she does is still wrong to them. Like the protagonist in “Soap and Water”, there is a time Hayslip ends up feeling alone and has no one to communicate with.

          While Old World Immigrants made a choice to travel to the new world in search of better opportunities, minorities were brought to the new world against their wishes. Minorities do not choose their contact with the dominant culture. The contact is involuntary, they are voiceless, and subject to exploitation. Their history is one of oppression by the dominant culture and thus have resisted assimilation. Minorities are commonly associated with poverty and crime and unfortunately excessive police force. Minority narratives tend to have a more somber feeling and the characters are more willing to acculturate rather than assimilate.

 In “The Man to Send Rain Clouds” by Leslie Marmon Silko, the Native American family that just lost their family member ask a Priest to bless his body with holy water. They follow their own rituals, but ask the Priest to sprinkle Holy Water so that their grandfather “won’t be thirsty.” They have taken something from the dominant culture and adapted it to their culture; the Holy Water has taken on a different meaning to them than what it means to the dominant culture.

          The minority groups are also known for fearing police or those in authority due to great injustices that have been committed against them. In “American Horse” by Louise Erdrich, Buddy and his mom Albertine are hiding from the police because social services want to take him and place him in foster care. Albertine and Buddy hide, hoping they will not be found, where as someone from the dominant culture would have likely called their lawyer. In our society today, minorities can feel just as helpless to jump in and stop injustices from happening. Equiano must have felt similar in “The Interesting Narrative of the Life of Olaudah Equiano…the African” by Olaudah Equiano. Equiano fits the minority narrative when he witnesses atrocities being done against his fellow slaves, but he is unable to speak up against it or help them. He describes witnessing whites committing violent crimes against female slaves, some not even ten years old. Equiano also remarks that he is confused why it was not seen as wrong for white men to rape women, but he knew of a case where a black man was tortured and killed after he slept with a white prostitute.

          Another facet of the minority narrative is the desire to resist the dominant culture. In “The Lesson” by Toni Cade Bambara, Miss Moore takes the children on field trips attempting to expose them to experiences pertaining to the dominant culture that they would otherwise never encounter. I enjoyed reading this narrative, especially the way in which Miss Moore exposes the children to new experiences. She knows that some of the things they will experience will bring them discomfort, but she allows them to live it for themselves. For example, when it came time to walk into the toy store and none of the children wanted to walk in due to nervousness; Miss Moore hangs back and waits for them to make a move. Once they walk in, Miss Moore notices how uncomfortable the children feel in the toy store but she simply watches them. She does not try to explain what they are feeling or try to comfort them. Instead, she questions them, and it seems like she wants them to come to their own realization that they are living in a completely different lifestyle than the people from the dominant culture that shop there. Sylvia becomes upset looking at all the luxurious expensive toys, maybe because she realizes that she will never be able to have them. When Sugar says, “this is not much of a democracy if you ask me. Equal chance to pursue happiness means an equal crack at the dough, don’t it?”, I think that is the realization she wanted them to come to. Miss Moore knows that these children are at a disadvantage, but she wants them to be aware of what could be available to them.

Similarly, the poem “Blonde White Women” by Patricia Smith she tells of a time in her childhood when she wanted to be “golden”, she wanted to be white. She goes on to explain that when one of her white teachers hugged her, she wanted her to be her mother until the teacher pulled away and she saw the look of “too much touch.” By the end of the poem, Smith has come to the realization that she loves the color of her black skin and no longer wishes to be like the white women she idolized as a child. She wanted to assimilate into the dominant white culture as a child but as she came into her own, she realized that she could never be them so she has embraced herself and her culture. Due to this realization, she feels like the dominant culture resents her for not wanting to be like them any longer.

The New World Immigrant narrative is a “combination of immigrant and minority narratives and identities.” New World Immigrants include Mexican-American, Hispanic, and Afro-Carribean people. The close proximity of their home country to the New World, has allowed the New World Immigrant to travel back and forth, making assimilation more complicated. To complicate matters more, families have often times moved back and forth from their homeland to the U.S throughout generations. New World Immigrants want the American dream but also want to continue practicing parts of their culture.

          The desire to want to belong to both the New World and the homeland is an important facet of a New World Immigrant. In the poem “Coca-Cola and Coco Frio” by Martin Espada, we meet a boy from Brooklyn, New York that is on his first visit to his family’s homeland. He is an American, looking to connect with his roots in Puerto Rico. The fat boy is initially disappointed, as he only finds more of the same things he has in Brooklyn. Although he is able to make a connection to his family’s homeland, he notices that people on the island are neglecting their own cultural views in favor for American views.

          Due to the complex nature of their upbringing, young New World Immigrants can grow up feeling as if they do not belong here or there. Such is the case of Hector in “Visitors” by Oscar Hijuelos. Hector has a desire to be more Cuban, but at the same time this notion scares him. Although Hector is able to understand and read Spanish, he is unable to speak it and it leaves him feeling like a failure. He feels regretful that he is so Americanized and is anxious that his Cuban family will think of him as a fraud.

The color code signifies a difference in race and/or social status. In “Silent Dancing” by Judith Ortiz Cofer, the family has arrived to The United States from Puerto Rico. The father is dead set on assimilating the family into dominant culture, while the mother feels more comfortable holding on to their culture instead. The father is a fair skinned man and though he did face discrimination, he finds it easier to blend into the dominant culture. Whereas his darker skinner family have a more difficult time assimiliating. The father takes the family clothes shopping at Penny’s and Sears instead of the stores people in their neighborhood shopped at. The father wanted them to shop at the grocery store, but mom wanted to shop at her locally owned shops where she could read the labels of the items she was buying.

          New World Immigrants have crossed into the United States illegally; some have done it for a better life and others running from political persecution. In “Children of the Sea” we see a group of people escaping Haiti on a boat; the distance to the United States is far, and the trip is long and arduous. The people on the boat know that if the Coast Guard finds them, they will likely be sent back to Haiti, but being found is the only way they will survive. Similarly, Reyna in “The Distance Between Us” is snuck into the United States with her dad and siblings, in hope of a better life. They are also caught several times and sent back to Mexico.

          While the immigrants I have discussed previously have adapted certain aspects of their culture to fit the dominant culture, the dominant culture never did that. The dominant culture did not assimilate to the culture that was already established in America; instead, it brought over and developed its own culture. The dominant culture is made up of the Pilgrim founding fathers and the Scotch Irish; it is the culture that immigrants assimilate to and minority groups tend to resist. The dominant culture values, education, literacy, cleanliness, and purity.

          The Pilgrims have the characteristics of a New World Immigrant when they try to leave England and settle down in Holland. In Chapter 2 of “Of Plymouth Plantation,” William Bradford describes the afflictions they faced due to their religion. Due to a lack of financial security, New World Immigrants struggle to attain visas to immigrate to the United States; similarly, the Pilgrims were not allowed to attain the needed travel documents, due to their religion. The Pilgrims faced similar experiences that undocumented immigrants face when they try to cross the border by “coyotes”. The Pilgrims are robbed of their possessions by men claiming to help them escape, like many New World Immigrants are taken advantage of by “coyotes”.

          The Pilgrims further display the immigrant narrative, when after being in Holland for some years, although they were afforded religious freedom, the Pilgrims begin to dislike their new home. Their children were assimilating to the Dutch culture and were involving themselves in activities that the Pilgrims deemed as “corrupt.” Bradford goes on to state that some of their children became soldiers, others joined far away sea voyages, and still other strayed from Pilgrim teachings and indulged in a dissolute lifestyle. There were many that would have preferred to be in the English jails rather than in Holland subjecting their children to those “afflictions.”

          The Pilgrims make a choice to risk the journey to America where they are hopeful their community will not be badly influenced by outside forces. According to Bradford, the only people in America are savages and brutish men. They do not seem to be concerned about the inhabitants and make the trip to America bringing with them their culture and religion. The only part of the Native American’s lifestyle that the Pilgrims assimilate to is how the knowledge of how to survive in the wilderness.

          The Scotch Irish go on to become part of the American dominant culture; however, in “Hillbilly Elegy” by J.D. Vance it is evident that both immigrant and minority narrative characteristics are present. It is similar to the immigrant narrative because like immigrants, his family came from nothing. Also, similar to immigrants, Vance’s grandparents have to move from a town that was once booming with work to an area where they can find jobs. This narrative has minority characteristics sprinkled throughout.

          Although Vance’s experience has similar aspects of the immigrant and minority experience, he is able to play the part of the dominant culture once he earns an education. Many immigrants and minorities are not afforded that opportunity because they do not look like the dominant culture.

          Although the circumstances are different for why minorities and immigrants travel to The United States, there are many of the same feelings attached to their experiences. At some point immigrants and minorities wonder if by adopting the dominant culture, they are losing a part of themselves. The difference is how they decide to act on those feelings. Immigrants welcome the assimilation to the dominant culture and are grateful to be in the new world, while minorities are angry with the dominant culture because they did not choose to be put in that position. I think that in order to be successful, one must adopt certain aspects of the dominant culture. However, care must be taken to not lose cultural identity in the process.