Sample Student final exam answers 2018

(2018 final exam assignment)

Part 2. Web Highlights

LITR 4340    
American Immigrant Literature
 
Model Assignments

Clark Omo

1 May 2017

From Dominance to Internal Conflict

The narratives examined in this course began with the exploration of the standard Immigrant Narrative. Within the stories that exemplified this narrative, the struggles of the immigrant in regards to leaving the homes they knew and experiencing a culture that, in many ways, was totally alien to them, dominate the thematic and symbolic structures within each respective tale. Accompanying this style are the stories of the Minorities, whose tales of isolation and conflict with the Dominant Culture bear resemblance to the hardships expressed by Immigrants to the United States. But within this string of stories concerning the barriers and obstacles that stand before the Immigrant and Minority are the stories of the Dominant Culture. The Dominant Culture was not always so; it too had to depart from its homeland and sail across the Atlantic to face the hardships that awaited in a vast and unexplored land. In time, their culture overran and dominated the body of American culture. Where this culture originated, and the many internal issues it faces within its cultural realms, are a subject that both Madi Coates and Chandler Barton explore in their essays, respectively. And from this examination of internal breakdown within the Dominant culture arises a sort of mirror image in the form of Elizabeth Tinoco’s “Language Limbo”, where the linguistic conflicts faced by third and second generation Mexican immigrants with their Spanish-speaking elders reveals that, in America, cultural disruption is a problem for the Dominant as well as the minority cultures.

Chandler Barton examines the progression of the WASPs (White Anglo-Saxon Protestant) dominant culture and traces their origins to their cultural homelands, and then shows the disparity that festers within the Dominant culture’s own social constructions. Barton follows the impact that the White Anglo Saxon culture has left upon the Western World, beginning by stating that no “other group of people has had quite the impact on world affairs in the modern age than the Anglo-Saxons” and that, with this massive and expansive influence, came to obtain over 23% of the world’s population at the height of the British Empire. From this far reaching hand came the birth of the American nation, and, within this establishment of this new country, came a “variety of peculiar agendas and feelings, ranging from fleeing religious persecution in the case of the Puritans and Pilgrims, to the land-hungry middle English nobility establish royal colonies and provinces in the name of George III” . Already at its onset, Barton identifies that the motivations and reasons for why America was colonized lacked uniformity.

The agendas for America’s earliest European settlers differed by class as much as they did by social standing. Despite this differentiation among the settlers, the dominant culture was nonetheless established. As Barton admits: “While the styles, manners, and look of the different ‘flavors’ of WASPs varied depending on community or origin, the dominant culture that emerged from their amalgamation resulted in distinct look and feel that set the precedent for what immigrants would assimilate too and minorities resist against”. The Dominant Culture continued to shape and take form as the decades and centuries progressed, with each successive wave immigration further adding to the mold that would eventually take the shape of the WASP culture here in the United States. As Barton remarks upon the Dominant Culture’s progressive gestation: “By the era of the Scotch-Irish/Ulster Scots immigration, the shaping of ‘America’ as an entity began to emerge; in fact its not unfair to say that this third wave of immigrants would come to dominate the sub-groupings of the WASPs…” The American dominant culture, despite internal differences, solidified into a somewhat cohesive, thought not always readily recognizable, social entity. However, conflict inevitably arose from within. Such is the case of the Scotch-Irish subculture within the WASP domination, in which, as Barton states, “geography and historical circumstance have confined them to a area that promoted and facilitated a disconnection from the rest of the WASP dominant culture.” Barton cites J.D. Vance’s Hillbilly Elegy as exemplary of this disconnection, as well economic abandonment. Vance, in Barton’s viewpoint reveals a subgroup within the WASP culture “marred with economic instability, confliction codes of morality and ethics, rampant deficiencies in public institutions (education, welfare) and all around digression.” Thus, internal disparity undermines the Dominant Culture, with the WASP established superstructure falling victim to social and economic inequality.

Madison Coates reaches a similar conclusion in her essay, “The WASPs are the Boss: Dominant Culture in America”, with her reaching the diagnosis that the image of the Dominant Culture has shifted dynamically since the days of its precursors. As Coates states regarding the tails of Bradford: “The roots of the dominant culture might lie within Bradford’s account, but the rhetoric of the culture today is very different. Instead of a commonwealth like the pilgrims first had, most established WASPs later supported a capitalistic society.” Even in the initial stages of its development, the Dominant Culture already displayed symptoms of internal digression and separation from the ideals that motivated some of its earliest settlements. Coates then shifts to J.D. Vance’s Hillbilly Elegy and reaches a similar verdict. She states that “Vance’s rhetoric of hard work made me see how there was a gap between the two types of people who are defined in the dominant cultures.” This gap, like with Barton, appears on both to both a social and economic extent. Coates then quotes Vance to illustrate this fact: “’There was, and still is, a sense that those who make it are of two varieties: The first are lucky: They come from wealthy families with connections, and their lives were set from the moment they were born. The second are the meritocratic: They were born with brains and couldn’t fail if they tried.” The gap within the Dominant Culture widens due to the overwhelming force of economic opportunity. This gap in opportunity contributes to this economically disadvantaged subgroup within the Dominant Culture, thus cultivating internal conflict. Coates then identifies this subgroup as such: “What fall between these two are those of the dominant culture who are part of the middle or lower class who don’t have either.” According to Coates, this subgroup possesses neither the “brains” nor the luck, but rather have to “work hard for their living just like the immigrant or minority narrative…” Coates elaborates and extends this argument to the Declaration of Independence, where she quotes: “We hold these truths to be self-evident that all men are created equal” and surmises that this doctrine “does not always ring true to [the] history of American. Part of that comes from the fact that no nation is perfect” and that we still have shortcomings regarding our treatment of other immigrant groups. But even our culture, as Coates and Barton have identified, is struggling with its own self-imposed detriments, and these failures and conflicts continue to plague the Dominant Culture.

What stands as a mirror image to this internal destabilization of culture is the picture of generational conflict within the Hispanic community presented by Elizabeth Tinoco’s “Language Limbo.” Tinoco examines the issue of second generation Hispanic immigrants and later whose grasp of the Spanish language has deteriorated. As Tinoco explains regarding the results of this linguistic dwindling: “An outcome of Latinos losing the language of their culture can create animosity between other Latinos.” Tinoco then cites an article were the resentment within the Hispanic community is discussed, and then reflects that she herself has experienced this resentment “constantly in the community I live in; it happens mostly with the young generations of Latinos who do not speak Spanish, offending or inconveniencing an older person who only speaks Spanish” Tinoco relates the regret that springs from this loss of one’s ancestral tongue, saying that these “situations ultimately lead to guilt young people feel guilty for never bothering to learn their cultural language and parents feel guilty for not passing on such an important part of their culture.” This situation is further complicated by the fact that Spanish-speaking immigrants do not pass on this knowledge deliberately. Tinoco states that these parents do not perpetuate these language skills “in fear that their children will be made fun of if they do not speak English perfectly.” And so, the Hispanic community, in coming into contact with the Dominant Culture and its strictures, experiences internal degradation as much as the Dominant Culture does with its ever-widening economic ravines. The Hispanic culture, as the Dominant Culture, faces the dilution of its own ethnic identity due to traditional and societal expectations. The Dominant Culture, in the case of the Scots-Irish, experience increasing disadvantages as the class divide expands. Furthermore, as the Hispanic generations continue to come to the US, they encounter the loss of regard for their cultural heritage, just as the Scotch-Irish begin to lose contact with the American Dream.

From dominance to internal conflict, the Dominant Culture’s image, as expressed by Barton and Coates, is one of degradation as much as it is success. As the Dominant Culture continued to be fruitful and multiply, the economic cracks within its cultural superstructure began to expand. As a result, disadvantage and inequality circumvent the American Dream by creating a pitfall within the system of opportunity. And, even as the Hispanic Culture tries to assimilate, the virus of disparity reproduces within their social structures as well, with each succeeding generation borne here in the US, as Tinoco identifies, losing hold of its cultural ancestry. It would appear then that, with a country like the US, with an economic and social magnitude such as it possesses, is in danger of creating an economic and social void within itself that erects barriers that prevent and obstruct opportunity for, not only the members of its own culture, but those of any other that attempt to thrive within its borders.